Category Archives: Netflix

FIFTEEN “MUST WATCH” THINGS ON NETFLIX – PART #1

FIFTEEN “MUST WATCH” THINGS ON NETFLIX – PART #1

Not sure why I did this as it’s not like Netflix needs any marketing assistance from me, but I was bored so I did it anyway!  Of course there are loads of programmes and films that could make this list but here are fifteen things that are essential viewing in my opinion!  Obviously if there’s something that should be on this list then let me know.

** MAY CONTAIN SPOILERS **

AMERICAN HORROR STORY (2011 –  ) SEASONS 1 – 3

The first three seasons of this insanely delightful horror show have had me hooked from the start. Featuring a recurring ensemble cast including: Jessica Lange, Zachary Quinto, Sarah Paulson, Lily Rabe, Evan Peters and many more it mixes: ghosts, witches, serial killers, torture, sexual deviants and voodoo to grisly and hilarious effect. I can recommend it wholly to any fans of period, gothic and murder porn horror as it rips through a splattering of sick deaths, gripping drama and black comedy.

BEASTS OF NO NATION (2015)

This stunning drama leaves you battered and burnt emotionally.  It’s about a civil war in Africa and the child soldiers whom are ripped from their families and made to fight for despotic mad men. Don’t watch if you are easily upset because Cary Fukanaga’s film is a terrifying journey into the heart of darkness. A career-best performance from Idris Elba and phenomenal acting debut from Abraham Attah, as Agu, make this a stunning film. This is heart-cracking drama of the highest quality.

BETTER CALL SAUL (2015) – SEASON 1

I don’t usually like prequels as the drama is generally undercut by knowledge of what has gone before but – pre-Breaking Bad – Jimmy McGill’s story (and Mike’s) was funny, dramatic and actually quite touching. It’s a really compelling plot that takes some unexpected twists throughout and contains some damn fine acting. Bob Odenkirk as our charismatic and occasionally heroic anti-hero is a joy and I look forward to watching Season 2 which has just begun streaming on Netflix now.


BREAKING BAD (2008 – 2013)

This show deserves all the hype and accolades as a contemporary crime thriller, family drama and character study par excellence.  It’s the story of a “good” man and teacher, Walter White, who having sadly been diagnosed with cancer sets about funding a nest egg for his family in the future. This involves, rather incredibly, using his chemistry know-how to make the most powerful methamphetamine in the United States. With his streetwise sidekick Jesse Pinkman (the bitchin’ Aaron Paul) Walter begins a dramatic, murderous and dark journey; becoming a tour de force criminal going by the nom de plume of Heisenberg. Vince Gilligan and his team write and produce a modern classic which has so many great characters that are good, ugly and breaking bad!

DAREDEVIL (2015) – SEASON 1

This brilliant TV show concerns Matt Murdock (Charlie Cox) as blind lawyer by day and “super-hero” by night fighting to clean up Hell’s Kitchen in New York. It’s early in his crime-fighting career and as an origins story it’s very well written; with a gritty noir shot-in-the-shadows style. The action, fighting and most importantly character development of both Murdock and Wilson ‘Kingpin’ Fisk (played deliciously by Vincent D’Onofrio) is exceptional as we receive a slow bleed and blending of their stories until they meet at the end. You get the standard stereotypes often found in superhero films but overall it transcends the generic components to become compelling viewing.

DOCTOR STRANGELOVE (1964)

Stanley Kubrik is the greatest filmmaker of ALL time; and it’s my humble opinion that every single one of his films is a masterpiece. His darkly comical satire about the threat of nuclear war is not only a damning indictment of the stupidity of man and his lust for war; but also an ingenious series of sketches that creates humour from the most darkest of threats. A stellar story and cast, including the unique talents of Peter Sellers (playing three characters), finds paranoid Sterling Hayden’s Brigadier General Jack D. Ripper inducing a nuclear attack on Russia and his superiors blustered attempts to stop World War III.  Funny, unsettling and unflinching in its satirical critique of the military and those in government, this is a comical tour-de-force from a genius director.

