Tag Archives: Viggo Mortensen

GREEN BOOK (2018) – CINEMA REVIEW & OSCAR BINGO #4

GREEN BOOK (2018) – CINEMA REVIEW

Directed by: Peter Farrelly

Produced by: Jim Burke, Brian Hayes Currie, Peter Farrelly, Nick Vallelonga, Charles B. Wessler

Written by: Nick Vallelonga, Brian Hayes Currie, Peter Farrelly

Starring: Viggo Mortensen, Mahershala Ali, Linda Cardellini

**MAY CONTAIN SPOILERS**

I have to be honest I am getting very tired of racism and racists, so lord knows how the people who it affects deal with it on a day to day basis. To judge and attack people because they have a different race, background or skin colour is, and has always been, the height of stupidity. We are all humans and should be judged on our actions and behaviour and NOT our physical appearance, social background, sexuality or gender. Furthermore, we must not treat someone a certain way based on general experience of how others behave too. I subscribe to individualistic judgement and the desire for peaceful attempts to resolve conflict and differences. Those that attack and bully and abuse any other human being are wrong and their minds must be changed.

If a feel-good film such as Green Book (2018) can at the very least change one person’s negative attitude then it will be a success. It makes very broad points in regard to race relations and while arguably simplistic, in the very fabric of its story remains a heartwarming call for tolerance, understanding and friendship. Directed by Peter Farrelly, Green Book is based on the true story of Dr Don Shirley, a genius musician, and his brave trip across the deep South of America in 1962 with working class Italian driver, Tony “Lip” Vallelonga. Safe to say the road tour is not without its ups and downs and the men, after initial differences, find common ground, loyalty and friendship.

BEST PICTURE CHANCES – 8/10

As aforementioned in a previous review I would say Roma (2018) will probably win best film at the Academy Awards. Green Book has a decent chance based on the sheer energy and persuasion of the story. Moreover, it attempts to marry comedy with social drama and on the whole succeeds. Peter Farrelly directs with skilled aplomb and the guy is a past-master of the road movie genre with films such as: Dumb and Dumber (1994), Kingpin (1996), There’s Something About Mary (1998) and Me Myself and Irene (2000), all comedies which adhered to road movie genre tropes. I guess that’s one thing that holds Green Book back and that is it’s very “by-the-numbers”, however, that’s also one of the joys of the story in that it hits the heights of genre expectations so well. Finally, Farrelly marshals the road trip, musical gigs and period setting really impressively and film made me feel all glowy by the end.

ACTOR IN A LEADING ROLE CHANCES – 8/10

Viggo Mortensen is such an intelligent actor and has often been cast in intense roles which require much internal conflict. Here, his Tony Lip, is a larger-than-life Italian tough guy, handy with the bullshit and his fists. He eats like a horse and loves his family. Further, he’s stand-up guy who won’t be dragged into the Mafia underworld no matter how broke he is. The character verges on the Italian stereotype we have seen many times before but Mortensen imbues the lovable rogue with a humanity, humour and a do-the-right-thing spirit throughout. It’s his journey we follow as he moves from prejedicial jerk to something more socially acceptable. Lastly, Mortensen’s scenes with Ali are just brilliantly acted; the two bouncing off each other with wit and perfect timing.

ACTOR IN A SUPPORTING ROLE CHANCES – 10/10

Mahershala Ali should win this. He is absolutely outstanding. While Mortensen’s character is big and splashed across the screen in ebullient effervescence, Don Shirley quietly steals the show. His erudite, intellectual and refined exterior hides a pained and lonely soul who just does not fit in to society anywhere. While his music is loved and his genius revered he just cannot find inner peace. I mean I know nothing about playing the piano but Ali impresses here too with his conveyance of the musicianship of the character. Lastly, Ali’s performance is one of the best of the year, and while he won previously for Moonlight (2016), this performance is so good he should be on the list of leading actor role nominations.

BEST SCREENPLAY CHANCES – 8/10

The structure of the screenplay adheres to the classic Hollywood model to a tee. There are few surprises as the set-up of two opposite characters meet and go through a literal and figurative journey of discovery and change. Along with the lead performances, what raises the story though, is a fizzing script full of conflict and comedy. We get set-up-punchline, set-up-drama, set-up punchline, set-up feelgood moment throughout, making it a metronomically impressive piece of writing. The letter-writing running gag, for example, is pure comedic gold. Moreover, the script is littered with tremendous dialogue exchanges between the lead roles and ensemble characters which had me laughing and emoting throughout. Perhaps, historical and political accuracy could be queried by some and there is a reliance on familiar archetypes, but that doesn’t interfere with a zinging story.

