Production: Filmnation Norway, Paramount TV Service
**MAY CONTAIN SPOILERS**
Running for a mere 22 episodes four years after the original Star Trek series was cancelled, the animated series can be seen as an unofficial fourth season to the live action show. While the animation was cartoon-like and rudimentary compared to the incredible CGI animation we have today, the scripts and stories were actually very sound. Many of the original cast members lend their voices too, so the show is not a mere cheap cash-in. Moreover, the stories featured the U.S.S. Enterprise boldly exploring space and beyond, capturing the dramatic essence of the original show.
While it was short-lived there some fantastic episodes in the animated series. The animation allowed for more expansive and weird-looking alien creatures, especially as the make-up and effects budgets would not be stretched as on the live action show. Some curiosities I noticed while watching were the inclusion in one episode of the “holodeck” or rec room. Plus, Kirk also referred to himself, rather weirdly, by his full name James Tiberius Kirk.
Many of the episodes had strong emotional and science fiction concepts. Although, given the twenty-four minute running time of each they often felt rushed to conclusion. Indeed, some of the stories could fit a feature film no problem and perhaps the recent reboot could have looked at some as a starting point; perhaps they did? Overall, I enjoyed the show but was surprised to read it won an Emmy in 1975 for Outstanding Entertainment – Children’s Series. Then again, it was certainly smarter than your average Hanna Barbera cartoon.
Of the twenty-two episodes I would say my favourite FOUR were:
Yesteryear (S1 – Ep. 2)
Spock must travel to the past to rescue his younger self from danger.
The Time Trap (S1 – Ep. 12)
The Enterprise and a Klingon battlecruiser are drawn into a space vortex and end up in a timeless dimension.
The Jihad (S1 – Ep. 16)
Kirk and Spock are summoned to retrieve a holy artefact which could ignite a galactic war.
The Counter Clock Incident (S2 – Ep. 6)
An unusual spaceship pulls the Enterpirse into a negative universe where time flows backwards.
TO BOLDLY REVIEW #3 – STAR TREK THE ORIGINAL SERIES – SEASON 3
My voyages on the first Starship Enterprise came to an end after seventy-nine intelligent, crazy, moving, mind-blowing, occasionally silly but always fascinating original series Star Trek episodes. Thus, having recently written reviews on the first and second series I have now completed watching the third series. In tone, the third and final season was probably more serious and I actually found the lack of comedy or parody worked in its favour.
Often maligned by some fans and critics alike for having some of the worst episodes of Star Trek ever filmed, the third season, in my opinion, is actually very good. There are a few episodes, notably Spock’s Brain, that are just ridiculous and some, like Turnabout Intruder and Elaan of Troyius, that are rooted in regressive sexism. Plus, there’s a very familiar formula feeling too with contrived space-set situations echoing episodes from prior seasons. But to be honest I actually like that formula, which is why I still enjoy watching shows such as Quantum Leap, Doctor Who and indeed, Star Trek.
Thus, while formulaic familiarity set in, the budgets were cut and Scotty’s hair was all over the place from episode-to-episode, Season 3 still had some really memorable moments with great monsters, energetic villains, handsome actors and solid science-fiction concepts. Okay, some of the writing was at times lacking the snap, crackle and pop of say Gene L. Coon’s or D.C. Fontana’s scripts but I enjoyed the series very much. Here are six episodes which I feel still stand the test of time in terms of ideas, stories and drama.
THE ENTERPRISE INCIDENT – SEASON 3 – EPISODE 2
This terrific episode has a brilliant spy versus spy plot as Kirk and crew attempt to steal a Romulan cloaking device. Crosses, double-crosses, fake deaths and conspiracies occur as the Enterprise finds itself at the mercy of Romulan vessels. Spock shows himself adroit at firstly betraying Kirk and then “romancing” the female Romulan Commander. While it doesn’t seem appropriate for his character to act this way it is of course part of a very logical plan. Nimoy’s performance is excellent and he again proves, underneath all that Vulcan make-up, he’s able to portray an emotionless character with much verve and charisma.
SPECTRE OF THE GUN – SEASON 3 – EPISODE 6
One of the over-hang scripts from Gene L. Coon’s reign as executive producer and show-runner successfully melds sci-fi with the Western genre. Kirk, Spock, Chekov and McCoy are transplanted by darned Melkotians into a virtual reality version of the Gunfight at the OK Corral. The only problem is they are all destined to die in the gun fight and must find a way of overcoming historical fate. Despite the contrivances in the narrative, the episode has much to offer thematically on violence and guns; as Kirk must decide between using force or peaceful means with which to overcome his foes.