DOCTOR WHO (2005 – )

If you love fantastical programmes about intrepid time travellers who battle with vicious alien foes across space and time then do check out the rebooted jewel in the BBC’s crown which recently hit a 50th year anniversary. The Doctor is the original Guardian of the Galaxy who travels into our homes via the TARDIS like a sci-fi James Bond but without the misogyny and faint whiff of STDs. Eight seasons exist on Netflix starring the Christopher Eccleston, David Tennant, Matt Smith and Peter Capaldi incarnations of the Doctor.  My favourite episodes can be found here at this link. Hours of dynamic, silly, scary, sci-fi action and drama are to be found; in the show, not my article, that is!


FRANK (2014)

I used to listen to Frank Sidebottom (AKA Chris Sievey) on the John Peel sessions when I was a teenager and while baffled by this strange entertainer, I always enjoyed the alternative humour of his music. I was also intrigued by the fact this eccentric Northerner was pictured in the NME wearing a papier mache head. I was concerned this could be a weird for weird sake story, however, Lenny Abrahamson, has crafted – from a script by Jon Ronson and Peter Straughan – a tremendously odd yet moving character study. The story focusses on Jon (Domnhall Gleeson) and his encounters with Frank’s experimental rock band as scene after scene of weird and wonderful events occur throughout, leading to a very poignant reveal when Frank’s (majestic Michael Fassbender) mask finally comes off.


IT’S ALWAYS SUNNY IN PHILADELPHIA (2005 – )

This riotous comedy has the most unlikeable, unattractive, insane, narcissistic characters that do all manner of god-awful things to themselves, each other and total strangers. It is frantic, sick, irreverent, disgusting, manic, hyper-real, cartoon-like, politically-incorrect, satirical and incredibly hilarious. Indeed, It’s Always Sunny in Philadelphia is the closest you would get to a live-action version of South Park. Set in the dismal Paddy’s pub in Philadelphia it initially concerned four (in Season 1) then five (when Danny DeVito joined) individuals who are complete fuck-ups and whose main existence generally aims to scheme and out-do the others. This is now one of my favourite comedies EVER!  If you haven’t ever seen this show then you should. Check out my favourite episodes here:


LOST SOUL: RICHARD STANLEY’S ISLAND OF DR MOREAU (2014)

I love films about filmmaking and I also love films about filmmaking which go spectacularly wrong. This documentary charts the journey of director Richard Stanley and his attempts to bring classic novel The Island of Dr Moreau to the silver screen. With a massive budget and filming taking place in Australia it all starts to go wrong for Stanley as tropical storms hit the set and the money men at the studio lose confidence. Add the crazy Marlon Brando, difficult Val Kilmer and hedonistic extras to the mix and you get a box office turkey burning in front of your eyes. Both funny and tragic it reveals the folly of filmmaking yet sadly also seemed to finish Stanley’s promising directorial career.

MAKING A MURDERER (2015)

Making a Murderer is a ten-part documentary which concerns a number of high-profile court cases which took place in Manitowoc County, Wisconsin. The filmmakers Laura Ricciardi and Moira Demos deserve incredible praise for their painstaking work in bringing the cases of Steven Avery and Brendan Dassey to the screen because based on their film an incredible miscarriage of justice may have occurred. It is as thrilling and suspenseful as the behaviour of law enforcement is called into question time and time again and the documentary stands as both an indictment on the United States legal system as well as being a gripping thriller. I won’t say anymore for fear of spoilers but WATCH THIS SHOW for an incredibly designed “TRUE” story. It has to be seen to be believed, and whether the defendants are guilty or not, this saga re-writes the meaning of “beyond a reasonable doubt.”

