Tag Archives: The Report (2019)

SIX OF THE BEST #31 – FILMS INVOLVING ADMINISTRATION!

SIX OF THE BEST #31 – FILMS INVOLVING ADMINISTRATION!

Having worked in administrative roles most of my working life I thought it would be fun to consider six films which incorporate paperwork, or at least some element of office life, within their cinematic fabric. I’ve worked in industrial, corporate, retail, financial, legal, media and customer service environments. Moreover, I have also had some brilliant, some boring and some frankly awful jobs. Thus, it always pleases me when I can identify with characters and narrative elements that utilise office drudge and tasks. Thus, here are six of the best that do. If you can think of anymore please let me know.


That Moment In Brazil when Sam Lowry's air conditioning fails | by Louie  Hsiao | Medium

ARGO (2012)

The Oscar winning thriller is very exciting, even though much of the action takes place in U.S. Embassy, C.I.A. and Hollywood backlot offices. A great script and cast are wonderfully helmed by Ben Affleck, plus there are some expertly suspenseful scenes throughout. My favourite is the sequence where the Iranians piece together shredded paper to find out the identities of the Americans they are chasing. It’s painstaking work, but somehow extremely suspenseful too.


Argo – Ben Affleck's gripping CIA thriller sends reality into a tailspin |  Ben Affleck | The Guardian

DARK WATERS (2019)

Todd Haynes superior legal thriller unveils a tragic series of events relating to environmental, chemical, legal and human corruption by the DuPont corporation. Mark Ruffalo’s dogged lawyer never gives up in the face of corporate greed and community murder and a load of paperwork. When he gets delivered boxes and boxes of files from DuPont’s army of lawyers I really wanted to dive into the screen and help him!


Dark Waters review: Mark Ruffalo takes up weary arms against a malicious  multinational | Sight & Sound | BFI

DOUBLE INDEMNITY (1944)

Double Indemnity was adapted from James M. Cain’s devious noir novella and found Fred MacMurray and Barbara Stanwyck plotting to kill her husband for the insurance money. As MacMurray’s desperate voiceover reveals the events of the story, we are pulled into a web of deceit and murder which shows human nature as greedy, vicious and unforgiving. Billy Wilder’s films often featured weak men in difficult situations and here I just love that the insurance industry is featured rather than the standard cops and private detectives in other film noirs.


FILM NOIR OF THE WEEK: Double Indemnity (1944) | Dostoyevsky Reimagined:  Blogs

OFFICE SPACE (1999)

Mike Judge’s under-rated black comedy is arguably the best film ever about working in an office. It features so many great scenes and loopy characters as Ron Livingston’s lowly software administrator just decides to stop trying! Rather than get sacked the management team see him as a free-thinker and he actually gets promoted. Perfectly catching the repetitious nature, absurdity and tedium of corporate life, one of the many hilarious moments involves the violent destruction of a printer by fed up workers.


17 Things to Look for the Next Time You Watch Office Space | Mental Floss

THE REPORT (2019)

Based on true events, the film forensically documents a period of U.S. history where Adam Driver portrays, Daniel J. Jones, a U.S. Senate staffer investigating the 2005 destruction of interrogation videotapes. He begins the work in 2009 and is faced with six million pages of CIA materials to work through. It soon, unsurprisingly, becomes an obsessive and ordered job for Jones and it takes him years to ultimately finish the report. Often C.I.A thrillers have car chases and shootouts, but this is an extensively researched drama set in enclosed offices, in meetings, in Senate hearings, at desks and computer screens; all with flashes of interspersing torture.



THE SHAWSHANK REDEMPTION (1994)

Patience is a virtue they say, and Andy Dufresne shows it in spades; tiny little digging spades he uses to chip away at a tunnel over many, many years. This prison film benefits from a gem of a Stephen King story, plus Frank Darabont’s brilliant writing. Everyman Dufresne could be battered into submission by the rape, beatings, and incarceration he endures but his stubborn survival instinct pays off in a wonderful pay-off at the story’s end. I also loved how he used his skills as an accountant to get the guards on his side, utilising his bookkeeping abilities as part of his escape plan.


The Shawshank Redemption - Film | Park Circus

THE CINEMA FIX PRESENTS – TWELVE FAVOURITE FILMS OF 2019!

THE CINEMA FIX PRESENTS – TWELVE FAVOURITE FILMS OF 2019!

Hello 2020!

So, here are my TWELVE FAVOURITE FILMS I watched last year at the cinema, at film festivals and on streaming platforms such as Netflix, Curzon and Amazon etc.!

It was another very good year full of entertaining and thought-provoking cinema. If I have missed any films out it’s because I did not enjoy them as much as you — or have not seen them yet. If I have missed any must-see films then please point out any glaring omissions.


Image result for blackkklansman poster

For comparison here are my FAVOURITE FILMS OF 2018:

  • A Quiet Place (2018)
  • A Star is Born (2018)
  • BlacKKKlansman (2018)
  • The Favourite (2018)
  • First Reformed (2018)
  • First Man (2018)
  • Game Night (2018)
  • Peterloo (2018)
  • Phantom Thread (2017)
  • Sorry To Bother You (2018)
  • The Shape of Water (2017)
  • Upgrade (2018)

12 FAVOURITE FILMS OF 2019

So, here are the films I enjoyed watching most of all last year. Films I also really liked but narrowly miss out on this list are: Doctor Sleep (2019), Green Book (2018), Harriet (2019), Little Women (2019), Paddleton (2019), Ready or Not (2019), The Report (2019) and Vice (2018).


AD ASTRA (2019)

“James Gray’s existential space epic finds Brad Pitt journeying into the abyss of space with tremendous results.


AVENGERS: ENDGAME (2019)

“…the Marvel production team deserve so much credit for bringing this multi-stranded story home in such a thrilling fashion.”


CAPERNAUM (2018)

“…With incredible scenes of documentary realism the director Nadine Labaki has delivered a powerful piece of cinema.”


DOLEMITE IS MY NAME (2019)

“… it’s a testament to the ability, talent and infectiousness of Eddie Murphy. Comedian and B-movie star, Rudy Ray Moore, is a part he was born to play.”


THE FAREWELL (2019)

“… Awkwafina provides subtle brilliance in her role as Billi, yet, Zhao Shuzhen steals the show as the effervescent Nai-Nai in this funny and moving drama.”


THE IRISHMAN (2019)

“… Netflix have an absolute monster of a gangster film here, with Scorsese once again delivering a very special cinematic offering.”


JOJO RABBIT (2019)

“… Taika Waititi just manages to balance parody and pathos in this risky, but brilliant rites-of-passage comedy-war film.”

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JOKER (2019)

“… marrying Taxi Driver (1976) with a DC comic-book super-villain is a masterstroke; making it one of the most compelling films of 2019.”


KNIVES OUT (2019)

“… Rian Johnson is back on the form with this breathless murder mystery, which works brilliantly as fast-paced, witty and intricate film entertainment.”


MARRIAGE STORY (2019)

“… an emotional and funny relationship drama that’s full of standout scenes, with Adam Driver and Scarlett Johansson on top form.”


ONCE UPON A TIME IN HOLLYWOOD (2019)

“… a near three-hour arthouse classic, especially if you like films about film and TV making, driving, feet, cinema-going, Los Angeles, more feet; and hanging with the marvellous DiCaprio and Pitt.”


US (2019)

… Jordan Peele skilfully delivers another great horror film, thanks to clever writing, masterful film production and an incredible cast.”