FOR THE WORLD IS HOLLOW AND I HAVE TOUCHED THE SKY – SEASON 3 – EPISODE 8
Season three had some wonderfully pretentious episode titles and this one was no exception. However, it is a very effective episode that finds the Enterprise attempting to prevent an asteroid from colliding with a Federation planet. However, the asteroid is not in fact a hurtling lump of space rock but a planet civilisation that provides a home to highly devout religious people. The clash of the Federation rules with the religious group’s rules provides much impetus for the drama. Moreover, the added woe of McCoy discovering he is dying and finding solace in the love for Natira of Yonada, makes this both an intriguing and moving episode.
WHOM GOD’S DESTROY – SEASON 3 – EPISODE 14
The lunatics have literally taken over as memorable villain of the piece, former Fleet Captain Garth, gains control of the insane asylum at Elba II. Using shapeshifting abilities Garth is able to hoodwink Kirk and crew and take them prisoner. It’s a fun episode which finds the seasoned TV actor Steve Ihnat revelling in his role as the maniacal egomaniac Garth. There are lots of twists and turns throughout and the final fight scene involving Kirk fighting “himself” is most memorable as Spock must decide who the real Kirk is or who is Garth in disguise. While it’s quite a theatrical episode set in one location there’s load of fun to be had.
LET THAT BE YOUR LAST BATTLEFIELD – SEASON 3 – EPISODE 15
Arguably the best episode of the season finds two battling humanoid aliens who will stop at nothing to wipe each other off the face of their war-torn planet. Frank Yorshin – who I recognised as The Riddler from the 1960s TV show Batman – portrays Commander Bele as a fanatical zealot. With his special telekinetic powers Bele takes control of the Enterprise and will stop at nothing to take his rival, Lokai, to trial and death. Indeed, Kirk is even forced to set the Enterprise in self-destruct mode to counter Bele. This is thematically a very strong episode as it critiques mindless racism and the senseless path of endless war. It’s also quite bleak at the end as a brilliant montage symbolises the potential destruction of Earth. Okay, so the message could be seen to be broad, and literally black and white, but it remains brave writing given it was released in the 1969 when civil unrest in the USA was rife.
ALL OUR YESTERDAYS – SEASON 3 – EPISODE 23
All Our Yesterdays found Kirk, Spock and McCoy dispersed back in time on endangered planet, Sarpeidon. I guess the ticking time bomb narrative of a dying world had kind of been done to death by now but it did not detract from an entertaining storyline which found Spock and Kirk in different timelines having entered a time portal by mistake. Kirk goes back to a medieval setting and is accused of being a sorcerer; while Spock and Bones are bombed five thousand years back to the ice age. Spock even finds time to fall in love as his genes regress with the age. Sounds silly but as Spock might say, I found it “fascinating.”
THE HOLY CORE – A STAR TREK FAN FILM – PRODUCTION UPDATE
Just a quick update to say that another short screenplay I have co-written has just been funded and has entered the pre-production phase. It’s a follow up to our Star Trek fan film Chance Encounter called The Holy Core.
Alas, the Kickstarter campaign did not reach its target but out of the blue a private donor gifted the full budget to enable Gary and Fix Films to make the production a reality.
So, we are very grateful to the donor and to everyone who contributed to the Kickstarter campaign and look forward to making The Holy Core.
It is an exciting script which we would describe as a thoughtful science fiction adventure story examining the values of faith and science set against a backdrop of religious fanaticism and romantic love.
‘CHANCE ENCOUNTER’ UPDATE: STAR TREK TRAILER REVEALED
Greetings. As you may or may not know I have been working on a Star Trek fan film with my movie-making partner Gary O’Brien. It’s a non-profit fan production which we have made on a shoestring. Having written an original screenplay and shot the brilliant script, we have now reached the post-production stage.
This is where Gary’s editing and F/X skills now take over and I am now proud to announce the release of a website – www.startrekshortfilm.com – plus the trailer below:
We have a lot of work to go but the shoot was an absolute blast and I thank the actors and crew for their brilliant work. Here are some stills of the production days where, amidst the hard graft, creativity and endeavour, a fantastic time was had by all.
This is our 9th short film to date – for all our productions do check out our website: www.fixfilms.com. Further updates to follow. Live long and prosper!
Star Trek and all related marks, logos and characters are solely owned by CBS Studios Inc. This fan production is not endorsed by, sponsored by, nor affiliated with CBS, Paramount Pictures, or any other Star Trek franchise, and is a non-commercial fan-made film intended for recreational use. No commercial exhibition or distribution is permitted. No alleged independent rights will be asserted against CBS or Paramount Pictures.