THE MIGHTY BOOSH (2003 – 2007)

“Come with us now through a journey of time and space!” so uttered Julian Barratt as he welcomed us to the weird and wonderfully surreal world of the Boosh. I still love this ingenious comedy which over a mere twenty episodes introduced us to: Howard Moon, Vince Noir, Naboo, Bollo the Ape, the Ape of Death, Charlie the Bubble Gum monster, Dixon Bainbridge, Old Gregg with the mangina, Tommy Nookah, the Cockney Hitcher, irrepressible Bob Fossil and all manner of other crazy nut-jobs. Julian Barratt and Noel Fielding created and performed one of the most imaginative shows I have ever seen with a rocking soundtrack too. It’s wild, funky, mind-bending, melodious, colourful and just downright ruddy marvellous.

THE OFFICE (2001 – 2003)

I would’ve included the US version of the Office too must that mysteriously disappeared a year or so ago from Netflix.  Still, the UK version remains one of the funniest sitcoms ever and fully launched the careers of creators Ricky Gervais and Stephen Merchant; as well as the acting talents of Martin Freeman, Lucy Davis, Mackenzie Crook and Ralph Ineson. Centred on the mockumentary stylings of a day-to-day Slough office we find deluded fool David Brent (perfect Gervais) and his woeful attempts to motivate and manage his staff. Rich in ridiculous, awkward and embarrassing comedic situations it also contains some wonderful moments of pathos and romance.  The Office remains a genuine comedy classic and twelve episodes and two specials are always worth revisiting.

PEAKY BLINDERS (2013 – )

I missed two seasons of this gritty and violent period drama first time round on BBC but was grateful to catch up with it on Netflix. It’s a terrific post first World War story with a grand lead performance from Cillian Murphy plus awesome supporting cast including Sam Neill, Helen McCrory, Tom Hardy, and Paul Anderson. Murphy portrays the leader of a Birmingham gang who fight and scrap and slice in an attempt to become legitimate bookmakers. Steven Knight, who wrote and directed the superb Locke (2014), carves out a cracking tale involving coppers, whores, gypsies, bookies, the IRA, Communists and ex-soldiers fighting against a backdrop of political revolution and class warfare.

THE WOLF OF WALL STREET (2014)

DiCaprio is amazing in this memoir of disgraced human scum Jordan Belfort – a drug-addicted-sex-addicted-thieving-stockbroker-hedonist. The Wolf of Wall Street follows the same rise-and-fall structure of mafia classic Goodfellas (1990) as DiCaprio’s Belfort sells his soul to power up through the snakes and ladders of Wall Street. This is NOT a heavy analysis of socio-economic morality and values but rather a bullet-paced black comedy filled with cracking scenes and razor-sharp one-liners delivered by a stellar cast. I felt DiCaprio deserved an Oscar but the Belfort character has already had enough success in his lifetime and threw it all away because of greed. Surely awarding an Oscar to such a heinous character would be TOO MUCH wouldn’t it?  But as this film demonstrates TOO MUCH is never enough!

SCREENWASH REVIEWS– MARCH 2016

SCREENWASH – MARCH 2016

March is a looonnngggg old month and I have watched a shedload of shows and films; so it’s a quick wash and go through my monthly review round up. As usual marks are out of 11 – do enjoy!

**DEFINITELY MAY CONTAIN SPOILERS** 


FILMS OF THE MONTH!

