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AUTUMN 2019 TV DRAMA UPDATE – REVIEWS INCLUDE: DARK (2019) – S2, EUPHORIA (2019), THE LOUDEST VOICE (2019) & THE HANDMAID’S TALE (2019) – S3 ETC.

AUTUMN 2019 TV DRAMA REVIEWS

Having finished watching all six seasons of the absolutely amazing series The Americans (2013 – 2018) at the end of the summer, I thought it prudent to try and catch up with some of the other television shows I’d missed or had on my planner.

It is becoming clearer and clearer that television, especially many of the shows from Showtime, HBO and Netflix, are reaching and surpassing cinematic quality. The budgets, writing, production values and casts are incredible. It’s been like this for a while, and long may it continue I say.

So, here are a collection of the excellent TV shows I have completed watching in the last month or so, with the usual marks out of 11.

**SPOILER FREE**



CITY ON A HILL (2019) – SEASON 1 – SHOWTIME / SKY ATLANTIC

This crime drama set in 1990’s Boston is essentially a combination of The Wire meets Ben Affleck’s cracking film, The Town (2010). Kevin Bacon and Aldis Hodge lead the cast in this always watchable story of cops and robbers. Bacon is especially excellent as the anti-heroic FBI agent, Jackie Rohr. Good performances, violent action and earthy Bostonian dialogue inflect this genre piece, which blurs the lines between the good, the bad and the downright ugly.

Mark: 8 out of 11



A CONFESSION (2019) – ITV

Martin Freeman, Imelda Staunton and Siobhan Finneran are all uniformly excellent in this true crime drama. Set in Wiltshire, it follows Detective Superintendent Steve Fulcher (Freeman), as his investigative team search for a missing young woman. What follows is a series of compelling events which grip you throughout. Seasoned scriptwriter Jeff Pope delivers a meticulously researched screenplay that explores the emotional impact of criminal behaviour, and how police procedure effects justice for victims and their families.

Mark: 8 out of 11



DARK (2019) – SEASON 2 – NETFLIX

What can I say about Dark (2019) – Season 2? Well, for starters it is easily one of the best television dramas I have seen in a long time. It’s edgy, nightmarish, confusing, twisted and to be honest, virtually unreviewable. I say that because I don’t want to give away any spoilers but, trust me, if you like emotionally, structurally and artistically complex plots involving multiple characters, locations and timelines then this German thriller is for you. It had me confused in a good way and totally immersed in the tenebrae. You will be lost, searching for the light, yet you will be astounded too by the audacity of the writing and looping madness on show.

Mark: 10 out of 11



EUPHORIA (2019) – HBO / SKY ATLANTIC

Having recently watched Sam Levinson uneven but stylish low-budget crime drama, Assassination Nation (2018), I thought I’d give this big budget HBO U.S. drama a watch. The ensemble cast of mainly young actors are led brilliantly by the ultra-talented Zendaya. She portrays just-out-of-rehab, Rue, who battles drug addiction on a daily basis. Her new best friend Jules (Hunter Schafer) also has issues to deal relating to identity, sex and love. In fact, pretty much all the characters are fucked up somehow in this giddy, glossy, sexy, dirty and often shockingly dark profile of high school existence.

Mark: 9 out of 11



THE HANDMAID’S TALE (2019) – SEASON 3 – HULU / CHANNEL 4

Season 3 of the iconic Margaret Atwood literary adaptation, continues to play strongly with the emotions, the nerves and the heartstrings. Centred around the dictatorial and fascistic Republic of Gilead, the plight of oppressed woman such as June Osborne (Elizabeth Moss) and other ‘Handmaid’s’ is a grim mix of tense drama and suffocating horror. Having said that, misery has never looked so beautifully shot as Moss’ performance and the cinematography are both exquisitely framed. The narrative is slightly slow in delivery, yet as June finds strength in rebellion and civil disobedience, you’re never too far from startling turns of violence and empowerment within the narrative.

Mark: 9 out of 11



THE LOUDEST VOICE (2019) – SEASON 1 – SHOWTIME / SKY ATLANTIC

I don’t tend to watch the news as it’s all quite depressing. However, I was drawn to this drama about Fox News and its’ leader, Roger Ailes, because it features a great cast. They include, an unrecognizable Russell Crowe, Naomi Watts, Sienna Miller and Seth MacFarlane. The narrative covers Ailes starting Fox News for Rupert Murdoch in 1996, and subsequent global news events from then to the present. Crowe revels in his role as the monstrous Ailes, who advocates making Fox the number one news outlet on TV, by pushing his own agendas amidst sensational news storytelling. I have seen a few negative reviews for this show, but I really enjoyed it. As a profile of a big, corporate predator who preyed on those around him, it was both sickening and enthralling at the same time.

