“CINEMA” REVIEWS: NOMADLAND (2020) & SOUND OF METAL (2019)
Due to the being very busy at my day job I have fallen slightly behind with my film reviews. Thus, I am consolidating two quality dramas I have watched in a double bill review presentation. In fact, it is quite apt that these two films are critiqued together as they are both Oscar winners, both focus on an individual’s struggle against difficult personal trauma, both films represent an alternative vision of America and are told in a meditative and absorbing style.
Directed and written by: Chloé Zhao
Produced by: Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, Chloé Zhao
Based on: Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder
Cast: Frances McDormand, David Strathairn, Linda May, Swankie etc.
Winning the Oscar for Best Picture, Best Director and Best Actress in a leading role, perhaps upsold my expectations for Nomadland (2020). It is an example of amazing filmmaking without being a particular brilliant film. I get why it won Best Picture, but that was more to do with there not being one specifically superb standout film among the nominees. Frances McDormand isn’t even very memorable as the lead protagonist, Fern. Don’t get me wrong she is highly empathetic and admirable in her resilience to stick to the road, living in her van and scrapping by independently. However, the film is one-paced. It is all set-up and little pay-off, with the odd flat tyre, van breakdown and Fern having to shit in a bucket providing occasional spikes in the drama.
Much praise though goes to the incredible cinematography and Chloe Zhao’s intelligent and naturalistic direction. She really gets into the weeds of the flailing American dream, as well as providing insight into the lives of working-class people disenfranchised by American capitalism. Moreover, Zhao’s use of non-professional actors is quite astounding, as at times you feel like you are watching a pseudo-documentary. Ultimately, Nomadland (2020) though, is arguably too meditative and glacially paced. It remains a brave and quietly powerful film, but it’s just too quiet for my dramatic needs.
Mark: 8 out of 11
SOUND OF METAL (2019)
Directed by: Darius Marder
Produced by: Bill Benz, Kathy Benz, Bert Hamelinck, Sacha Ben Harroche
Screenplay by: Darius Marder, Abraham Marder
Cast: Riz Ahmed, Olivia Cooke, Paul Raci, Mathieu Amalric etc.
Sound of Metal (2019) is another quiet drama, however, it really begins with a load of noise. It derives from Riz Ahmed’s drummer, Ruben, thrashing on stage with his girlfriend, Lou, as she fronts their heavy metal band giving an energetic performance to a lustful crowd. Ruben and Lou live out of their R.V. travelling and gigging around America, but he soon discovers his hearing has been severely damaged. Doctors offer hope in the form of an operation, but it’s extremely expensive. As Ruben is an addict, he also seeks spiritual help at a shelter for deaf people in recovery. There he meets, Joe (Paul Raci), the facilitator at the shelter and Ruben’s slow road to recuperation begins.
Riz Ahmed is outstanding as Ruben, a talented, bright and strong-willed individual who finds himself tested by a loss of hearing. His journey is a slow-moving but compelling one. I especially enjoyed the process where Ruben learns to cope, sign and believe that deafness should not be considered a disability. Indeed, the scenes Ruben shares with the wiser Joe are incredibly moving and thought provoking. Further, Darius Marder directs with a sure hand and really uses the sound effects powerfully, getting us into Ruben’s head both literally and figuratively. Overall, Sound of Metal (2019) beats along steadily but with incredible purpose and rhythm. It teaches us that losing a major sense need not be the end of one’s life, but rather the beginning of an altogether different one.