10 CLOVERFIELD LANE (2016) – CINEMA

If you’d like a cinema alternative from the current superhero hype then try out neat suspense thriller 10 Cloverfield Lane. It was lean, mean, well-acted and full of fun twists; proving good writing will often be more entertaining than big-budgeted blockbusters. Trapped heroine Mary Elizabeth Winstead is both imprisoned in a bunker by sinister John Goodman and freakish occurrences going on outside and must use her wits to escape. It’s edge-of-the-seat stuff throughout in a thrilling sidequel to over-rated “found footage” monster movie Cloverfield (2008). (Mark: 8 out of 11)

BONE TOMAHAWK (2015) – CINEMA

A tremendous genre-blend of horror and Western, this debut feature from S. Craig Zahler is destined to be a cult classic. We’re in The Searchers meets Hills Have Eyes territory as Kurt Russell, Patrick Wilson. Matthew Fox and Richard Jenkins track down townsfolk kidnapped by savage cannibal natives. Not for the faint-hearted, I loved the witty dialogue exchanges, sunburnt vistas and sudden smashes of bloody violence. (Mark: 8 out of 11)

HAIL CAESAR (2016) – CINEMA

If you love the Coen Brothers and also like films that are about people making and watching movies, then Hail Caesar is a delight. It’s a feel-good nostalgic tribute to Hollywood, both funny and charming. It was like watching a cinema soufflé with extra icing sugar on top as the wonderful cast and Hollywood pastiches are faultless. Alden Ehrenreich is superb as the singing cowboy turned unlikely thespian and Josh Brolin knits the “day in the life” structure perfectly as workaholic studio boss. It’s pretty flimsy in terms of a plot but works wonderfully as a series of vignettes from the era, along with mild religious and political satire too. (Mark: 8 out of 11)

SUPER (2010) – NETFLIX

“Shut up Crime!” yells Frank Darbo: Rainn Wilson’s on-the-verge-of-a-breakdown loser, as he is visited by God and told he is the “chosen one”. Thus, begins his transformation into the Crimson Bolt; a human superhero/vigilante with no powers, charging to take down Kevin Bacon’s slimy drug dealing scumbag who has also stolen Frank’s wife. This is a hilariously dark and comedic anti-super-hero film very much in the Kick-Ass territory but somehow grittier and more bizarre. Wilson channels his Dwight Shrute persona perfectly and Ellen Page offers spunky support as his sidekick Boltie. James Gunn writes and directs with off-kilter joy and who’d believe he’d go onto direct the far more commercially successful Guardians of the Galaxy (Mark: 8.5 out of 11)

THEY LIVE (1989) – AMAZON PRIME

They Live is a classic underrated film from the late 80s and still retains its power as a social sci-fi satire. Hard-done-by drifter Roddy Piper finds himself amidst aliens who have infiltrated Earth and now subliminally control human population through the media and advertising. NOT LIKE REAL LIFE THEN! John Carpenter’s film is both clever and dumb as Piper and a band of rebels fight back against the extra-terrestrial horde. Some plot blips aside this is cracking entertainment and contains some great one-liners and fight scenes. (Mark: 8.5 out of 11)

WORTH A WATCH OR RE-WATCH

AGE OF ADALINE (2015) – NOW TV

Kind of a female Benjamin Button movie as Blake Lively shines as Adaline in a heart-warming romantic drama with the excellent Harrison Ford providing fine support.
(Mark: 7 out of 11)

ALAN PARTRIDGE’S MIDMORNING MATTERS (2016) – NOW TV

Steve Coogan is back on the airwaves with his usual verbal and physical buffoonery. A succession of hilarious guest cameos from the likes of Reece Shearsmith and Julian Barrett make this comedy gold. (Mark: 8 out of 11)

CROOKED MAN: TOMMY TIERNAN (2010) – NETFLIX

This is incredible stand-up comedy from the Irish cyclone that is Tommy Tiernan. The controversial comedian rips through 90 minutes of stunning observations and routines which are replete with lyrical and bestial beauty. (Mark: 9 out of 11)

DOWNFALL (2004) – NETFLIX

I’ve seen this wonderful rendition of Hitler’s final days before but it retains its incredible power and tragedy. Bruno Ganz is monstrously brilliant as the Fuhrer whose murderous empire crumbles around him. The Germans are shown to be dirty rats leaving a sinking ship and there are so many sad scenes throughout; a tough yet enriching experience. (Mark: 9 out of 11)

