Tag Archives: identity

THE HORROR OF IDENTITY: DOUBLE BILL FILM REVIEWS – DEERSKIN (2019) & POSSESSOR (2020)

THE HORROR OF IDENTITY: DOUBLE BILL FILM REVIEWS – DEERSKIN (2019) & POSSESSOR (2020)

“Be yourself; everyone else is already taken.”-Oscar Wilde


We’ve all wanted to exist outside our own skin. Or perhaps inhabit someone else’s? Or, maybe even change our own identity, both literally and psychologically. Or is that just me? At the least we have all thought about it. Even losing weight and going down the gym or giving up alcohol or changing our hairstyle is a means of basic transformation. We may make a more defiant change and leave that job we hate or break out from a negative relationship. Arguably though, personality, attitude and mental changes in one’s life are the most difficult. After all, it is incredibly difficult to change the very fabric of one’s personality or character.

We can find an alternative source of transformation in a vicarious sense through storytelling mediums such as literature, television and cinema. The horror genre especially is replete with monstrous visions of identity switches, psychotic breakdowns and physical transmogrification. I personally take great pleasure in seeing altered identities occur on the screen and am especially drawn to characters who experience mental and corporeal metamorphosis. That simply isn’t because I cannot change who I am or what I do on a daily basis, but it’s quite scary to attempt to reshape one’s existence and identity. It’s bloody hard work without much guarantee of success. Horror films, while also frightening when done well, are far more satisfying and give a more immediate hit than the grind of reality.

Two films I have seen recently both relate to mid-life crises and exhibit themes that illustrate two characters changing their appearance to bring about a shift in identity, behaviour and personality. They also show characters spiralling out of control in incredibly violent, bizarre and entertaining ways. Those films are Deerskin (2019) and Possessor (2020) and here are my reviews.

*** MAY CONTAIN SPOILERS ***



DEERSKIN (2019)

Directed and written by Quentin Dupieux

Main Cast: Jean Dujardin, Adele Haenel

Have you ever seen the film Rubber (2010)? It is a gonzo horror-comedy about a murderous-tyre called Robert killing birds and people with telekinetic powers. Beneath the insanity of the pitch there is in fact a subtextual satire on the nature of Hollywood filmmaking and an audience starved of originality; I think! It came from the mind of Quentin Dupieux, so I was intrigued that he had nabbed for a subsequent production the grand talents of Jean Dujardin and Adele Haenel for the obsidian killer comedy, Deerskin (2019).

Dujardin is Georges, a middle-aged loner, recently dumped by his wife whose only aim now it appears is to purchase a deerskin jacket. Buoyed by the confidence the jacket has given him, and armed with a video camera thrown in with the deal, George plots up at a rural hotel and befriends Adele Haenel’s bar server and enthusiastic film editor. Their budding friendship threatens to turn this into a relatively conventional love story, however, a series of twisted turns tip the story into a hilarious series of murderous set-pieces, with Georges determined to get money to make a movie, but most importantly buy deerskin trousers, hat and gloves.

The story of a middle-aged man altering his outer look in order to transform his life and fortune is a staple of Hollywood comedies and romance films. Deerskin (2019) is that kind of film on the surface. Yet when filtered through Dupieux’s iconoclastic imagination the premise is an altogether different kind of demented animal. Ultimately, it is a low-budget gem of a black comedy with some fantastic ideas and fascinating character study of a man attempting to shift skin, but falling deeper and deeper into psychopathy. It’s a wacky journey with committed performances, yet, it felt like the ending was just too sudden, as if the filmmaker either ran our of money or just wanted to screw with audience expectations right up until the final sudden frame.

MARK: 7.5 out of 11


POSSESSOR (2020)

Directed and written by Brandon Cronenberg

Main Cast: Andrea Riseborough, Christopher Abbott, Sean Bean, Tuppence Middleton etc.

