Tag Archives: SETH ROGEN

AMAZON PRIME REVIEW -PREACHER (2016 – 2019) – S1-S4

AMAZON PRIME REVIEW – PREACHER (2016 – 2019) – S1-S4

Based on: Preacher by Garth Ennis, Steve Dillon

Developed by: Sam Catlin, Seth Rogen, Evan Goldberg

Writer(s): Sam Catlin, Steve Dillon, Garth Ennis, Evan Goldberg, Seth Rogen, Mary Laws, Olivia Dufault, Carolyn Townsend.  Sara Goodman, Craig Rosenberg, Mark Stegemann, Gary Tieche, Rachel Wagner, Kevin Rosen, Jim McDermott, and many more.

Director(s): Michael Slovis, Evan Goldberg, Seth Rogen, Wayne Yip, Sam Catlin, Michael Morris, John Grillo, Kevin Hooks, Laura Belsey, Iain B. MacDonald, Jonathan Watson, and many more. 

Cast: Dominic Cooper, Joseph Gilgun, Ruth Negga, Lucy Griffiths, W. Earl Brown, Derek Wilson, Ian Colletti, Tom Brooke, Anatol Yusef, Graham McTavish, Pip Torrens, Noah Taylor, Julie Ann Emery, Betty Buckley, Mark Harelik, Tyson Ritter, and many more.

Cinematography: Bill Pope, John Grillo

Composer: Dave Porter

No. of seasons: 4

***CONTAINS TRACE SPOILERS***



Ever wanted to know who would win in a fight between Hitler and Jesus? Well, if you desire the answer then watch all four seasons of AMC’s graphic novel series adaptation, PREACHER. Because that is just one of the insane scenarios which ultimately rewards viewers who love controversial, violent and irreverent representations of holy, historical and fantastical characters.

Developed by Hollywood players Seth Rogen and Evan Goldberg, along with BREAKING BAD screenwriter, Sam Catlin, this darkly comedic post-modern vision of heaven, Earth and hell is based on the devilishly imaginative work of Garth Ennis and Steve Dillon. Starring the charismatic Dominic Cooper as hard drinking and former career criminal-turned Preacher, Jesse Custer, the first season finds him losing faith in a small Texan town and a dwindling set of hopeless parishioners. That is until one day he is struck by some twisted divine interpretation. Then, literally, all hell breaks loose as Custer battles his inner demons and the local slaughterhouse baron portrayed with callous joy by Jackie Earle Haley.

Like another Amazon Prime release, THE BOYSI initially found PREACHER a little bit slow in terms of setting up the story and characters. But I think that was deliberate as there are so many crazy concepts relating to religion, angels, demons and the afterlife in here, a balance had to be given to combining the fantastic and more realistic elements. I’m not sure they’re wholly successful but there’s enough riotous and bloody anarchy to keep horror and comic book fans happy. Cooper is great as the anti-heroic holy man. Moreover, he is ably supported by the effervescent Ruth Negga as his tough-talking, fist-fighting and gun-toting ex-girlfriend, Tulip. English actor Joseph Gilgun arguably steals the show as Cassidy, the Irish sidekick with a dark secret. While the narrative moves slowly in the first season, the bloody gore levels during the fight scenes are absolutely spectacular. It was this and the litany of fascinating concepts relating to religious icons which kept my interest piqued.



Season 2 picks up the pace when Custer, Tulip and Cassidy go to New Orleans and literally try to find God. Here they encounter their major nemeses for the remainder of the series in, the damned Saint of Killers (Graham McTavish), and a nefarious group of Catholic fascists called The Grail. Further, Season 3 is arguably the strongest of the series as Jesse goes back home to fight the demons of the past, notably his grandmother, Madame L’ Angelle (Betty Buckley). She has done deals with Satan and happens to have put a deathly spell on Custer’s soul. This season is particularly hilarious because Cassidy meets a fellow creature of the night in New Orleans with bloody hilarious results. Lastly, in season 4, all of heaven and hell implodes as The Grail attempt to precipitate God’s planned apocalypse and only Jesse, Tulip and Cassidy can stop them. These series summations cannot begin to even touch the surface at the insanity of ideas and action on show. If you like your television safe and inoffensive, then DO NOT WATCH IT!