THE EXPENDABLES 3 (2014) – NETFLIX

This brainless action film shows Stallone, Snipes, Statham, Schwarzenegger etc. taking on Mel Gibson’s nefarious arms dealer; and while it’s ridiculous and over-the-top – as cinematic lobotomies go – it’s not too bad. (Mark: 5.5 out of 11)

EXODUS: GODS AND KINGS (2014) – NOW TV

Ridley Scott remakes Gladiator (2000) again but this time in Egypt as Christian Bale’s Moses goes up against Joel Edgerton’s nefarious Pharaoh. Plagues, pestilence, visions of God and the parting of the seas are all present and correct in a pretty entertaining Biblical epic. (Mark: 6.5 out of 11)

GOOD KILL (2014) – NETFLIX

Excellent character drama focussing on a falling-apart Drone pilot portrayed with burnt-out aplomb by Ethan Hawke. It’s a compelling analysis of U.S. foreign policy as they attack various targets in the Middle East and while sympathising with the dehumanisation of the “pilots” it also critiques the almost cowardly destruction of life from a distance.
(Mark: 7.5 out of 11)

THE GRANDMASTER (2013) – NETFLIX

Exquisitely shot martial art-house film from Wong Kar-Wai, which pays tribute to Chinese cultural icon Ip Man portrayed with much class by Tony Leung. The Donnie Yen Ip Man films are more accessible than the poetic storytelling offered here but this still packs a delectable punch. (Mark: 7.5 out of 11)

I AM LOVE (2009) – NETFLIX

Tilda Swinton owns the screen in this melodrama which follows the trials and tribulations of a rich Italian family. Not much occurs but the Italian scenery is breath-taking and while narratively slow, Swinton’s performance and the final act tragedies make it worth the journey. (Mark: 7 out of 11)

THE JINX (2015) – NOW TV

Now, this documentary was something else. A filmmaker named Andrew Jareki made an okay feature film called All Good Things (2010) starring Ryan Gosling. It charted events concerning eccentric multi-millionaire Robert Durst and the disappearance of his wife. Flash forward a few years and Durst asked Jarieki if he’d like to interview him about his situation and what he perceived was a “witch-hunt”. What follows is an amazing documentary featuring Durst and the events around his wife and TWO other people he is suspected of murdering. There’s something not quite right about Durst as the chilling denouement to the compelling docu-series reveals. (Mark: 8 out of 11)

LIFE ON MARS – SEASON 2 (2007) – NETFLIX

Second season of the “time-travel” 70s cop show picks where the first left off with John Simms’ Sam Tyler battling baddies and once again clashing with his boss, the mud-mouthed-maverick Gene Hunt (Philip Glennister). Once again this drama has great humour and plot twists amidst the mind-bending theatrics and Northern seventies era.(Mark: 8 out of 11)

THE NIGHT MANAGER (2016) – BBC IPLAYER

Beautiful women, locations, undercover spies and nefarious bad guys feature in this James Bondesque John Le Carre literary adaptation. The cast including: Tom Hiddleston, Olivia Colman and Hugh Laurie are excellent and the story had me mesmerised right up until the explosive though generically unsatisfying ending. Still, it was overall great quality Sunday evening eye-candy though.(Mark: 8 out of 11)

THE PROGRAM (2015) – SKY MOVIES

This intriguing biopic about cyclist Lance Armstrong follows his battle against cancer to Tour de France winner to disgraced drug cheat. It’s a real eye-opener into the process of the win-at-all-costs Armstrong and his obsessive pursuit of victory. Ben Foster excels in the lead and while the dramatics could have been beefed up toward the conclusion it’s still a fascinating story. (Mark: 7 out of 11)

RED TAILS (2012) – NETFLIX

This is a worthy yet lightweight wartime drama focussing on the Tuskegee Airmen and their aerial dog-fighting prowess that was demonstrated so superbly in WWII. The battle scenes are impressive but the characters felt underwritten and the film lacked impact for such an interesting subject. (Mark: 5 out of 11)