Whereas Deerskin (2019) finds a literal and figurative metamorphosis when a character buys a jacket, Brandon Cronenberg’s vicious horror film, Possessor (2020), is an altogether more cerebral, violent and psychologically stunning journey. Andrea Riseborough is as intense as ever portraying an assassin named, Tasya Vox, who through some incredible technology is able to inhabit the mind and body of another individual and use them as a human puppet to commit murder. It’s a perfect set-up for the assassination agency led by Jennifer Jason Leigh’s handler, Girder. Yet such murder by scientific proxy comes at a cost to Vox’s family life and mental stability.

After a glorious opening scene featuring an astoundingly brutal stabbing, Vox attempts to reconnect with her partner and son, but finds herself becoming ever more disconnected. The pressure of taking over another individual’s identity is causing Vox to discombobulate as her mind begins to fracture. Despite this she takes the next job, a contract to kill John Parse (Sean Bean), using Christopher Abbott’s Colin Tate as a conduit. As Vox struggles with her splitting psyche, Tate himself is having personal issues also and this leads to some mind-bending and psychedelic montage scenes as the two battle within Tate’s brain. If this all sounds a bit weird, it is and it isn’t because the filmmaking is of such a high quality one believes the process. Further, the director never loses his grip on the narrative and Cronenberg gets a compelling performance from Abbott as his character confronts the invasion into his soul.

Overall, Possessor (2020) has a stunning concept at its heart but I just kept wondering how a genre filmmaker like Leigh Whannell may have handled the idea. He certainly would have made the characters more empathetic because it is so tough to warm to either Vox or Tate. Indeed, Tate’s character should have been developed more at the beginning in my view as he would have made an ideal “innocent/wrong man” type character so often used by Hitchcock. Nonetheless, Brandon Cronenberg has crafted one of the most visually impressive and shocking psychological horror films I have seen in a long time. Like Whannell’s Upgrade (2018), it contains some memorable gore and violence. It is also very intelligent as the fantastic ideas explore what it means to not only inhabit another person’s skin, but rip through their very soul.

Mark: 8.5 out of 11


TV & FILM DOCUMENTARY REVIEWS INCLUDING: FOR SAMA (2019), WON’T YOU BE MY NEIGHBOUR (2018) & THREE IDENTICAL STRANGERS (2018) ETC.

TV & FILM DOCUMENTARY REVIEWS

Obviously, I watch a hell of a lot of fiction films and television shows. Every now and then I try and catch up with some documentaries about actual events, people and serious matters. Personally, I love nothing more than to immerse myself in fictional worlds, but sometimes it’s important to explore the “truth”.

Having said that, some documentaries contain highly constructed narratives with as much, if not more drama than fictional works. Indeed, very often truth is much stranger than fiction. Thus, here are six documentaries I have watched recently. As some of these reviews deal with serious issues, I have dispensed with the usual marking system, so as not to trivialise them.

******CONTAINS FACTUAL SPOILERS******


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BRITAIN’S CHILD DRUG RUNNERS – CHANNEL 4/ALL 4

Dispatches is a long-running documentary series which examines hard-hitting issues in society and the world as a whole. This particular episode sought to shed light on the gangs which lure teenagers into their drug running crimes. Children, some as young as eleven, are used to run “County Lines” delivering and selling drugs. The programme was fascinating and showed how the children’s, parents, police enforcement and society in general is being tragically affected by this problem.


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CATCHING A KILLER (2019) – CHANNEL 4/ALL 4

Murder documentaries are like rats in the city, infesting our TV screens and streaming platforms. Some of the true-life ones can be lurid and trashy, however, this one from Channel 4 was moving and of high quality. The series focuses on ongoing investigations and follows police as they investigate the crime and gather evidence. This particular episode profiled a retired gentleman who relatives believed had died of natural causes. It soon became clear that the victim had been cruelly conned and manipulated by a charming, but devious killer.


