Tag Archives: Richard Manning

TO BOLDLY REVIEW #10 – STAR TREK: NEXT GENERATION (1991 – 1992) – SEASON 5

TO BOLDLY REVIEW #10 – STAR TREK: NEXT GENERATION (1991 – 1992) – SEASON 5

Based on Star Trek & Created by: Gene Roddenberry

Season 5 writers (selected): Michael Piller, Michael Wagner, Rick Berman, Jeri Taylor, Lee Sheldon, Melinda Snodgrass, Richard Manning, Ronald D. Moore, David Bischoff, Joe Menosky, Drew Deighan, Brannon Braga, J. Larry Carroll, Hilary J. Bader, Harold Apter, Stuart Charno, Sara Charno, Maurice Hurley, Susan Sackett, Sara Charno, Stuart Charno, Randee Russell, Peter Allan Fields, Rene Echevarria etc.

Season 5 directors (selected): Jonathan Frakes, Winrich Kolbe, Corey Allen, Robert Weimer, Les Landau, Robert Scheerer, Cliff Bole, Paul Lynch, Chip Chalmers, Timothy Bond, David Carson, Gabrielle Beaumont, Patrick Stewart, David Livingston, Marvin V. Rush, Chip Chalmers, Peter Lauritson, Robert Lederman, Paul Lynch, etc.

Main Cast: Patrick Stewart, Jonathan Frakes, LeVar Burton, Whoopi Goldberg, Colm Meaney, Michael Dorn, Marina Sirtis, Brent Spiner, Wil Wheaton, Gates McFadden, Michelle Forbes, Majel Barrett, Rosalind Chao, plus guests: Matt Frewer, Ashley Judd, Kelsey Grammer and Famke Janssen etc.

Music/Composers: Alexander Courage, Jerry Goldsmith, Dennis McCarthy, Ron Jones, Jay Chattaway

Production Company(s): Paramount Television, CBS Television

**** CONTAINS SPOILERS ****



I have just finished boldly watching Season 5 of STAR TREK: THE NEXT GENERATION and it was an extremely excellent raft of science fiction television episodes. I have to say though that TWENTY-SIX episodes was a hell of a lot of TV to produce. I know they had big budgets and an army of staff working on the show, but to produce such high quality viewing, albeit within the established formula, is overall incredibly impressive.

Season 5 was up there in consistency of quality writing, acting and directing with the superlative Seasons 3 and 4. Once again the creatives and storyline team explored issues of the day (i.e. 1990s) and married them to the STAR TREK values and philosophies. Of course, we get the usual alien enemies, such as the Romulans and Ferengi, paying a visit to the Enterprise. Yet, we also found new foes, obstacles and allies encountering the Enterprise. Lastly, the formidable Michelle Forbes as the Bajoran, Ensign Roe, was a welcome addition to the crew.

Sadly, Gene Roddenberry passed away during this particular season’s making. This would cause create sadness in the STAR TREK universe, but the production was, by now in very safe hands, as they paid fine tribute to their creator during Season 5. Here are SIX of the best episodes well worth visiting or revisiting. Live long and prosper.


REDEMPTION – PART II – EPISODE 1

The concluding part to the prior season’s cliffhanger found Lt. Worf (Michael Dorn) continuing to fight for honour alongside his brother, Kurn (Tony Todd), against the Duras hordes. There are many moments of high tension throughout the episode with Dorn impressing again as the divided, but ultimately united and redeemed Klingon. Overall, the episode is full of memorable plot turns and fantastic Romulan and Klingon villains, notably Lursa and B’Etor.

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UNIFICATION – PARTS I & II – EPISODES 7 & 8

Chosen more for nostalgia as opposed to stellar storytelling, UNIFICATION is a two-parter which sees the return of a famous Trek character, namely Spock (Leonard Nimoy). We also get Mark Lenard’s final appearance as Spock’s father, Sarek, as he and Picard (Patrick Stewart) share a thoroughly moving final scene together. The story finds Spock attempting to repair years of conflict between Vulcans and Romulans, however, Starfleet believe he has defected. Thus, Picard and crew attempt another search for Spock. The narrative pace is steady, nonetheless it is great to see Nimoy don the ears and ultra-logic for a further outing as Spock.


