SHUDDER HORROR CLASSIC REVIEW – THE CHANGELING (1980)
Directed by: Peter Medak
Produced by: Joel B. Michaels, Garth H. Drabinsky
Screenplay by: William Gray, Diana Maddox
Story by: Russell Hunter
Cast: George C. Scott, Trish Van Devere, Melvyn Douglas, John Colicos, Jean Marsh, Helen Burns, Madeleine Sherwood,
Cinematography: John Coquillon
***MAY CONTAIN SPOILERS***
If, teenagers being stalked and slashed by a crazed non-speaking maniac are your preference, then you probably would not enjoy the classic ghost story, The Changeling (1980). However, if you are rivetted and chilled by expertly crafted cinematic horror, built on a compelling screenplay, excellent performances and fine cinematography, then this is a film for you.
Not to be confused with the kidnapping thriller, Changeling (2008). The Changeling (1980) feels like one of those older films which created the mould for many other contemporary ghost narratives. A few examples include: The Woman in Black (2012), Candyman (1992), the Ring series and more recently, Hereditary (2018). Such films often feature genre tropes like:
- Grieving or vulnerable lead protagonist(s).
- A vengeful ghost or spirits who were murdered or done wrong when alive.
- A creepy house or location which holds a dark secret and becomes a character in it’s own right.
- A detective plot structure which finds said protagonist attempting to solve the mystery of the ghost’s past.
- Lots of creepy supernatural comings and goings that ultimately lead to the ghost’s redemption or a successfully chilling retribution.
Of course, the model for such conventions lay in the pages of classic literary ghost stories, however, having not seen The Changeling (1980) for over thirty-years, I felt like I was watching a masterpiece of the supernatural film genre. It doesn’t hurt having Oscar winning actor, George C. Scott, subtly playing the lead as grieving John Russell, a musical professor trying to come to terms with the death of his wife and child. Moreover, the mature approach to pacing and direction by Peter Medak slowly builds the terror to a real crescendo. The horror within the plot, involving a murdered child, is ably imbued by the compelling score, elegant editing and John Coquillon’s exquisite camera movement and lighting composition. Ultimately, I enjoy a good slasher film, but give me a classy supernatural tale such as The Changeling (1980) any night of the week.