Mark: 9 out of 11




THE HANDMAID’S TALE (2018) – SEASON 2 – TV REVIEW

THE HANDMAID’S TALE (S2) – TV REVIEW

Based On: The Handmaid’s Tale by Margaret Atwood

Writer(s): Bruce Miller, Dorothy Fortenberry, Yahlin Chang, Kira Snyder, Eric Tuchmann

Director(s): Mike Barker, Kari Skogland, Jeremy Podeswa, Daina Reid etc.

Starring: Elisabeth Moss, Joseph Fiennes, Yvonne Strahovski, Alexis Bledel, Madeline Brewer, Ann Dowd, Max Minghella, Samira Wiley

Release: Hulu (USA), Channel 4 (UK)

** MAY CONTAIN SPOILERS **

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Misery, fascism and oppression have never been so stylish as in the Margaret Atwood televisual adaptation of her famous novel The Handmaid’s Tale. If you haven’t seen it then the story finds a major part of the U.S.A in the grip of a new, militarized and hierarchical regime following a brutal civil war. This new totalitarian state is called Gilead and is led by power-mad men who utilise religion, torture and weaponry to invoke their barbaric laws. Hang on, that sounds quite familiar!!  Could the show be quite close to real life? From a certain perspective there is indeed more reality here than allegory.

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At the centre of the drama are the Handmaids.  Due to falling fertility rates only certain women can give birth. Those that still can and considered to be dangerous to the Gilead hierarchy are imprisoned to the leaders’ houses and raped in a ritualistic monthly ordeal. The narrative focusses on the plight of June Osborne – now known as Offred / “Of Fred” – as she deals with having everything stripped away from her. She has no name, no identity, no freedom and above all else has been ripped away from her husband and child; only to be treated no better than a battery hen.

Elisabeth Moss gives an incredible performance as June / Offred. A versatile performer she imbues the complex pathos, strength and fragility required to convey the emotion of events within the story. The second season begins with a now pregnant June escaping from her captors. However, as the series progresses we know that she is not going to get away that easily. Because, this is a harsh drama. It doesn’t just smash home the viciousness of a society which oppresses women, it also illustrates the dangers of allowing fundamentalists to take total control. Executions by hanging and drowning are commonplace; and if you perpetually rebel an individual can be sent to The Colonies for a fate worse than death.

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While the themes and events are sometimes difficult to stomach The Handmaid’s Tale is compelling viewing. Be warned though when one is close to a sliver of light at the end of the tunnel, that light is extinguished as darkness pervades. With a brilliant cast that includes Yvonne Strahovski, Joseph Fiennes and the always-excellent Ann Dowd, this is not just powerful storytelling, it’s incredibly interesting to look at too. The maroons, greens, greys, blacks and whites in the colour scheme create a poetic sense of beauty and doom. The direction, editing, lighting and soundtrack serve the narrative expertly as Margaret Atwood’s dystopic future is illustrated skilfully.  Ultimately, in Elizabeth Moss’ portrayal of June Osborne we have a heroic and resilient character; one who, amidst all the suffering, is determined to survive and save those she loves. Praise be!

Mark: 9 out of 11

SCREENWASH – SUMMER 2017 – TV DRAMA REVIEWS including: THE NIGHT OF, HANDMAID’S TALE, FARGO (S3) etc.

SCREENWASH – SUMMER 2017 – TV DRAMA REVIEW ROUND-UP

I’ve been watching some excellent dramas over the last few months so here’s a few bitesize reviews with the usual marks out of eleven!

