Tag Archives: The Musical

SCREENWASH – NOVEMBER 2015 – FILM AND TV REVIEW ROUND-UP

SCREENWASH – NOVEMBER 2015 –  REVIEW ROUND-UP

A quieter month compared to October but I still watched some decent television and filmic entertainment in the month of November.  For your information the current seasons of Doctor Who and South Park are providing cracking entertainment so do check them out too. I will offer a full season review to each show when they have finished.  As usual my marks are – in tribute to Spinal Tap – out of eleven!

**MAY CONTAIN SPOILERS**


ASSASSIN (2014) – NOW TV

This is a pretty standard crime thriller with Danny Dyer as a contract killer who goes up against a gangsters Martin and Gary Kemp. I quite like Dyer’s cocky style but he plays deep and brooding here which doesn’t suit him. So while he carries the plot pretty well — and there’s some great shots of London — I wanted a bit more wide-boy attitude and humour throughout. (Mark: 5.5 out of 11)

BETTER CALL SAUL (2015) – NETFLIX

I finally caught up with Breaking Bad spin-off and really enjoyed it. I don’t usually like prequels as the drama is generally undercut by knowledge of what has gone before but Jimmy McGill’s story (and Mike’s) was funny, dramatic and actually quite touching. It’s a really compelling plot that takes some unexpected twists throughout and contains some damn fine acting. More episodes please as the writing and Bob Odenkirk are just great; highly recommended. (Mark: 9 out of 11)

BIG EYES (2014) – NOW TV

Tim Burton’s film is a biopic of artist Margaret Keane (Amy Adams) and con-artist husband Walter Keane who infamously fought a court case over ownership of her paintings in the 1960s. It’s wonderfully acted by the two leads and once again Waltz is on fine mischievous form as the brilliant salesmen who duped his wife and a nation. Burton harnesses his usual excessive style for once and this benefits the drama. Overall, it’s a fine character study of an oppressed artist finally finding her voice in an aggressive and masculine world. (Mark: 7.5 out of 11)

BLACK MASS (2015) – CINEMA

With this performance you realise Johnny Depp has been wasting his acting talent poncing about as a pirate in the Caribbean for far too long. He portrays master criminal Whitey Bulger during 70s and 80s Boston as his gang snake their way up the crime ladder to gangster notoriety. This is a really good film: gritty, bloody, compelling, oozing darkness where humanity is concerned. Depp is almost unrecognizable as the brutal Bulger while Joel Edgerton is excellent as the compromised FBI Agent. Slow, brooding pace sparked by firework violence, plus a supporting cast including Kevin Bacon, Adam Scott and Benedict Cumberbatch make this a superior genre film. (Mark: 8.5 out of 11)

DOCTOR WHO: SEEDS OF DOOM (1976) – DVD

The mercurial Tom Baker and steady Sarah-Jane find themselves in the Antarctic investigating two mysterious alien pods. Lo and behold the pods explode and cause a massive plant monster to sprout and take over the grounds of a stately home owned by millionaire megalomaniac Harrison Chase. I loved this fun, sci-fi romp which was clearly influenced by The Thing from another World (1951) and The Quatermass Experiment (1953). Baker, as always, is wonderfully wry and booming as the Doctor and even Boycie (John Challis) pops up in a supporting role. Great stuff!
(Mark: 8 out of 11)

EX-MACHINA (2014) – NOW TV

A sci-fi A.I. chamber piece set, pretty much, in one location with an excellent cast including Oscar Isaac, Domhnall Gleeson and the magnetic Alicia Vikander. It’s a glacial-paced thriller which has some fantastic ideas from writer/director Alex Garland, although it’s essentially a hipster love triangle story with robots.  I enjoyed it but the slow pace worked against the suspense and the twist-that’s-not-a-twist is unexpectedly expected. Black Mirror has kind of done this story better, but it’s a decent science fiction experience nonetheless. (Mark: 7 out of 11)

GYPSY (2015) – SAVOY THEATRE

I’m cheating here a little as Screenwash becomes STAGEWASH!!  But I really wanted to sneak in a little review of a BIG production and performance. In this classic Broadway musical Imelda Staunton as Mama Rose gave one of the greatest performances I have ever seen on a theatre or comedy stage. It’s a depression set story of rags to riches featuring the ever-so-pushy mother whose daughter eventually hits the big time as burlesque dancer Gypsy Rose Lee. Staunton owned the theatre as her and the cast ripped through some classic songs including: Everything’s Coming up Roses and You Gotta Get a Gimmick. During the heart-storming finale Staunton wrings every note of emotion from the song: Rose’s Turn.  I don’t know much about musicals but I know when something’s great; and this was it!  (Mark: 10 out of 11)