CONCLUSION

Green Book is a film that has its chicken and eats it. It is full of life, food, music, family, friendship while making important points about racial issues. It also raises many laughs with heartwarming poignancy, highlighting the inequalities of 1960s with a broad hand. While these issues are not as intriguingly addressed as in BlacKKKlansman (2018), they elevate the generic road-movie-opposites-buddy-bromance tropes and structure. More than anything this is a story about friendship and while it treads a well worn road, mirroring films such as Planes, Trains and Automobiles (1987) and Midnight Run (1988), it does so with verve, humour and heart.

Mark: 9 out of 11

SCREENWASH – FILM REVIEWS – JUNE 2015

SCREENWASH – FILM REVIEWS – JUNE 2015

Watched quite a lot of TV stuff in June including a binge on Hannibal Seasons 1 & 2 plus I have started watching the old school Star Trek series with Shatner and crew so not that many films watched in June. Anyway, here’s my humble little reviews with marks out of ELEVEN! Peace!

**YES – THERE’S SPOILERS!**

THE BABADOOK (2014) – BLU-RAY 

Eerie low-budget Aussie chiller which involves a blow-the-spectrum kid and his mother who mentally unravels following the death of her husband. Together they become isolated as outsiders and are left to the mercy of The Babadook; a dark creature from a weird indestructible book. It’s filmed with consummate skill and has a creeping style which gets under the skin. For an hour I was gripped but in the end felt it was somewhat one-paced and lacking a satisfactory gore-frenzied ending I like from my horror.  However, the dark symbolism in the piece was highly compelling and the director is one to watch.  (7 out of 11)

THE BEAT THAT MY HEART SKIPPED (2005) – BLU RAY

This one’s a rewatch and on second viewing it remains a complex and humanely ambiguous French drama from one of my favourite directors Jacques Audiard. It’s a loose remake of James Toback’s Fingers (1978) and concerns Thomas (Romain Duris) as an unsympathetic slum landlord who tries to use a mild talent for the piano to try and escape his nefarious job. However, he is delusional and ultimately finds little peace from this pursuit as he is constantly dragged back to violence.  It’s an involving character study of a man with family and anger issues and is typical Audiard; holding a mirror up to complex humans and their relationships. (8 out of 11)

CHEAP THRILLS (2013) – NOW TV

This cracking micro-budgeted horror-thriller may be shot on a shoe-string but it’s sharp and nasty as piano wire.  The basic premise is a drunken game of “Would You” which escalates way out of hand as two friends meets a decadent drunken couple including Anchorman’s Champ Kind – David Koechner.  Mild dares such as: fighting a club bouncer and crapping in the neighbour’s house are just for starters as this darkly comedic gore-fest illustrates the lengths some people will go to for fun or money.  This film killed:  in a good way and the final image is still burned on my retina.
(9 out of 11)

COLD IN JULY (2014) – NOW TV

I love my Southern neo-noir movies. John Dahl and the Coen Brothers made some cracking films a few years ago like Blood Simple (1984) and The Last Seduction (1994) and Cold in July is in that territory as it tells a dark, twisted story as slippery as an eel smeared in grease.  Michael C. Hall of Dexter infamy plays an ordinary Joe whose house is invaded by a burglar and having killed said intruder he is then hunted down by the dead man’s career criminal father. This is just the taster as tables are turned and chairs are burnt in a first act full of suspense.  The story then diverts into murkier waters as Don Johnson pops up as a charismatic Farmer/Private Investigator!! Jim Mickle is an unsung director of very good lower budget films like vampire-western Stakeland (2010) but this was an even better thriller with a keen sense of mood, doom and unsettling fear.  (8 out of 11)

THE CONNECTION (2014) – CINEMA

This solid French police drama starring the handsome Jean Dujardin takes a looks at the team who brought down the biggest heroin dealers in 70s France.  It’s nothing we haven’t seen before but it brilliantly filmed with a brutal, masculine cast crossing and double-crossing each other all for a bit of money and power.  I have to admit I was VERY tired watching this so dozed off at one point as the cinema was bloody hot!  However, my cinema fail aside it’s certainly one to catch online or DVD rental. Performances from Dujardin as heroic prosecutor Pierre Michel and Gilles Lellouche as his gangster counterpart are worth the admission alone.  (7 out of 11).