BROADCHURCH (2017) – SEASON 3 – ITV

Chris Chibnall’s compelling investigative-crime-coastal-set drama continues as Police Officers Hardy (David Tennant) and Miller (Olivia Coleman) get to grips with a horrific sexual attack. The chemistry between the two leads is, as usual, the glue that holds the show together as does the suspenseful narrative. It’s a very well-crafted human drama too with many well-rounded characters driving the story. The excellent supporting cast including: Jodie Whittaker, Andrew Buchan, Lenny Henry, Julie Hesmondhalgh etc. make this another very watchable drama. (Mark: 8.5 out of 11)

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FARGO (2017) – SEASON 3 – MGM / FX

Noah Hawley continues to emulate the Coen Brothers’ oeuvre with pitch perfect expertise. This story of stoic cops, dumb criminals, ultra-violence and random acts of fate amidst the snowy landscapes of Minnesota is highly recommended. Ewan McGregor brilliantly plays TWO warring brothers whose feud escalates out of control while corporate crime also gets a poke as McGregor’s Emmet Stussy car-lot business gets swooped on by shysters. Slyly satirising the police procedural drama with off-centre plot twists and dark humour, David Thewlis’s scumbag businessman and Mary Elizabeth Winstead crafty femme fatale steal the show in ten brilliant-could’ve-watched-it-all-day-violent-but-hilarious episodes. (Mark: 9 out of 11)

GENIUS (2017) – SEASON 1 – NATIONAL GEOGRAPHIC

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This beautifully shot and well-written educational drama is based on Walter Isaacson’s book Einstein: His Life and Universe (2007). It examines Einstein’s early life as a struggling clerk and events which saw him become one of the most famous scientists. Johnny Flynn portrays young Einstein with a fine energy while Geoffrey Rush excels as the mad-haired genius we have come to recognise. I’m definitely not a science buff, however there was much to be engrossed by in Einstein’s story, not least his dysfunctional family and marital issues. Both informative and enlightening in regard to science and history it’s fascinating throughout. (Mark: 7.5 out of 11)

THE HANDMAID’S TALE (2017) – SEASON 1 – HULU / C4

Based on Margaret Attwood’s novel, it is set in a dystopian (is there any other kind) near future where the United States has now become split following a societal breakdown and coup. Having moved to more religious-based dictatorial rule, women on the main are now barren and unable to have children; there are however a select few who can still get pregnant. Rather than herald these individuals they are herded up and given to the ruling elite as brood slaves. Elisabeth Moss is mesmerizing as the lead “Handmaid” Offred/June who must survive oppression following her husband and daughter’s apparent death. This hard-hitting drama is definitely one of the best I have seen during 2017. It moves slowly and is very bleak but, like Children of Men (2006), it contains suggestions of hope, light, rebellion and solidarity in a grim, patriarchal world which crushes life and colour. Impressively directed, acted and shot it had me transfixed and disturbed and I very much look forward to a 2nd season. (Mark: 9.5 out of 11)

HOMELAND (2014) – SEASON 4 – SHOWTIME / C4

Claire Danes deserves so much praise for her role as Carrie Mathison. She owns the screen with her single-handed determination to fight against both bi-polar and “enemies” of the USA. Set in Kabul this season eschews the more romantic intensity of the previous seasons for some thrilling spy twists. Rupert Friend excels too as the burnt out CIA Operative as the story moves more toward 24esque territory. It’s sad that the political landscape gives rise to shows such as this but it remains compelling if slightly generic viewing compared to the other seasons. (Mark: 8 out of 11)

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IRON FIST (2017) – SEASON 1 – MARVEL / NETFLIX

Danny Rand (Finn Jones) – previously believed dead – comes back to claim his family business and takes on both corporate and mystical villains in this contemporary superhero drama. Jones is okay and David Wenham is excellent as one of the bad guys but I really struggled with this. I enjoyed Daredevil and Jessica Jones and thought Luke Cage, while a bit slow, had some excellent moments. Iron Fist, however, had a thin repetitive narrative and the fight scenes, characters and dialogue lacked the fizz of Marvel’s best TV work. (Mark: 6 out of 11)

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THE NIGHT OF… (2016) – HBO/SKY

A shy young student Naz portrayed by Riz Ahmed makes several poor life decisions and finds himself in jail for the murder of a young woman. Ambulance-chasing-psoriasis-suffering lawyer John Stone (John Turturro) takes his case as all the evidence points to his guilt.  Created by Richard Price and Steve Zaillian and starring Riz Ahmed, John Turturro, Michael Kenneth Williams and Bill Camp this exquisite noir-crime drama carries the confidence and style of the very best cinematic offerings.  Moreover, the rich characterisation and performances raise it well above the usual police/lawyer procedural dramas on television. Award winning drama of the highest quality with a superlative cast. (Mark: 9 out of 11)