If, like me, you enjoy irreverent bible-black comedy which offends mainly Christian religions and contains lashings of ultra-violence, then PREACHER is definitely one to venture to the church of television for. There is not a lot of internal logic as the narrative chucks in the proverbial theological kitchen sink. Representations of angels, God, Jesus, Hell, Heaven, Satan, devils, vampires, and various other religious figures are all par for the course for the show. While the iconography, action and visual power of the series is a major strength, the core story of Jesse Custer searching for God was essentially a very loose structure with which to hang the many spectacularly crazy, violent and bad taste ideas on. However, I am glad I had the faith to witness such events because I was very entertained and ironically it made me believe more in God than any visit to a church has ever done. Because in PREACHER, this vision of God was extremely human and flawed and somehow more believable.

Mark: 9 out of 11


AMAZON PRIME REVIEWS FEATURING: THE BOYS (S1), THE EXPANSE (S1) and PREACHER (S1)

REVIEWS OF THE BOYS (2019), THE EXPANSE (2016) & PREACHER (2016)

So, we are now a few weeks into the lockdown scenario caused by the COVID-19 virus and I have been off work for around that amount of time too. Tragically people are dying, and we owe it to be responsible by continuing to follow the rules laid down that will prevent the spread of the infection. It’s tough for everyone including families, employees and businesses. The capitalist system has taken a massive hit, and some will not survive in terms of life and work. I am not a religious person, but I pray to everyone’s God, whoever that may be, society comes through this. We are digging tunnels, looking for light and an escape. It cannot come soon enough.

In terms of escape it has never been easier to find both the time and formats with which to fill the gap. Thankfully the internet is still up and running, thus I have been filling my time in — aside from some minor administrative work-from-home stuff — writing my film reviews, editing and posting short videos, exercising and watching quite a lot of television and film content. Anything to stop me from becoming a beer monster or functioning alcoholic – AGAIN! The latest focussed viewing has been of Amazon Prime, and the many boxsets they have. So, here are mini reviews of three shows I have seen recently. All with the usual marks out of eleven.

***MAY CONTAIN SPOILERS***



THE BOYS (2019) – SEASON 1 – PRIME VIDEO

Based on the comic book series created by Garth Ennis and Darick Robertson, this violent superhero comedy is the complete antithesis of the Marvel Universe. Taking savage satirical swipes at huge corporations and United States foreign policy, it features a group of vigilantes, led by Billy Butcher (Karl Urban) called ‘The Boys.’ For a variety of reasons, including good old-fashioned revenge, they have targeted the most powerful business in the world, Vought International. Vought control and monetize ‘The Seven’, a group of all-powerful superheroes who happen to mostly be narcissistic, unstable and psychotic arseholes.

The initial episodes started slowly for me and I found it difficult to warm to any of the characters. This could simply be superhero fatigue or certain weaknesses in the writing throughout. However, the spikes of tremendous action, vicious humour and spectacular violence kept me on board. Elisabeth Shue and Antony Starr impress as the nefarious villains, while Erin Moriarty shone as the one decent superhero, Starlight. The least said about the shockingly bad English accent Karl Urban delivers the better. I mean his acting is impressive, but mate – come on!!

Mark: 8.5 out of 11



THE EXPANSE (2015) – SEASON 1 – SYFY/AMAZON PRIME

Usually when I see something is on the Syfy channel I baulk slightly. I mean the shows are pretty decent as a rule, but some right old fantasy schlock can get dumped there. So, with a saturated streaming market offering a plethora of U.S. cable shows, sometimes the Syfy channel shows get short shrift. It’s a shame because The Expanse is a really good science-fiction programme which began airing on Syfy, but is now on Amazon Prime. The sci-fi show hangs tonally between Alien (1979), Blade Runner (1982) and the Philip K. Dick-style “Mars v Terra” stories I have read. Indeed, while it doesn’t contain actual aliens or Dick’s surreal explorations of the psyche, it is, in fact, a fantastically plotted and styled industrial, political and humanistic set of narratives.

Based on James S. A. Corey’s (a pseudonym I believe for two writers), The Expanse (Season 1), is set hundreds of years into the Earth’s future and space has been colonized. But it’s not a utopia. Mars, Earth and an outer-planetary system of space stations called ‘The Belt’ are all conflicted on the brink of civil or galactic war. The multiple narratives follow the likes of the always-excellent, Thomas Jane, as a grizzled cop investigating a missing person and a space freighter gang led by Stephen Strait. The latter’s crew go from episode to episode finding life-threatening situations throughout. It’s a space-rock solid production full of twists, action and conspiracies; retaining a cynical, noir and unglamorous edge which makes me want to watch further seasons.

