Tag Archives: Mountview Film Academy

MOUNTVIEW SHORT FILMS RETROSPECTIVE #3 – 2010

MOUNTVIEW SHORT FILMS RETROSPECTIVE #3 – 2010

Between the years of 2008 and 2011, I did some screenwriting work for the Mountview Film Academy; a filmic extension of the Mountview Academy of Theatre Arts. Based in London, they would produce a number of student acting projects including many low budget short films. Writers would be shuttled in and given a remit to create short films using specified actors, locations and length of film. Some work better than others and here are three I wrote in 2010.

2010

What an interesting year. Personally, I had my fortieth birthday, changed jobs and my son turned ten years old. I am still at that current job and my son is now eighteen! Yikes: time is a relentless bastard!

In the world of culture, society, news and media there were some fascinating stories in 2010. Snow and ice dominated headlines in the beginning and end of the year. Tony Blair gave evidence to the Iraq enquiry while Dennis Hopper and Alexander McQueen sadly passed away. Ash from Iceland burst the air and disrupted flights all over Europe, as the Deepwater Horizon platform exploded off the Gulf of Mexico.

Later, Labour would lose the election to a Conservative-Liberal Democrat coalition; while Rauol Moat went on a kill crazy rampage in the North-East of England. Chilean miners got trapped underground, while Julian Assange and Wikileaks also hit the headlines. Finally, most importantly of all, Matt Cardle won The X Factor.

DYING AND KILLING (2010)

This short comedy drama centres on a stand-up comedian who wreaks revenge on a heckler who verbally destroys her set.

I would have to say this is close to being my favourite student short film of the lot. It has a great premise and is very funny. The student actors involved are brilliant and it is directed with style by Jonathan Wolff. As a semi-pro comedian myself I know what it’s like to fail on stage and the film captures that emotion well.

A GOOD CAUSE (2010)

This short romantic comedy-drama centres on a romance between a businessmen and a charity worker that takes a twisted turn.

While the actors do their best with this idea I don’t think the story is particularly sharp. Indeed, the premise feels unfocussed and the direction cannot mask the faults in the script. Having said that the actors are pleasant and the twist is funny, if a little bizarre. Overall, a bit more rehearsal and a re-write may have tightened the film a tad.

REAP (2010)

This short sci-fi drama centres on a ‘Reaper’ (a person who transfers souls to the ‘other side’), having to make a life and death choice.

I basically wrote this in an afternoon as an emergency script was required by Mountview, after another one fell down at the last minute. Clearly riffing on The Matrix, the film looks and feels too generic and the script is pretty weak. However, there is a decent idea in here which could be worth building on. The actors do well with the formulaic material but not one of my better scripts.

MOUNTVIEW FILM ACADEMY SHORT FILM RETROSPECTIVE #2 – 2009!

MOUNTVIEW FILM ACADEMY SHORT FILM RETROSPECTIVE #2 – 2009!

Continuing my indulgent posts looking back at some of the writing I did for the Mountview Film Academy years ago.

The year is 2009. Matt Smith was made the new Doctor Who. Cristiano Ronaldo wrote off his new Ferrari. The UK had the worst snowfall for twenty years and Natasha Richardson tragically died in a skiing accident. Swine flu spread across the UK and Michael Jackson passed away too. Alistair Darling was taking a political battering as the Chancellor, while Rage Against the Machine surprisingly hit number one in the pop charts at Christmas.

While these were some of the most read stories of the year, I was doing a lowly-paid temp job in Canary Wharf while following my hollow dream of becoming a paid writer. I took a small step toward that by being shuttled into the Mountview Film Academy to provide two short scripts for their students to act in. These are the said films.

THE DAMASCUS ROAD (2009)

This drama concerns two car thieves out on a job with very different agendas.

Looking back I think this is one of the best scripts I wrote for them. The characters have very different personalities and clash both dramatically and comedically. The pay-off at the end is also very satisfying and the dialogue pings along nicely. It was written with two male leads in mind but switched to female protagonists and overall it works due to excellent acting and direction.

THE CUT (2009)

This short dramatic scene concerns a relationship breakdown and love triangle during a power cut.

Looking back this is one of the worst scripts I wrote for Mountview. The idea of a lover attempting to creep out during a power-cut when the husband returns is a solid premise. However, the writing is weak and ponderous throughout. In the end the scene fizzles out to nothing despite the best work of the actors and director.

MOUNTVIEW FILM ACADEMY RETROSPECTIVE #1 – THE BLACK ROOM (2008)

MOUNTVIEW FILM ACADEMY RETROSPECTIVE #1 – THE BLACK ROOM (2008)

A rather indulgent post this!!  

Between the years of 2008 and 2011, I did some screenwriting work for the Mountview FilmAcademy; a filmic extension of the Mountview Academy of Theatre Arts. Based in London, they would produce a number of student acting projects including many low budget short films. Notable Mountview Alumni include: Craig Parkinson, Eddie Marsan, Lois Chimimba, Connie Fisher, Douglas Henshall, Rebecca Trehearn and many more.

Writers would be shuttled in and given a remit to create short films using specified actors,locations and length of film.  In 2008, I wrote a film called THE BLACK ROOM. It featured some talented actors and was directed by Jonathan Wolff. It’s a black comedy farce, concerning a writer who is struggling so much to write a period drama he starts to go a bit mad.

Watching the film back after ten years is interesting from a creative perspective. I actually think it works really well still and the story holds up despite the very low budget. Indeed, in places I still think the short film is pretty funny; echoing, on a very minor level, Charlie Kaufman’s meta-textual work in the film Adaptation (2002). Anyway, here it is: