Tag Archives: dialogue

SIX OF THE BEST #32 – CINEMATIC STATEMENTS OF INTENT!

SIX OF THE BEST #32 – CINEMATIC STATEMENTS OF INTENT!

This is a dive into the world of punchy dialogue that sums up a film or character or a relationship in a few key words. Because sometimes you just don’t want to think and sometimes you don’t want subtle hints to a character’s intentions. On occasions you want the whole plot and cinematic situation summed up succinctly and in an emotionally impactful way. I like ambiguous or complex characters, but from time to time I just gots to know, in a few words, what the character wants or their plans or capabilities. How do they do that? Well, through a good old-fashioned statement of intent.

I would categorise a statement of intent as generally involving the words “I” or “me” and has a character telling another character or group, plus the audience, what they intend to do or how they feel about a particular moment in their life. Or indeed their life as a whole. There is no ambiguity, but rather a direct proclamation of where the character stands and what he or she wants. Actually, I should say this is an extremely masculine list, but la-di-da, it is what is and so it goes. Thus, here are six of the best, of what I call statements of intent from film.


*** CONTAINS SPOILERS ***


QUINT – JAWS (1975)

“I’ll catch this bird for yer – but it ain’t gonna be easy. . . bad fish!”

One of the great character introductions of all time and an incredible statement of intent too. In a way Quint did catch the “bird”, but that big bird caught up with Quint too! What a speech! What a film!


HOWARD BEALE – NETWORK (1976)

“I’m as mad as hell and I’m not going to take this anymore!”

Acclaimed playwright Paddy Chayefsky arguably wrote one of the greatest cinema speeches of all time with Peter Finch’s newscaster, Howard Beale, reaching the end of his tether with society and life! The saddest thing about this statement of intent is that NOTHING has changed – the world is still nuts and it gets crazier by the day!


T101 / T800 – THE TERMINATOR (1984)

“I’ll be back!”

Sometimes three simple words can say more than a lengthy monologue, as James Cameron and Arnold Schwarzenegger combined to amazing impact in this classic sci-fi action film! Arnie lived up to his promise too, coming back again and again in a series of sequels and prequels and, aside from Terminator 2: Judgement Day (1992), rarely equalled follow-up films.


MARTIN RIGGS – LETHAL WEAPON (1987)

“Do you really wanna jump… Well, that’s fine by me!”

Amidst all the mullets, bullets and B-movie baddies of Shane Black’s over-the-top 1980’s script, there is in fact a moving buddy relationship in here too. There is also a compelling character arc of a suicidal man finding a reason to live through an adopted family. Mel Gibson’s Riggs has so many great scenes to demonstrate his wild-man acting style and the “jumper” scene is probably the best of them.


HAWKEYE – THE LAST OF THE MOHICANS (1992)

“You stay alive no matter what occurs – I will find you!”

This statement of intent comes later than they usually might in a film. But, under the fall of water and with the majestic score swelling Daniel Day Lewis’ Hawkeye powerfully declares his love and intentions to Madeline Stowe’s Cora Munro in Michael Mann’s incredible romantic war drama.


BRYAN MILLS – TAKEN (2008)

“I have a particular set of skills… I will look for you. I will find you. And I will kill you!”

Despite the xenophobic undertones within Pierre Morel and Liam Neeson’s rapid-paced action thriller, it does have one of the most iconic statements of intent in recent film history. Neeson delivers it brilliantly and what’s great is he does find the kidnappers and he does kill them! Just like he said he would! Nothing I like more than a man who keeps his word!

SOME FAVOURITE MOVIE DIALOGUE SCENES #2

SOME FAVOURITE MOVIE DIALOGUE SCENES #2

Directors and actors often hog the limelight and get the kudos for the movies they made but how about giving the screenwriter some credit too. Don’t forget some poor writer slaved over these words and probably didn’t get the praise they deserved. Thus, here are some more funny, dramatic and sad dialogues scenes I have picked out for mine and your amusement. Hail the writer!

**OF COURSE THERE’S SPOILERS!**

BAD SANTA (2003) – “YOU NEED MANY YEARS OF THERAPY”

This is the greatest Christmas film ever and one of the best comedies EVER! So much quotable dialogue and this scene is up there with the best of them! I love the dark humour here which basically finds low-level scumbag Billy Bob Thornton believing he’s “turned a corner” spiritually AFTER beating some kids up. Priceless!

BEAUTIFUL GIRLS – “IT’S NOT REAL!”

This is a brilliant monologue that cuts to the bone when it comes to the objectification of women in the Media and the false promises that are created for the male gaze. Rosie O’Donnell is pitch perfect delivering some cracking one-liners and a damning indictment of media representations and moronic men. Great dialogue from writer Scott Rosenberg!

THE BIG LEBOWSKI (1998) – “I’M SORRY – I WASN’T PAYING ATTENTION”

The Dude is the worst detective in the world and this makes him the funniest too. In his pursuit of Bunny Lebowski he ends up at the pornographer Jackie Trehorn’s abode. Drugged and dumped on the Law Enforcement Officers this scene is just too hilarious for words.

LA CONFIDENTIAL (1997) – “WHY’D YOU BECOME A COP?”

Sometimes the best dialogue scenes are the subtle ones which the writer has included and you think: “Mmmm… what was that all about?” In this superlative crime-noir-thriller THIS is one of those quiet incendiary scenes which explodes with a gripping payoff later in the movie.

NETWORK (1976) – “MAD AS HELL!”

You go into work and you feel disillusioned with your lot. You ask yourself: “why are we here?” “What’s it all about?” “Why do bad things happen all the time?” “This WORLD sucks!!”  And you get angry? You get mad as hell and the biggest problem there’s no solution! You just don’t know what to do! This cracking speech from Paddy Chayefsky sums that all up as Peter Finch scores an Oscar for a man-on-the-edge-who-just-cannot-take-anymore!!

NIL BY MOUTH (1997) – “YOU MUST REALLY HATE ME!”

This is a raw, gritty and heartfelt scene where Val rejects Ray and his violent ways via some incredible acting from Kathy Burke and Ray Winstone. I connected with this scene as Val’s humanity is wrought bare by the abuse she has suffered over the years and she just cannot take anymore!  Gary Oldman wrote directed ONE film and THIS was it. Amazing!

ON THE WATERFRONT (1954) – “I COULDA BEEN A CONTENDER!”

Need I say more?! Just a heart-wrenching monologue from writer Budd Schulberg perfectly delivered by Brando with Rod Steiger providing great opposition in this legendary scene. This is a film about brotherhood and corruption and Terry and Charley’s relationship is a powerful microcosm of such themes. Unforgettable!

THE TERMINATOR (1984) – “IT ABSOLUTELY WILL NOT STOP – UNTIL YOU ARE DEAD!”

James Cameron’s incredible sci-fi-time-thriller-killer remains one of my favourite films ever! Aside from a star-making turn from Arnie, awesome action and mind-bending plot it manages to collapse a lot of complex exposition in a very economic fashion. It does so brilliantly when Kyle Reese gives the lowdown during a frenetic high-speed car chase. Indeed, his summary of the Terminator’s deadly intentions is just punchy as hell; raising the stakes for Sarah Connor right up to 11!

TRAINING DAY (2001) – “TELL ME A STORY!”

Dialogue establishes character and the dynamism between characters that will occur throughout the film. In this scene from the fantastic crime thriller Training Day, Hawke’s Hoyt is very nervy as he meets his boss, the arrogant Alonzo Harris, for the first time. The dialogue just zings from Washington’s mouth as he pulls Hoyt one way and then the other in a great scene which foreshadows the brilliant drama yet to come.

TRUE ROMANCE (1993) – “I HAVEN’T KILLED ANYONE SINCE…”

This is just A-grade dirty street talk that’s just vile and offensive but delivered with perfection by two great actors in Hopper and Walken. The gangsters are trying to track down their drugs that Clarence has and his father knows where he may be. Not only does Hopper’s character know where his son is he KNOWS he will die anyway whether he gives his son up, so he delivers one of the most disgusting insults he can think of. This is a brutal yet compelling scene from Tarantino that crackles with hard-boiled testosterone, gristle and sickening masculine evil.