X-MEN: DAYS OF FUTURE PAST (2014) – NOW TV

I positively reviewed this one last year and on second watch it holds up well but certainly loses power on the smaller screen.  Still a very entertaining superhero-time-travel film with the X-Men battling the past to resolve future extinction. Still loving the Quicksilver v Fort Knox slow-mo fight scene. Gets me every time.  Good solid home-screen entertainment. (7.5 out of 11)

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THE EQUALIZER (2014) – NOW TV

I also reviewed this one last year and it actually works so much better as a put-your-feet-up-in-front-of-the-telly-after-work-actioner.  Here the always-reliable movie star Denzel’s portrays a seemingly meek Homebase worker when in fact he is a deadly former CIA shadow able to take bad guys down  in a heartbeat.  Like a modern-day Robin Hood he kills the bad and rewards the good all in a calm, professional and explosive fashion.  Great, if brutal, fun. (7.5 out of 11)

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INSIDIOUS (2010) – DVD/INSIDIOUS 3 (2015) – CINEMA

I rewatched the petrifying original before watching the prequel Chapter 3 at the cinema and while not as good as the first the latter had some cracking scares which had my heart in my mouth throughout. I love a decent horror and also enjoy the more fantastical elements present in the Insidious franchise. I know it’s about Astral Travelling and some such nonsense but Leigh Whannell and James Wan crafted a terrifying original complete with horrific demons and ghosts from the other side.  The plots basically involve a family being terrorized by ghosties and troubled medium Elise Ranier and her team go into ‘The Further’ to slam the door shut!

Wan is a wonderful genre director who during Insidious uses a box of cinematic tricks to convey terror including: light and shadows; kinetic camera movement; smash cuts; sudden music cues including screeching violins; characters appearing out of nowhere; ghosts hiding in the corners; and many more. It’s not always subtle but damn it works well to get the heart pumping. Writer Whannell directs Insidious: Chapter 3 and makes a good fist of it as old favourites come back from the beyond along with some newer nasties to give you nightmares.  (7.5 out of 11)

JURASSIC WORLD (2015) – CINEMA

Jurassic World is loads of fun. The formula that Michael Crichton began in Westworld and continued with the original Jurassic Park is ratcheted up to eleven! I mean, who doesn’t enjoy watching Dinosaurs wreak havoc on the screen; and the Dinosaurs in this are impressive with the vicious Indominus Rex stealing the thunder. Chris Pratt coasts through all muscles and winks; while Bryce Dallas Howard’s character arc is defined by the reduction of clothing throughout. The joy of cinema is to divert the brain from the real world outside by creating an exciting one on screen. Jurassic World succeeds — despite the paper-thin characters — with impressive chases, scares and one-liners . (7.5 out of 11)

KAJAKI (2014) – BLU RAY

I’m anti-war.  But I enjoy war films.  For me “blood will have blood” and historically one can blame Kings, Governments and greedy humans for wars.  When watching a war film I will look at the humanity on show; the story that is told rather than solely the politics.

Kajaki is a brilliant lower-budget British war film set in the Helmond Province, Afghanistan in 2006 and focuses on the true events which befell a group of soldiers trapped in a historical Russian minefield.   The screenplay is impressive as it establishes the characters and longueurs of war before exploding into furious action when the men become locked in a small patch of hellish land.  It’s both illuminating and suspenseful as soldiers become prisoners to the past conflict of a land persistently ravaged by conflict.

Indeed, Afghanistan has been invaded more times than a Wild West Saloon whore and STILL there’s no resolution to the fight.  Amidst the bloody suspense of Kajaki, however, the bravery, humour and camaraderie on display is something to be in awe of. (9 out of 11)

TWO FACES OF JANUARY (2014) – AMAZON PRIME

With Viggo Mortensen, Kirsten Dunst and rising star Oscar Isaac in the cast I had very high hopes for this Hitchcockian thriller based on Patricia Highsmith’s book.  But it kind of petered out as a story really after a very gripping start.  Still, the cast are good and the sunny setting of 1960s Greece and Turkey is beautiful to look but the main issue was I never felt any empathy for the unlikeable characters and rarely felt like there was much at stake. A mirage of a film: promises much but then you realise there is nothing there. (5 out of 11)