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CONUNDRUM – EPISODE 14

While STAR TREK: THE NEXT GENERATION had more than its fair share of emotionally powerful episodes, sometimes a fast-paced and twisting plot with a bit of space espionage was more than welcomed. In CONUNDRUM, the Enterprise crew have their memory wiped by an unknown force dedicated to destroying an alien race. The audience finds suspense and dramatic irony in knowing the crew’s minds have been tampered with as they race against time to prevent war. Riker (Jonathan Frakes) and Ensign Ro’s (Michelle Forbes) simmering sexual tension adds romance and humour to a packed storyline.


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CAUSE AND EFFECT – EPISODE 18

Easily one of my favourite TNG episodes of this and many a season. This is because it features a fantastic temporal-causality loop plot and extremely high stakes where the Enterprise is concerned. Here the crew are trapped in a perpetual time cycle where the end of it results in the destruction of the Enterprise. Essentially GROUNDHOG DAY (1993) in space (even though this episode came before that classic film), it truly fizzes along with a brilliant script and powerful drama. Kelsey Grammer also guests, adding to the overall quality on display.


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I, BORG – EPISODE 23

Could an evil machine ever be humanized? That is just one of the fascinating questions posed in this thoughtful and provocative episode? While they owe much to the Cybermen, the Borg remain a powerful weapon in the STAR TREK storytelling arsenal. The only problem is they are virtually invincible, so tough to write stories for. Rather cleverly in I, BORG, the episodes isolates a single unit and Picard, Guinan (Whoopi Goldberg) and La Forge (LeVar Burton) especially, confront their hatred and desire for revenge. As the Borg unit, or Hugh (an excellent Jonathan Del Arco) as he becomes known, spends time on the Enterprise he positively changes. This provides much to consider for the crew with their emotions shifting toward Hugh/the Borg.


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THE INNER LIGHT – EPISODE 25

Not only is this one of the best episodes of STAR TREK: THE NEXT GENERATION, but it is also one of the best episodes of STAR TREK ever. The story is precipitated by an unknown probe which scans the Enterprise and directs an energy beam at Picard, who wakes up to find himself on Kataan, a non-Federation planet. Here Picard attempts to escape his existence as Kamin, but over time he grows into this strange new life. What begins as a simple body swap plot, unfurls into something all the more emotionally grander. We know Patrick Stewart is a fine actor, but he imbues Picard/Kamin with a gravitas of enormous propensity. I also loved how Picard, the Captain, is humbled by a more domestic life full with life and love. Lastly, Jay Chattaway’s score is absolutely beautiful.


TO BOLDLY REVIEW #9 – STAR TREK: NEXT GENERATION (1990 – 1991)– SEASON 4

TO BOLDLY REVIEW #9 – STAR TREK: NEXT GENERATION (1990 – 1991)– SEASON 4

Based on Star Trek & Created by: Gene Roddenberry

Season 4 writers (selected): Michael Piller, Michael Wagner, Rick Berman, Jeri Taylor, Lee Sheldon, Melinda Snodgrass, Richard Manning, Ronald D. Moore, David Bischoff, , Joe Menosky, Drew Deighan, Brannon Braga, J. Larry Carroll, Hilary J. Bader, Harold Apter, Stuart Charno, Sara Charno, Maurice Hurley, Shari Goodhartz, Timothy DeHaas, Randee Russell, Ira Steven Behr, Rene Echevarria etc.

Season 4 directors (selected): Jonathan Frakes, Winrich Kolbe, Rob Bowman, Robert Weimer, Les Landau, Robert Scheerer, Cliff Bole, Robert Legato, Tom Benko, Chip Chalmers, Timothy Bond, David Carson, Gabrielle Beaumont, Patrick Stewart, David Livingston, Marvin V. Rush, Chip Chalmers etc.

Main Cast: Patrick Stewart, Jonathan Frakes, LeVar Burton, Whoopi Goldberg, Colm Meaney, Michael Dorn, Marina Sirtis, Brent Spiner, Wil Wheaton, Gates McFadden, John De Lancie, Dwight Schultz, Majel Barrett, Rosalind Chao etc.