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FOR SAMA (2019) – CHANNEL 4/ALL 4

This incredibly moving and harrowing documentary took you into the heart of the Syrian conflict. Filmmaker and journalist, Waad Al-Kateab began filming in 2011 and continued for many years as her home in East Aleppo became a bomb site full of loss, destruction and death. Despite this she met her husband, a Doctor, and gave birth to her daughter, Sama. Choosing to stay amidst the explosions and blood was not only an incredible commitment to the story, but also a testament to the bravery of those lives impacted by war. I don’t know much about the Syrian war, and obviously this is just one side of what is a very complex matter. Yet, despite all the pain and suffering on show, one must admire the resilience of those involved and I am not surprised the film has gone onto to win many awards.


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MARRIED TO A PAEDOPHILE (2018) – CHANNEL 4/ALL 4

This salacious sounding documentary is not as exploitation based as it would appear. Focusing on three families who lives have been torn apart because the man of the family had downloaded child pornography, it explores the aftermath of this serious crime. Interestingly, the documentary featured the real voices of the people involved, but with actors playing their roles. It’s an intriguing subject as the wives and children of these men are left to deal with not just shame and guilt, but vindictive neighbours and broken relationships.


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THREE IDENTICAL STRANGERS (2018) – CHANNEL 4/ALL 4

This is genuinely one of those stories you would not believe, unless perhaps it was in a science fiction cloning drama or something. The documentary film examines the past and present lives of triplets who were given up for adoption in the early 1960’s. The issue was none of them, or their adoptive parents, were told of the others existence. Thus, years later when they meet each other aged 19, through sheer coincidence, they have one hell of a surprise. The first half of this documentary is very engaging and positive as the trio, Bobby, Eddy and David reunite and become celebrities, appearing on chat shows and magazine front pages in 1980’s America. The second half of this incredible film then darkens somewhat as the truth as to what actually happened is revealed. It is truly astonishing to watch!


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WON’T YOU BE MY NEIGHBOUR (2018) – NETFLIX

Having watched and reviewed the recent film release, A Beautiful Day in the Neighborhood (2019) here, I decided to head over to Netflix and check out the earlier documentary about American TV legend, Fred Rogers. Like the feature drama, this highlights the strength, wisdom and kindness of a great man, determined to instil worth and warmth into children’s lives. It’s a finely constructed documentary with an intermingling of footage from Rogers’ television shows, historical interviews with the man himself, plus friends, family and people he worked with paying tribute to a fine human being. The film asks, “Won’t You Be My Neighbour?” My answer is a definite YES!


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YOU HAVE A NEW FOLLOWER (2020) – SHORT FILM UPDATE

YOU HAVE A NEW FOLLOWER (2020) – SHORT FILM UPDATE

Last year I wrote and filmed a new short film called You Have a New Follower (2020). It is now completed and it is now being prepared for submission to film festivals. Here are the details, credits and a trailer to watch.

Please also feel free to SUBSCRIBE HERE to my YouTube channel which has all my short films on. Or check out the WEBSITE HERE.


YOU HAVE A NEW FOLLOWER (2020) – TRAILER



YOU HAVE A NEW FOLLOWER (2020) – DETAILS

TAGLINE

“Watch your back…”

PREMISE

Astrid Nilsson’s life begins to unravel when she is stalked by a mysterious hooded figure.

ABOUT

You Have a New Follower (2020) is the latest short film from Paul Laight and Fix Films. It was shot in London and combines mystery, suspense and science fiction genres with dramatic effect. It’s a short, low-budget film which seeks to explore themes of paranoia, anxiety, and identity within the thriller genre.

MAIN CAST

ASTRID NILSSON – Tilde Jensen
DAVID MARKER – Mitchell Fisher

CREDITS AND CREW

DIRECTED BY: Paul Laight and Tilde Jensen
WRITTEN AND PRODUCED BY: Paul Laight
CAMERA: Petros Gioumpasis
LIGHTING: Sakis Gioumpasis
SOUND: Marina Fusella
EDITORS: Oliver McGuirk, Petros Gioumpasis
COMPOSER: James Wedlock
SOUND DESIGN: Simos Lazaridis
LOCATION MANAGER: Melissa Zajk
PRODUCTION ASSISTANT: Lue Henner

A FIX FILMS PRODUCTION © 2020