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SIX OF THE BEST #26 – ENNIO MORRICONE (R.I.P 1928-2020)

SIX OF THE BEST #26 – ENNIO MORRICONE – (R.I.P – 1928-2020)

“If you scroll through all the movies I’ve worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So, in other words, I’m no specialist, because I’ve done everything. I’m a specialist in music.” Ennio Morricone


As if 2020 couldn’t get any more dramatic, one of the greatest musical composers and dramatists ever known has passed away. Ennio Morricone, rather incredibly, wrote the scores for over four hundred films and television works. He also managed to write well over one hundred classical pieces. To say Ennio Morricone was a prolific genius is somewhat of an understatement.

Morricone won six BAFTAs, eleven Nastro d’Argento, three Grammy Awards, three Golden Globes, six BAFTAs, ten David di Donatello, two European Film Awards, the Golden Lion Honorary Award and the Polar Music Prize. In 2007, he received the Academy Honorary Award for his outstanding commitment to cinema. Moreover, he was also nominated for a further six Oscars. Lastly, Morricone had to wait until 2016 to receive his only competitive Academy Award for the haunting score to Quentin Tarantino’s The Hateful Eight (2016). For Morricone to receive only one Oscar for musical composition is astounding and proves once again there is no justice in the world.

A meagre blog piece from a London-based hack will never be enough of a tribute to a composer who worked in every cinematic genre and with an incredible array of famous and infamous filmmakers. Notables include: Sergio Leone, Oliver Stone, Warren Beatty, John Carpenter, Quentin Tarantino, Sergio Corbucci, Dario Argento, Duccio Tessari, Sergio Sollima, Henri Verneuil, Bernardo Bertolucci, Mauro Bolognini, Giuliano Montaldo, Roland Joffé, Don Siegel, Mike Nichols, Brian De Palma, Barry Levinson and many more companies including advertisers, singers, recording artists and fashion designers. Morricone even found time to compose the 1978 World Cup theme song.

Thus, as a tribute to one of the greatest cinematic artists I have selected six of Morricone’s best film orchestrations. Although given his brilliance and spectacular output, one could certainly pick many more; even sixty of the best!! Riposa in pace, Ennio, il maestro!




THE GOOD, THE BAD AND THE UGLY (1966)



THE GREAT SILENCE (1968)



ONCE UPON A TIME IN THE WEST (1968)



ONCE UPON A TIME IN AMERICA (1984)



THE MISSION (1986)



THE HATEFUL EIGHT (2016)


LONDON FILM FESTIVAL REVIEW – DOGMAN (2018)

LONDON FILM FESTIVAL REVIEW – DOGMAN (2018)

Directed by: Matteo Garrone

Produced by: Matteo Garrone, Jeremy Thomas, Jean Labadie, Paolo Del Brocco

Written by: Ugo Chiti, Maurizio Raucci, Matteo Garrone, Massimo Gaudioso

Starring: Marcello Fonte, Edoardo Pesce, Alida Baldari Calabria

Music by: Michele Braga

Cinematography: Nicolaj Brüel

**SPOILER FREE REVIEW**

cannes_dogman_marcello_fonte

If you were the Italian Tourist Board you would certainly NOT direct potential visitors to view Matteo Garrone’s films about contemporary Italian life. His brutal depiction of Neapolitan gangsters in Gomorrah (2008) was violent and unforgiving. Similarly, his grim snap-shot of Roman contemporary life, in Dogman (2018), is again a hopeless, violent and nihilistic experience.  While there are glimmers of kindness and some possibility of escape, Dogman offers its characters little more than gut-wrenching pain and emptiness. It’s genuinely high quality filmmaking but up there with, Lean of Pete (2018), as one of the most depressing films I have seen all year.

Dogman starts in positive enough fashion with Marcello Forte as an Italian everyman making a living as a dog sitter, walker and groomer. His interaction with the animals he looks after is both humorous and touching. In order to make ends meet though and provide for the young daughter he worships, Marcello deals small quantities of cocaine. This inevitably opens the door for possible trouble. Forte is incredibly well cast. He has a kind but haunting face. It is dominated by big eyes, a crooked smile and wonky teeth. He loves his job, his animals, his friends and family. Like a dog in character, he tries so hard to be loyal and liked but every one of his decisions seems to lead to tragedy. His loyalty to the local thug, Simoncino is illogical and the main cause of Marcello’s downfall.

dogman

Now, I enjoy a decent villain. Often the villain in a movie can be thrilling to watch and sometimes the best aspect of a movie. But Edoardo Pesce’s nemesis Simoncino is the epitome of evil; he is TOO real. He is a drug-addled-ex-boxer-bruiser who has absolutely no sense of loyalty or honour. He terrorises the local businesses and bullies Marcello mercilessly. Marcello tries his hardest to keep his head above water but the likes of Simoncino and his continued poor choices combine to drown his soul. The scariest thing is that Simoncino feels real in his animalistic tendenicies. He is genuinely frightening like some rabid beast, unleashed and out of control.

Overall, this film made me feel really sad. Marcello looks like a clown without the make-up and his pained expression plagues the film especially in the latter stages of the drama. You just want Marcello to get some luck but life just won’t cut him a break. This is a haunting character study of the outsider; a man who is literally like a dog himself. He is faithful, loyal and eager to please but ultimately let down by the human cruelty of those who bully and exploit him.

Mark: 8.5 out of 11