Music/Composers: Alexander Courage, Jerry Goldsmith, Dennis McCarthy, Ron Jones, Jay Chattaway

Production Company(s): Paramount Television, CBS Television

**** CONTAINS SPOILERS ****



My simultaneous retrospective and futuristic journey into space and time continues, and I have finally finished watching Season 4 of Star Trek: The Next Generation. It’s commonly admitted to being one of the most consistently excellent seasons of TNG. I very much enjoyed the mixture of sci-fi concepts, drama, humour and tragedy within the well established formula of the Starship Enterprise boldly exploring various galaxies.

Major themes of the season related to family, honour, love, espionage, war and divided loyalties. While the Wesley Crusher character left for the Starfleet Academy (Wil Wheaton left the show), the majority of our favourite characters remained. Indeed, Miles O’Brien (Colm Meaney) was given more airtime and a marriage subplot. More dramatically the Klingons and Romulans featured heavily as pillars of conflict, with many of the best episodes featuring Romulan deceptions and Klingon brutalism.

Star Trek: The Next Generation continues to be a compelling show to watch and look back on with respect and nostalgia. While I continually enjoyed pretty much all the episodes, here are six of the best ones featuring Picard and his devoted crew.


THE BEST OF BOTH WORLDS – PART II – EPISODE 1

A continuation of Season 3’s cliff-hanger episode found Picard in the grips of the Borg. Even more thrilling was Riker, Data, La Forge and the rest of the crew have to stop the evil machines from launching a deadly assault on Earth. With dual battles of the mind and in space occurring simultaneously, this episode is memorable in so many ways. Patrick Stewart as Picard gives a fantastically intense performance as he battles the evil within.



FAMILY – EPISODE 2

Gentler in approach than the opening episode, Family, has a brilliantly written script with three very emotionally charged storylines. Wesley Crusher must decide whether to watch a video recorded by his deceased father. Worf is met by his adoptive human parents who seek to console him following his Klingon discommendation. Lastly, a still shaken Picard returns to Earth and reconnects with his brother. The trio of narratives combine to forge a highly satisfying and emotionally charged episode.



REUNION – EPISODE 7

While Patrick Stewart as Captain Picard often garners the acting acclaim with his fine performances, I think Michael Dorn as Lt. Worf always gives great portrayals too. Worf’s conflicted cultural identity – between Klingon and Starfleet – always provides constant moments of explosive and introspective drama. In this episode his former love, K’Ehleyr (Suzie Plakson) returns to oversee, with Picard, the fight for the Klingon leadership. It is revealed that Worf also has a son by K’Ehleyr as the episode delivers excitement, intrigue and tragedy.



THE DRUMHEAD – EPISODE 21

This brilliant episode is unlike many others as the Enterprise crew are not faced with a divisive alien enemy. Instead, Picard and his crew come under Starfleet suspicion from the formidable Admiral Satie. Jean Simmons as Satie gives a memorable acting masterclass, as her over-zealous paranoia causes a witch-hunt culture to poison the court proceedings. I’m a big fan of the courtroom drama and this expertly paced and written episode reminded me of a reverse-engineered version of, The Caine Mutiny (1954).



THE MIND’S EYE – EPISODE 24

Chief Engineer Geordi La Forge is a very under-rated character within the TNG crew. He’s a brilliant engineer with a likable personality, so when he is “brainwashed” by the Romulans to commit an assassination it was intriguing to see his character go over to the dark side as it were. I especially liked the suspense and plot twists of this episode which paid homage to films such as: A Clockwork Orange (1971) and The Manchurian Candidate (1962).



REDEMPTION – PART I – EPISODE 26

This brilliant season culminated with a superlative episode which brought together all of the plots and subplots involving the battles with the Romulans and Klingons. Lt. Worf has a particularly difficult choice between his Starfleet commission and family honour. Ultimately, he chooses to fight for honour and in a wonderful conclusion to the episode joins the Klingon fleet to fight alongside his brother, Kurn (Tony Todd), against the Duras hordes. Despite the out-of-the-box temporally strained twist involving, Sela (Denise Crosby), a Tasha Yar Romulan lookalike, the episode was full of dramatic moments and provided a compelling cliff-hanger for the next season.



