I love television and watched a lot of it last year on
most terrestrial and streaming services; especially the BBC, ITV, SKY and
NETFLIX channels. I must admit I am way
behind on many AMAZON and ALL 4/CHANNEL 4 programmes so will be rectifying that
this year. Indeed, there are probably some glaring omissions because of this.
For comparison I include last year’s favourite TV shows. This year I have not included South Park (Season 22) as it was not as good as prior years, despite clearly being one of the funniest shows around. Also, Doctor Who does not make my list as there were too many average episodes. Lastly, a special mention to The Walking Dead (Season 9), which at the mid-season break had somehow pulled itself out of the torpid decline that occurred around Season 6. It may make my 2019 list once the latest season has finished screening this year.
FAVOURITE 12 TV SHOWS OF 2017
BIG LITTLE LIES (2017) – HBO CURB YOUR ENTHUSIASM – SEASON 9 (2017) – HBO FARGO (2017)– SEASON 3 – FOX / CHANNEL 4 GAME OF THRONES (2017) – SEASON 7 – HBO THE HANDMAID’S TALE (2017) – HULU/CHANNEL 4 IT’S ALWAYS SUNNY IN PHILADELPHIA (2017) – SEASON 12 – NETFLIX LEAGUE OF GENTLEMEN – 20TH YEAR ANNIVERSARY (2017) – BBC LEGION (2017) – FOX MINDHUNTER (2017) – NETFLIX SOUTH PARK – SEASON 21 – SOUTH PARK STUDIOS STRANGER THINGS 2 (2017) – NETFLIX THE YOUNG POPE (2016) – HBO
Writer(s): Bruce Miller, Dorothy Fortenberry, Yahlin Chang, Kira Snyder, Eric Tuchmann
Director(s): Mike Barker, Kari Skogland, Jeremy Podeswa, Daina Reid etc.
Starring: Elisabeth Moss, Joseph Fiennes, Yvonne Strahovski, Alexis Bledel, Madeline Brewer, Ann Dowd, Max Minghella, Samira Wiley
Release: Hulu (USA), Channel 4 (UK)
** MAY CONTAIN SPOILERS **
Misery, fascism and oppression have never been so stylish as in the Margaret Atwood televisual adaptation of her famous novel The Handmaid’s Tale. If you haven’t seen it then the story finds a major part of the U.S.A in the grip of a new, militarized and hierarchical regime following a brutal civil war. This new totalitarian state is called Gilead and is led by power-mad men who utilise religion, torture and weaponry to invoke their barbaric laws. Hang on, that sounds quite familiar!! Could the show be quite close to real life? From a certain perspective there is indeed more reality here than allegory.
At the centre of the drama are the Handmaids. Due to falling fertility rates only certain women can give birth. Those that still can and considered to be dangerous to the Gilead hierarchy are imprisoned to the leaders’ houses and raped in a ritualistic monthly ordeal. The narrative focusses on the plight of June Osborne – now known as Offred / “Of Fred” – as she deals with having everything stripped away from her. She has no name, no identity, no freedom and above all else has been ripped away from her husband and child; only to be treated no better than a battery hen.
Elisabeth Moss gives an incredible performance as June / Offred. A versatile performer she imbues the complex pathos, strength and fragility required to convey the emotion of events within the story. The second season begins with a now pregnant June escaping from her captors. However, as the series progresses we know that she is not going to get away that easily. Because, this is a harsh drama. It doesn’t just smash home the viciousness of a society which oppresses women, it also illustrates the dangers of allowing fundamentalists to take total control. Executions by hanging and drowning are commonplace; and if you perpetually rebel an individual can be sent to The Colonies for a fate worse than death.
While the themes and events are sometimes difficult to stomach The Handmaid’s Tale is compelling viewing. Be warned though when one is close to a sliver of light at the end of the tunnel, that light is extinguished as darkness pervades. With a brilliant cast that includes Yvonne Strahovski, Joseph Fiennes and the always-excellent Ann Dowd, this is not just powerful storytelling, it’s incredibly interesting to look at too. The maroons, greens, greys, blacks and whites in the colour scheme create a poetic sense of beauty and doom. The direction, editing, lighting and soundtrack serve the narrative expertly as Margaret Atwood’s dystopic future is illustrated skilfully. Ultimately, in Elizabeth Moss’ portrayal of June Osborne we have a heroic and resilient character; one who, amidst all the suffering, is determined to survive and save those she loves. Praise be!