HUNGER GAMES – MOCKINGJAY PART 2 (2015) – CINEMA

I was disappointed with the final Hunger Games stories (Part 1 and 2) which reduced a fine arc of human revolution to soppy, plodding closure; as well recuperating the positive leading protagonist to a clichéd and reductive vision of femininity. The excellent Jennifer Lawrence finally brings Katniss Everdene’s story home in a finale which had some horrible monsters in the middle but gets bogged down with love-triangle nonsense and laboured manipulative-media-evil-government-geo-politics. The movies’ pace really let it down and splitting the film in two just took liberties. More action and less talking would’ve served a better end to Katniss’ heroic journey. (Mark: 6 out of 11)

LET US PREY (2015) – NOW TV

A nifty little horror film with Liam Cunningham playing a devilish character called SIX who wreaks havoc on an unsuspecting Scottish police station. Faust meets Assault on Precinct 13 in a bloody tale of vengeful murder and gut-wrenching death. All the characters have their demons in a bloody and fiery hellish movie which has some great gore and evil premise at its heart. (Mark: 7 out of 11)

THE LOBSTER (2015) – CINEMA

If you like dark comedies about strange love, fascism and violence then you must see The Lobster. It’s weird, wonderful and very funny as Colin Farrell plays a single man – in the not-too-distant-future – who has a limited time to find a mate or he’ll be turned into an animal of his choice. Obviously, he chooses the eponymous crustacean and what ensues is a peculiarly dark and hilarious satire of human relationships and dating mores which is barbed by moments of extreme violence and strange tenderness. The Greek filmmaker, Yorgos Lanthino, made the equally peculiar Dogtooth (2009) –about a family shut-out from society – and he has crafted one of my favourite films of the year. It is destined to be a cult classic which will reward those after something completely different from the usual homogenous Hollywood shite which peddles love and romance as an illusory saviour to our existentially pointless lives. (Mark: 9.5 out of 11)

MAD MAX: FURY ROAD (2015) – BLU RAY

I have to say on I thought this film may suffer on re-watch but it actually got better because it is a lustful, muscular and jaw-dropping spectacular which while having NO actual plot revels in the orgiastic nature of car-bombing action and deathly stunts.  Tom Hardy takes on the iconic Max Rockatansky role in this mega-budget-future-shooting-guitar-flame-throwing-blood-draining-crash-smash-and-burn epic.  Enter Charlize Theron’s kick-ass Furiosa who is on a mission of her own to protect those she cares for from nefarious Immortan Joe; the Citadel Overlord!

This is an incredible visual feast with carnage galore in a barren yet beautiful desert setting.  Hardy and Theron share great chemistry within the action and Miller executes some mesmerising moments of dialogue-free pure cinema. One may argue that it is style-over-substance but the style IS the substance. The concepts on show such as the flame-throwing guitar; moving blood-banks; mud-people on stilts; assorted pimped-up cars and souped-up weapons are what impress. As such George Miller proves himself a visionary filmmaker who owns the post-apocalypse on screen making it a terrifying and stunning experience. Action film of the year bar none! (Mark: 10/11)

SAN ANDREAS (2015) – DVD

Duwayne “The Rock” Johnson drives, pilots, flies and hovercrafts his family to safety from a gigantic Earthquake and Tsunami which decimates most of California. He gives an impressive action performance and in combination with some jaw-dropping effects makes this a decent, over-the-top and undemanding disaster movie. (Mark: 6.5 out of 11)

SPECTRE (2015) – CINEMA

Expectations were very high and alas not met because overall, the first hour-and-a-half of Spectre writes a spectacular cheque the final act cannot quite cash.  The big-bad-wolf reveal is not as surprising as I would have hoped and the Orwellian supporting story didn’t feel that deadly to me. . . It’s fine entertainment but overlong and tries to be too tricksy, wasting the talents and Christophe Waltz and Monica Belluci in the process. However, Daniel Craig is excellent and the set-pieces are a real joy. (Mark: 007.5 out of 11)

BOOK OF MORMON – MUSICAL THEATRE REVIEW

BOOK OF MORMON – THEATRE REVIEW

**YO!  SPOILERS!”

“Hey – Paul!  Do you want to see Book of Mormon? It’s a musical!”

“Oh – I can’t stand musicals! Apart from Grease maybe. Or a Sondheim one I can’t remember the name of.”

“But it’s made by the guys who did South Park!”

“Really? I love South Park. How much are tickets?”