TO BOLDLY REVIEW #8 – STAR TREK: NEXT GENERATION (1989 – 1990)– SEASON 3

TO BOLDLY REVIEW #8 – STAR TREK: NEXT GENERATION (1989 – 1990)– SEASON 3

Based on Star Trek & Created by: Gene Roddenberry

Season 3 writers (selected): Michael Piller, Michael Wagner, Melinda Snodgrass, Richard Manning, Ronald D. Moore, David Kemper, Hannah Louise Shearer, Sam Rolfe, Robin Bernheim, Richard Danus, Ed Zuckerman, Joseph Stefano, Rene Echevarria, David Bischoff, Sally Caves, Susan Sackett, Hans Beimler, etc.

Season 3 directors (selected): Jonathan Frakes, Winrich Kolbe, Rob Bowman, Robert Becker, Les Landau, Robert Scheerer, Joseph L. Scanlan, Cliff Bole, Robert Legato, Tom Benko, Chip Chalmers, Timothy Bond, David Carson, Gabrielle Beaumont, etc.

Main Cast: Patrick Stewart, Jonathan Frakes, LeVar Burton, Whoopi Goldberg, Colm Meaney, Michael Dorn, Marina Sirtis, Brent Spiner, Wil Wheaton, Gates McFadden, John De Lancie, Dwight Schultz etc.

Music/Composers: Alexander Courage, Jerry Goldsmith, Dennis McCarthy, Ron Jones, Jay Chattaway

Production Company(s): Paramount Television, CBS Television

**THIS REVIEW CONTAINS SPOILERS**



Thus, my ongoing viewing project of watching ALL the Star Trek series and films in order of release date continues. I have already covered the pro-genesis of STAR TREK: THE NEXT GENERATION here. So, I won’t cover the same ground again. With Season 3 we saw the return of Gates McFadden as Doctor Beverly Crusher, replacing the sterner virtues of Doctor Pulaski. Other than that, the established crew of the Enterprise were all present and correct.

The season as a whole continued, and even improved, the consistent qualities of Season 2. Indeed, there was a great balance between romantic, comedic, dramatic, tragic, action and sci-fi genre storylines. The appearances of Romulans, Klingons and the Ferengi further cemented their place in Star Trek lore. Yet, there was also space in the bumper twenty-six episodes for new species, beings and aliens to appear. Plus, not forgetting the return of that very formidable foe, The Borg.

I especially thought the narrative balance was very good throughout. All the Enterprise crew got episodes dedicated to their characters and a chance to shine individually and as part of the ensemble. We also got some fine guest appearances as new characters were introduced. Anyway, here are six episodes from Season 3 that I particularly enjoyed.


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THE VENGEANCE FACTOR – EPISODE 9

Here Riker finds himself romantically entwined as Picard attempts to broker peace between two factions hellbent on a blood feud. I enjoyed it because of the murder mystery aspect. Also, Jonathan Frakes impressed as Riker in the leading romantic hero role.


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THE HUNTED – EPISODE 11

This fast-paced and action-packed episode found the crew meeting their match, as they face off against a genetically enhanced soldier portrayed by Jeffrey McCarthy. With echoes of Universal Soldier (1992), the episode has emotional depth too because it explores the disregard of veteran soldiers by the ruling classes once war is over.


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YESTERDAY’S ENTERPRISE – EPISODE 15

The writers deserves a lot of praise for constructing such an imaginative and intelligent alternative-timeline narrative. A rift in space and time creates another version of the Enterprise. In this timeline war rages with the Klingons and moreover reveals Tasha Yar (Denise Crosby) to still be alive. Only Guinan (Whoopi Goldberg) senses something isn’t right and what ensues is a complex story; thoroughly enjoyable from both plot and emotional perspectives.


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THE OFFSPRING – EPISODE 16

One of the big story questions that hung over the series for me was: why didn’t they try and replicate Data in some way? This concept is explored in this very moving episode when he constructs another android called, Lal (Hallie Todd). Brett Spiner is on great form as Data faces a difficult choice,; having to choose between his “daughter” and Starfleet regulations.


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SINS OF THE FATHER – EPISODE 17

Any episode with Lt. Worf (Michael Dorn) as the lead protagonist is always intriguing. Here Worf must face potential death in defending his family honour against the Klingon High Council. Tony Todd appears as Worf’s brother and the chance to further explore Klingon culture amidst a conspiracy plot leads to a really good episode.


