YOU HAVE A NEW FOLLOWER (2020) – SHORT FILM UPDATE
Last year I wrote and filmed a new short film called You Have a New Follower (2020). It is now completed and it is now being prepared for submission to film festivals. Here are the details, credits and a trailer to watch.
Astrid Nilsson’s life begins to unravel when she is stalked by a mysterious hooded figure.
You Have a New Follower (2020) is the latest short film from Paul Laight and Fix Films. It was shot in London and combines mystery, suspense and science fiction genres with dramatic effect. It’s a short, low-budget film which seeks to explore themes of paranoia, anxiety, and identity within the thriller genre.
ASTRID NILSSON – Tilde Jensen DAVID MARKER – Mitchell Fisher
CREDITS AND CREW
DIRECTED BY: Paul Laight and Tilde Jensen WRITTEN AND PRODUCED BY: Paul Laight CAMERA: Petros Gioumpasis LIGHTING: Sakis Gioumpasis SOUND: Marina Fusella EDITORS: Oliver McGuirk, Petros Gioumpasis COMPOSER: James Wedlock SOUND DESIGN: Simos Lazaridis LOCATION MANAGER: Melissa Zajk PRODUCTION ASSISTANT: Lue Henner
Between the years of 2008 and 2011, I did some screenwriting work for the Mountview Film Academy; a filmic extension of the Mountview Academy of Theatre Arts. Based in London, they would produce a number of student acting projects including many low budget short films. Writers would be shuttled in and given a remit to create short films using specified actors, locations and length of film. Some work better than others and here are three I wrote in 2010.
What an interesting year. Personally, I had my fortieth birthday, changed jobs and my son turned ten years old. I am still at that current job and my son is now eighteen! Yikes: time is a relentless bastard!
In the world of culture, society, news and media there were some fascinating stories in 2010. Snow and ice dominated headlines in the beginning and end of the year. Tony Blair gave evidence to the Iraq enquiry while Dennis Hopper and Alexander McQueen sadly passed away. Ash from Iceland burst the air and disrupted flights all over Europe, as the Deepwater Horizon platform exploded off the Gulf of Mexico.
Later, Labour would lose the election to a Conservative-Liberal Democrat coalition; while Rauol Moat went on a kill crazy rampage in the North-East of England. Chilean miners got trapped underground, while Julian Assange and Wikileaks also hit the headlines. Finally, most importantly of all, Matt Cardle won The X Factor.
DYING AND KILLING (2010)
This short comedy drama centres on a stand-up comedian who wreaks revenge on a heckler who verbally destroys her set.
I would have to say this is close to being my favourite student short film of the lot. It has a great premise and is very funny. The student actors involved are brilliant and it is directed with style by Jonathan Wolff. As a semi-pro comedian myself I know what it’s like to fail on stage and the film captures that emotion well.
A GOOD CAUSE (2010)
This short romantic comedy-drama centres on a romance between a businessmen and a charity worker that takes a twisted turn.
While the actors do their best with this idea I don’t think the story is particularly sharp. Indeed, the premise feels unfocussed and the direction cannot mask the faults in the script. Having said that the actors are pleasant and the twist is funny, if a little bizarre. Overall, a bit more rehearsal and a re-write may have tightened the film a tad.
This short sci-fi drama centres on a ‘Reaper’ (a person who transfers souls to the ‘other side’), having to make a life and death choice.
I basically wrote this in an afternoon as an emergency script was required by Mountview, after another one fell down at the last minute. Clearly riffing on The Matrix, the film looks and feels too generic and the script is pretty weak. However, there is a decent idea in here which could be worth building on. The actors do well with the formulaic material but not one of my better scripts.
MOUNTVIEW FILM ACADEMY RETROSPECTIVE #1 – THE BLACK ROOM (2008)
A rather indulgent post this!!
Between the years of 2008 and 2011, I did some screenwriting work for the Mountview FilmAcademy; a filmic extension of the Mountview Academy of Theatre Arts. Based in London, they would produce a number of student acting projects including many low budget short films. Notable Mountview Alumni include: Craig Parkinson, Eddie Marsan, Lois Chimimba, Connie Fisher, Douglas Henshall, Rebecca Trehearn and many more.
Writers would be shuttled in and given a remit to create short films using specified actors,locations and length of film. In 2008, I wrote a film called THE BLACK ROOM. It featured some talented actors and was directed by Jonathan Wolff. It’s a black comedy farce, concerning a writer who is struggling so much to write a period drama he starts to go a bit mad.
Watching the film back after ten years is interesting from a creative perspective. I actually think it works really well still and the story holds up despite the very low budget. Indeed, in places I still think the short film is pretty funny; echoing, on a very minor level, Charlie Kaufman’s meta-textual work in the film Adaptation (2002). Anyway, here it is:
Cast: Ennio Fantastichini, Francesca Cuttica, Juliet Esey Joseph
This is a nifty little low-budget sci-fi horror from Italy which makes very good use of limited locations and small cast to entertaining effect. A Translator is called to a job at an unknown location and is then faced with a particularly strange job. She must translate for a shady Government organisation who are holding an Alien referred to as ‘Wang’. Strangely the alien speaks Mandarin having learnt it because it is the most spoken language on Earth.
The premise is intriguing and draws you in and I was gripped throughout. The effects were alright given the low budget and the film shows that a decent concept can overcome financial limitations. As with many small budget films we are restricted to one main location; an interrogation room where the Government agent grills the Alien through the translator. The film takes on political subtext by questioning the torture of suspected Government threats or ‘terrorists’ as the alien Wang is seen as foe rather than friend.
While it gets a bit irritating with the back and forth translation and subtitles combined I enjoyed the movie very much; managing to create suspense throughout. Even though some people may find the Alien effects a bit silly and laughable it’s worth sticking with to the end.