Mark: 8.5 out of 11



PREACHER (2016) – SEASON 1 – AMC/AMAZON PRIME

Developed by Hollywood players Seth Rogen and Evan Goldberg, along with Breaking Bad writer, Sam Catlin, this darkly comedic post-modern vision of heaven and hell is based on a comic book by Garth Ennis (that man again) and Steve Dillon. Starring the very reliable Dominic Cooper as hard drinking and former career criminal-turned Preacher, Jesse Custer, we find him losing faith in a small Texan town and a dwindling set of hopeless parishioners. That is until one day he is struck by some twisted divine interpretation. Then, literally, all hell breaks loose as Custer battles his inner demons and the local slaughterhouse baron portrayed with callous joy by Jackie Earle Haley.

Like The Boys, I initially found Preacher a little bit slow in terms of setting up the story and characters. But I think that was deliberate as there are so many crazy concepts relating to religion and the afterlife in here, a balance had to be given to combining the fantastic and more realistic elements. I’m not sure they’re wholly successful, however, Cooper is great, and he is ably supported by the effervescent Ruth Negga as his tough-talking ex-girlfriend, Tulip. Moreover, English actor Joseph Gilgun steals the show as the Irish sidekick with a dark secret. While the narrative moves steadily, with arguably too many secondary characters, the bloody gore levels during the fight scenes are absolutely spectacular. If, like me, you enjoy irreverent bible-black comedy which offends most religions and contains lashings of ultra-violence, then Preacher is definitely one to pray to the lords of television for.

Mark: 8 out of 11 (but 10 out of 11 for the gore)

THE DISASTER ARTIST (2017) – MOVIE REVIEW

THE DISASTER ARTIST (2017) – MOVIE REVIEW

“Just because you want it doesn’t mean it can happen.”

DIRECTOR(S): James Franco / Tommy Wiseau 

WRITERS: Screenplay by Scott Neustadter & Michael H. Weber (Based on: The Disaster Artist: My Life Inside The Room, the Greatest Bad Film Ever Made by Greg Sestero & Tom Bissell

CAST: James Franco, Dave Franco, Seth Rogen, Ari Graynor, Jackie Weaver, Alison Brie, Hannibal Buress etc.

**CONTAINS MINIMAL SPOILERS**

room

I’d never seen the cult “bad” movie, The Room (2003). I’d seen clips on YouTube of actor, producer and director, Tommy Wiseau’s magnum opus drama, and not only found it excruciatingly painful to watch but, like a car crash I couldn’t take my eyes of it, transfixed at the creative carnage on show. From the initial limited release in 2003, The Room has subsequently become celebrated as a paean to bad filmmaking as armies of hipsters and millennials laugh and quote-along to agonising performances and dialogue on the silver screen. Even during the showing of The Disaster Artist (2017) I was at, a couple of audience members quoted along to some of fantastically simulated scenes from The Room.

disaster_artist_3

Films within films and the movie-making process have provided, down the years, a rich vein of comedic and dramatic output from: Singing in the Rain (1952), Living in Oblivion (1995), The Player (1992), State and Main (2000); plus, the film The Disaster Artist most reminds me of, Tim Burton’s glorious tribute to the hopeless, yet determined, director called Ed Wood (1994).  Structured around two struggling actors in Tommy Wiseau and Gregg Sestero this hilariously skewed yet somehow likeable buddy movie is propelled by the Franco brothers’ brilliant performances as European eccentric Wiseau and the younger, naïve, and ever-smiling Sestero.

Wiseau’s character is an actors’ gift as he exists in some delusional yet over-confident Neverland. We do not know Wiseau’s age, background and how he managed to become so wealthy, yet Sestero is drawn to his outrageously up-to-eleven acting performance during a class, and the two soon become inseparable. Moving to Hollywood they valiantly try to make it as actors and the film lurches from one desperately funny scene to another. Despite their apparent lack of ability they won’t be deterred and decide if Hollywood won’t come to them then they will come to Hollywood. They will make their own movie!

disaster-artist-4

Here The Disaster Artist really becomes a wonderful comedy of filmmaking flaws as we get scene after scene where all manner of rookie errors are committed by Wiseau. James Franco really excels as Wiseau; as the production is clearly beyond him his deluded power and determination will not yield, despite run-ins with the script supervisor (Seth Rogen) and various cast members who have no idea what the hell The Room is about. Here the story becomes compelling as Wiseau’s mania and lack of discipline flies in the face of established filmmaking conventions. During the making of the The Room, Wiseau is genuinely funny, monstrous, and yet somehow sympathetic. He is a true outsider’s outsider; he is a bona fide Hollywood version of Frankenstein’s monster.