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THE BEST OF BOTH WORLDS – PART 1 – EPISODE 26

I can only imagine what emotions the Star Trek fans felt at the time when they witnessed Jean Luc Picard’s transformation into the Borg known as Locutus. In what must be one of the greatest cliff-hanger TV moments of all time, this episode had strong writing and incredible conflict. The addition of Elizabeth Dennehy to the crew of the Enterprise, as the ambitious and formidable, Lt. Commander Shelby, also added to the overall quality of this brilliant episode.


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TO BOLDLY REVIEW #7 – STAR TREK: NEXT GENERATION – SEASON 2 (1988 – 1989)

TO BOLDLY REVIEW #7 – STAR TREK: NEXT GENERATION – SEASON 2

Based on Star Trek & Created by: Gene Roddenberry

Season 2 writers (selected): Richard Manning, David Assael, Melinda Snodgrass, Scott Rubenstein, Leonard Mlodinow, Maurice Hurley, Burton Armus, Robert Iscove, Kathryn Powers, Gene Roddenberry, Joseph Stefano, Terry Devereaux etc.

Season 2 directors (selected): Winrich Kolbe, Rob Bowman, Robert Becker, Les Landau, Robert Scheerer, Joseph L. Scanlan, Cliff Bole etc.

Main Cast: Patrick Stewart, Jonathan Frakes, LeVar Burton, Whoopi Goldberg, Colm Meaney, Michael Dorn, Marina Sirtis, Brent Spiner, Wil Wheaton, Diane Muldaur, John De Lancie, Lycia Naff etc.

Music/Composers: Alexander Courage, Jerry Goldsmith, Dennis McCarthy, Ron Jones, Jay Chattaway

Production Company(s): Paramount Television, CBS Television

**THIS REVIEW CONTAINS SPOILERS**



Thus, my ongoing viewing project of watching ALL the Star Trek series and films in order of release date continues. I have already covered the pro-genesis of STAR TREK: THE NEXT GENERATION here. So, I won’t cover the same ground again.

While the first season did a good job establishing the characters, action, plots, gadgets, themes and general formula, it was still finding its space feet, as it were. While we lost a couple of major characters, the second season transitioned into a very satisfying series of episodes.

Dr Pulaski (Diane Muldaur) replaced Beverley Crusher (Gates McFadden) for a season and she provided some stern opposition to Picard in certain narratives. But, the casting of Whoopi Goldberg as Guinan was a masterstroke. Goldberg is such an intuitive and classy actor, she added cinematic quality to some fine episodes.

I have to admit I am not so sure HOW they managed to produce so many good episodes. My understanding is shooting a twenty-plus episode season of television is an incredible feat of creativity. The rewards were certainly earned. The show would garner great viewing figures and also many Emmy nominations come TV awards season. Here are six of my favourite episodes from STAR TREK: THE NEXT GENERATION – SEASON 2.



ELEMENTARY MY DEAR DATA – EPISODE 3

Data and Chief Engineer La Forge take on the roles of Holmes and Watson in another “holodeck-adventure-gone-wrong” narrative. I love Sherlock Holmes so this episode is fantastic to me. I also felt that the sentient Moriarty (Daniel Davis) brought much humanity to the classic nemesis. The La Forge and Data character dynamic is really fun too as La Forge attempts to outwit and challenge his android friend with dangerous results.


THE SCHIZOID MAN – EPISODE 6

Reminiscent of a classic Star Trek episode from the original series, and also a tribute to The Prisoner, this story contains the often used revered scientist gone rogue. More interestingly though, it explores themes of immortality and transference of human intelligence into a computer. Of course, it’s Data who finds his character split and battling an interloper seeking everlasting existence.



MEASURE OF A MAN – EPISODE 9

Sorry, another Data led episode. Data finds himself at a tug-of-war dispute over whether he can be determined as human or a mere piece of technology to be dismantled for science. A court case follows with Picard defending Data and Riker “prosecuting”. Spiner is superb as Data and Jonathan Frakes is especially good, having to carry out a duty he comes to hate. This episode has genuinely high class writing, acting, direction themes and narrative. Not to say most of the other episodes aren’t good, but this one is particularly great.