“HOW MUCH?!”

So on a cheaper Wednesday matinee showing myself and a friend ventured to the Prince of Wales Theatre to see Trey Parker and Matt Stone’s wonderfully irreverent and offensive (depending on your point-of-view) musical The Book Of Mormon. And a great time was had by all. It was funny, energetic and warm and of course very rude but strangely uplifting and like all great art (high or low) it got me thinking about my own values and spirituality.

I have never been what you would call a religious person.  I am not a believer or associate myself with a particular faith.  In fact since I was young I always held a staunch antagonism toward doctrines which remove free-thinking in the individual from birth.  Furthermore much of the world’s conflicts over history have been caused in the name of religion; that and greed and money and power.

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Having said that over the years my approach to religion has matured and I have become less didactic in my thoughts. Because you know what: religion or faith can be a positive thing and give people a true set of values with which to live their life. It’s not God’s fault that human beings use his or her name to commit acts of war and spread intolerance.  In fact, in recent times the move toward Atheistic and Scientific Fundamentalism (led by the Grand Wizard Richard Hawkins) itself has also caused intolerance to rear its ugly head too.

I prefer to believe in nothing; not a void as such but no particular deity or belief system. They provide great comfort for many but it’s not something I feel I need.  I believe in freedom of choice and speech and the basic human principle of just be tolerant of, and good to others.  Because as the song says: “Religion don’t kill people – humans do!”    Of course I just made that lyric up for humorous effect and that is precisely what occurs in the wonderful, hilarious and uplifting theatrical musical Book of Mormon.

The backstory tells us of Joseph Smith who “found” the sacred eponymous text on the gold plates of Nephi. After which he gave birth to a new religion in 1830 which went viral, spreading quicker than a dancing cat video on YouTube.   Flash forward loads of years and the Church of Latter Day Saints is one of the World’s largest cults; sorry, organised religions. And this is the starting point for the story.

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Our two main protagonists are Elder Price (Billy Harrigan Tighe) — a handsome, young go-getter — and Elder Cunningham (A.J. Holmes) who is, of course, his nerdier, less confident and insecure counterpart.  Cunningham is also a compulsive liar which gives the story an essential characteristic and running theme. Together they are sent from the Missionary Training Centre in Utah to of all places, Uganda to spread the word of Mormon. But Uganda is a godless place full of famine, disease and war and hardship so religion is a hard thing to see to those with no hope.

Humour is mined from the clashes between the two wildly different cultures as the songs compare the upbeat door-knocking optimism of the Mormons with the downtrodden, hungry, maggot-balled, AIDS-ridden, clitoris-castrated Africans; who are war-lorded over by hilariously named General Butt-Fucking Naked. As with South Park the writers use all manner of stereotypes with which to cram as many offensive jokes in as possible.

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However, there is heart to the story too as it is revealed that Elder Cunningham has joined the Mormons to try and fit in and find his place in the world and most importantly: friends.  He is particularly taken with the preening narcissistic Elder Price despite the latter’s obvious discouragement and dislike of Cunningham. It’s no surprise then that while Price is clearly the more talented “salesperson” yet it is Cunningham who becomes a hit with the natives.  Having said that he does so having “made-up” loads of stories from the Book of Mormon incorporating tales from Star Wars, Star Trek and Lord Of The Rings.  From his distortions from the text plus bravery in standing up to the General Cunningham becomes a beacon of hope in the village.

Stories and faith are at the core of the satire here as Book of Mormon both lampoons and deep-down admires the Missionaries. While what Elder Cunningham says seems completely stupid and ridiculous it gives the villagers hope and faith for the future. Overall, the word of Joseph Smith is arguably “fictional” yet the message is a positive one with togetherness being the way forward.  The show asks us: if something gives hope in a hopeless world does it matter if it’s real or not?

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I have no frame of reference with regard to musicals. The only one I’ve seen outside the movies was Fame – The Musical starring ‘H’ from Steps.  But this was an absolute joy with an incredible cast and songs to boot.  My personal favourites were: Two By Two, Making Thing’s Up Again and Spooky Mormon Hell Dream.   The shifting of sets, movement and pace were fast yet controlled and the show was clearly the result of a culmination of an incredible amount of creativity, rehearsal and hard work.  As a dynamite new season of South Park currently runs on Comedy Central – I can certainly say Matt Stone and Trey Parker have another work of genius to add to their incredibly offensive yet hilarious CV.  Thank God, Allah, Ganesh, Buddha, Jesus, Mohammed, Nephi, Joseph Smith et al  for them I say!

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