disaster-artist2

James Franco has an odd career trajectory and has kind of stamped himself as a scattergun jack-of-all-trades, giving impressive performances in such films as: Spiderman (2002), 127 Hours (2010) and Rise of the Planet of the Apes (2011); but also starring in some haphazard comedies of which the hilarious This is the End (2013) was the best. Amidst his prodigious work ethic he has also produced some turkeys (i.e. Your Highness (2011); as well as pretentious adaptations of literary classics by William Faulkner. If pushed I would say that his faithful recreation of the cult of Wiseau is his greatest performance to date. The fact he directed the film too is also remarkable as he got the pitch of parody and drama just perfectly.

the-disaster-artist-trailer-e1505222697182

Meta-textually, comedically and entertainment-wise this film is a highly satisfying cinematic experience. As the credits roll the sequence which compares scenes from The Room and Franco’s faithful simulacrum is a joy to behold. I can certainly recommend The Disaster Artist to anyone who enjoys seeing massive fails in the creative process of filmmaking. Having said that though this is a film which also pays tribute to the deluded fools trying to make it in Hollywood. I mean, however impossible it may seem Wiseau and Sestero, refuse to buckle in light of insurmountable odds. Their reward is one of the worst films ever made in The Room; but paradoxically it is a success as it has given so much joy to people at the same time. It’s this joie de vivre that the Franco’s bring forth and the underlying message is that without friendship, dreams and hopes you are nothing in Hollywood or life.

Mark: 9 out of 11

FIFTEEN MEMORABLE MOVIE MOMENTS FROM 2014

FIFTEEN MEMORABLE MOVIE MOMENTS FROM 2014

In no particular order here are FIFTEEN moments, actors, scenes, characters, set-pieces, dialogue etc. which stuck in my noggin during the year of 2014.

SET-PIECE OF 2014 – QUIKSILVER SCENE IN FORT KNOX DAYS OF FUTURE PAST (2014)

VISION – JONATHAN GLAZER – UNDER THE SKIN (2013)

Glazer showed that with a low budget, vision and  powerful concept you could genuinely move, surprise, creep and capture the imagination of an audience.  Sparse and enigmatic this film was my best of the year while scene on the beach was one of the most harrowing I ever seen. I hope this filmmaker doesn’t leave such a gap following the under-rated Birth (2004) ten years prior.


VILLAIN – MARTON CSOKAS – THE EQUALIZER (2014)

This okay-Denzil Washington-violent-80s-remake was lifted above the parapet by a stunning turn by Marton Csokas as the main evil Russian stereotype.  I had a lot of fun with his actoring as he  scoffed not just the furniture but the upholstery as well.

KICKING ASS – EMILY BLUNT – EDGE OF TOMORROW (2014)

Doug Liman’s very entertaining sci-fi movie turned the gender tables with Blunt playing the action hero. Of course, the universe could not sustain such a polarity and in the final act Cruise’s initial anti-heroism was blown away. But it was good while it lasted!

FUNNIEST USE OF AIR BAGS – BAD NEIGHBOURS (2014)


BEST FIGHT SCENE IN A LIFT – CAPTAIN AMERICA: TWS (2014)


WORST BEST MAN’S SPEECH EVER – TRUE DETECTIVE (2014)

Take it away Nic Pizzolatto and McConaughey in the best monologue of the year.

 HAIR – AMERICAN HUSTLE (2013)

A funny and suspenseful character-led con story found Bale, Lawrence, Cooper and Adams chewing up the scenery. However, their scenes were quite often stolen by their hairstyles and toupees.

STYLE – INSIDE LLEWYN DAVIS (2013)

Not much happened in this story of a failed folk musician grieving for a lost friend. But the whole design, look, colour, cinematography, music, period setting and cast made it an utter joy from start to end.

AWE-INSPIRING VISUALS – INTERSTELLAR (2014)

I have only seen this film once but had very big problems with the script but there is no taking away the incredible visuals on show. It was the storytelling and what the humans were saying I took issue with.

DEPICTION OF ADDICTION – THORIN OAKENSHIELD
THE HOBBIT: BATTLE OF THE 5 ARMIES (2014)

Peter Jackson dug into his box of magic tricks to pull off ANOTHER Tolkien-inspired series of battles. But it was Thorin’s battle with his addiction to gold which I connected with most.

BEST WAR – DAWN OF THE PLANET OF THE APES (2014)

Arguably one of the most enduring images of the year was Koba riding into battle with fire burning behind him capturing the passion and anger of the character and intensity of battle raging at the time.

Dawn-of-the-Planet-of-the-Apes-2

 ONE TAKE – TRUE DETECTIVE (2014)

MOST COMPELLING CHARACTER
LOU BLOOM/JAKE GYLLENTHAL – NIGHTCRAWLER (2014)

DRUGS – WOLF OF WALL STREET (2014)