TIME SQUARED – EPISODE 13

I love doppelganger and time travel plots. This episode has both, as Picard must face a future version of himself and some incredibly difficult decisions to save the destruction of the Enterprise. Often time travel narratives will involve years or even decades difference, but this time it’s around six hours. This creates much drama and brings to life that always fascinating theme of the self having to face the self in a time of crisis.



Q-WHO – EPISODE 16

The irritating super-being Q (John De Lancie), rears his annoying head again. Although, he actually isn’t the most threatening enemy in this brilliant episode. That “honour” is bestowed upon the formidable Borg. Picard and the Enterprise crew find themselves challenged by these relentless machines and almost perish. The Borg remind me of Doctor Who‘s vicious rivals, the Cybermen, and make for impressive adversaries. The episode is also notable for the further development of Guinan’s character. Indeed, more of Whoopi Goldberg is always welcome.


THE EMISSARY – EPISODE 20

Promoting Worf (Michael Dorn) to Chief Security Office was a masterstroke of character development for the second season. The Klingon race is famed for its’ head-on approach to the fight and Worf would often find his inner Klingon battling Starfleet regulations. Here Worf is further conflicted with romantic feelings for a half-human-half-Klingon emissary, K’Ehleyr (Susie Plakson). She is sent to resolve a fascinating “Hell in the Pacific” side-plot; where a Klingon crew do not yet know the war is over. Dorn and Plakson share fantastic chemistry and it was compelling to find love and war themes combine so effectively.


TO BOLDLY REVIEW #6 – STAR TREK: NEXT GENERATION – SEASON 1 (1987 – 1988)

TO BOLDLY REVIEW #6 – STAR TREK: NEXT GENERATION – SEASON 1

Based on Star Trek & Created by: Gene Roddenberry

Season 1 writers (selected): John F. Black, Diane Duane, D.C. Fontana, Maurice Hurley, Robert Lewin, Richard Manning, Kathryn Powers, Gene Roddenberry, Joseph Stefano, Tracy Torme etc.

Season 1 directors (selected): Colin Bucksey, Rob Bowman, Cliff Bole, Les Landau, Kim Manners, Win Phelps, Mike Vejar etc.

Main Cast: Patrick Stewart, Jonathan Frakes, LeVar Burton, Denise Crosby, Michael Dorn, Gates McFadden, Marina Sirtis, Brent Spiner, Wil Wheaton etc.

Music/Composers: Alexander Courage, Jerry Goldsmith, Dennis McCarthy, Ron Jones, Jay Chattaway

Production Company(s): Paramount Television, CBS Television

**THIS ARTICLE CONTAINS SPOILERS**

“MAKE IT SO. . .”

So, my cultural journey beyond the stars continues with a review of the first season of Star Trek: Next Generation. It took some serious time for what was originally known as Phase II to take off. Indeed, they finally hit warp speed during the late 1980’s. Roddenberry, the original Enterprise crew, plus swarms of Paramount employees had kept themselves busy with the ‘Original Series’ cinema releases, but, in 1986, a new TV series was announced.

Then, almost a year later in September 1987, Star Trek: Next Generation was released. TNG featured: a new crew, a more advanced class of Enterprise, and a variety of new aliens, planets and galaxies to boldly explore. While there was an initial decree to avoid all the old enemies from the original series, the Klingons, Romulans and more, slowly bled into the show as it was further developed.

FIRST CONTACT

Much has been written about Star Trek in general and the internet is brimming with articles, features, interviews, podcasts, fan films and documentaries which would take an immortal’s lifetime to read. So, my approach to this piece is to concentrate on the characters, narratives, themes and concepts which leapt out while watching it.

Overall, I really enjoyed most of Star Trek: Next Generation – Season 1. I have read that die-hard fans were resistant to the idea their favourite show from the 1960’s was getting a makeover. However, Paramount/CBS Studios chucked $1.3 million at each episode and shot on 35MM film, thus demonstrating a commitment to a quality product.

Even watching it now I am impressed by the production values, cast, direction and science fiction concepts. Obviously some of the effects are a bit dated compared to what we experience today but I always prefer in-camera effects and prosthesis, anyway. Having said that Star Trek has always been about strong ideas and themes for me.

In terms of story and character there are some very strong episodes and some pretty weak ones. Gene Roddenberry, his producers and raft of writers were, reported to be consistently at loggerheads throughout the production. So much so very few of the original TNG writing team remained by the end. It’s a testament to the rock-solid formula of the show that such issues did not hinder the ultimate consistency of entertainment while I was watching.

My main criticism is that some episodes felt like first drafts. Plus, there was, on occasions, a few episodes which were top heavy in set-up and rushed toward the end. Nonetheless, Roddenberry’s original format is always fascinating and you could certainly feel that when they successfully married: the science fiction concepts, characters, tone and dialogue you got many great episodes.

THE FAMILY UNIT

Holding the narratives and show together was an exceptionally brilliant set of actors. I mean, in the cold light of space, Star Trek: Next Generation could be deemed just men, women and aliens in silly outfits. Of course, we know it’s much more intelligent than that. So with acting heavyweight Patrick Stewart leading the way, all the cast were committed to their roles formidably. They had to be for it to work so well.

To me TNG was structured around a quasi-family unit, as opposed to the naval/military hierarchy of the ‘Original Series’. Captain Jean-Luc Picard majestically leads from the front with authority and a keen sense of fair play. Dr Beverly Crusher is the pseudo-matriarch, both professional and caring. Further, the other main members of the crew are, very loosely speaking, the children.

Riker I’d suggest is the first son and heir apparent, closely followed in the hierarchy by Geordi. The likes of data and Wesley are the younger, gifted children, full of intelligence and enquiry. The sensitive, Troi and tougher Yasha represent the older daughters, while I’m not quite sure how the Klingon, Worf, fits in. Perhaps, he’s a bastard son or long lost cousin seeking affirmation of the family unit. Thus, these characters as a ‘family’ support the spine of the show, all combining with varying strength and characteristics to form a whole that propels both drama and emotion.

THE REST IS HISTORY. . .

Star Trek: Next Generation consisted of TWENTY-SIX episodes!! While no doubt well paid, this remains an incredible workload for the cast and crew. Initially, the season got off to a difficult start in terms of ratings and reviews. Nonetheless, by the end of the season , the class of the production and format shone through. Furthermore, it would be nominated for seven Emmy TV awards. Ratings would also improve and it became the highest rated syndication series by the end of the run. To conclude, I would like to look at six episodes from season 1 which I felt stood out while I watched them.

THE BIG GOODBYE – EPISODE 12

The ‘Holodeck‘ plays a huge part in the series as a whole. It’s a fantastic way to marry the past and future together. In this clever episode Picard attempts to escape into one of his favourite film noir simulations but gets more than he bargained for. Then when the holodeck malfunctions, Picard and his crew find themselves in the midst of a simulated “real-life” and perilous gangster mystery.

DATALORE – EPISODE 13

I love a good Jekyll and Hyde story and this one explores the origin of much respected android, Data. Brett Spiner is such a good television actor and he nails both roles as Data and his “brother” Lore, who, as genre conventions require, is basically bad Data and hell-bent on taking control of the Enterprise.

HEART OF GLORY – EPISODE 20

Obviously the stories involving the Federation are always interesting but often I really enjoy the more personal narratives. In this episode Michael Dorn as Worf finds his allegiances between the Enterprise and fellow Klingons tested. It’s a fine character exploration as we get to see Worf’s warrior persona versus the more reasoned Starfleet side.

THE ARSENAL OF FREEDOM – EPISODE 21

War, or threat of war has always been at the heart of many great episodes. The concept that a planet of arms dealers who are killed by their own hi-tech product was a great idea. It also gave the crew and Enterprise major threats on the planet they visit and in space. The action, character development and suspense make this a very thrilling episode all-round.

SYMBIOSIS – EPISODE 22

Social commentary was a key component of the ‘Original Series’. Many episodes tapped into the zeitgeist of the 1960’s issues relating to war, race, religion and gender etc. TNG continued this tradition with Symbiosis which expertly explores the nature of narcotic addiction and how it can be exploited to negative effect by an alien race. I especially enjoyed the grey ending where the ‘Prime Directive‘ comes into play.

CONSPIRACY – EPISODE 25

A major rule throughout Star Trek is that the Federation is not to be shown as corrupt. There have been exceptions to this in certain feature films and they get around this in Conspiracy with the Federation top brass invaded by parasitic aliens. The narrative was very strong and felt like a feature film story in scale. I also loved the David Cronenberg-style monsters appearance in the gory finale.