SPRING (2014) – NETFLIX

Intriguing low-budget horror-romance film which moves VERY slowly but is punctuated with some fine gore and body horror effects. The characters I could take or leave as anaemic American tourist, Evan, meets a mysterious young woman, Louise, on the streets on Italy. However, the filmmakers deserve acclaim for attempting to create something original in the horror genre. (Mark: 6.5 out of 11)

STAR TREK: GENERATIONS/ FIRST CONTACT/INSURRECTION (1994/96/98) – NETFLIX

Given myself and my filmmaking partner Gary are making a Star Trek “fan-boy” short film as our next production I decided to immerse myself in some Trek movies; and very good human and science fiction films they are too. Generations sees Kirk (Shatner) and Picard (Patrick Stewart) meet across the time-streams in a giddy mix of philosophy and temporal variance. In First Contact, Picard and crew fight the formidable Borg with the former flexing his action man muscles. Lastly, despite the title Insurrection slows the pace down as Picard falls in love while protecting a peace-loving community called the Ba’ha. All the films are well crafted with First Contact offering the greatest peril as collectively they offer some fine sci-fi concepts, character turns, humour and drama throughout.(Mark: 7.5 out of 11)

STILL LIFE (2013) – NETFLIX

Eddie Marsan is wonderful in this touchingly told story of a council worker who searches for family members of “clients” who’ve died alone. It moves slowly but with heart, purpose and pathos; offering an alternative to the overblown lobotomised big budget films at the multiplex. (Mark: 7.5 out of 11)


STRETCH (2014) – NOW TV

This is a flashy, style-over-substance-day-in-the-life-movie about a burnt out actor/chauffeur who must avoid criminals, cops and crazed clients while trying to stay sober. Patrick Wilson is watchable but I’d only recommend this if you are pissed or unconscious on a Friday night. (Mark: 5 out of 11)

AVOID LIKE THE PLAGUE

SEVENTH SON (2014) – NOW TV

Jeff Bridges and the exquisite Julianne Moore take a pay-check but offer little else in this nonsensical fantasy witch-hunter yarn. Awful beyond words. (Mark: 2 out of 11)

THE WITCH (2016) – CINEMA

Be wary of The Witch. Its trailer suggested a scare-fest but it is in essence an overly talky art-house horror; heavy on religious symbolism and folklore. It is very well directed, designed and acted and the broadsheet critics will love it. However, there’s not enough gore, scares or actual story for my liking and at times I was bored as hell. It’s a damned shame as I like horror films and art-house cinema but The Witch just doesn’t make us care about the characters or story at all. (Mark: 3 out of 11)

SCREENWASH REVIEWS– FEBRUARY 2016

SCREENWASH – FEBRUARY 2016

“After the Lord Mayor’s show comes the shit-cart”, is a phrase I heard a lot in my childhood and following the golden month of January, where I watched a plethora of incredible films, February has dropped off slightly in terms of quality. Indeed, I have watched some right rubbish but there have been some diamonds in the rough. So, as per last month I’ve reviewed in depth my favourite films, mentioned some other stuff worth watching and derided the rest I didn’t think much of. As usual all films and shows marked out of eleven.

**MAY CONTAIN SPOILERS**

FILMS OF THE MONTH!

BARRY LYNDON (1975) – CINEMA

Due to his incredible filmic CV, this stunning Oscar-winning period film from Stanley Kubrik is often overlooked as a classic. However, it is a terrific romp through the life and times of our anti-hero portrayed by the bland yet watchable movie star Ryan O’Neal. Adapted from Thackeray’s 19th century novel it concerns Redmond Barry and his rather haphazard misadventures as he leaves his Irish village and falls both fair and foul to fate’s twisted plan.

Every single frame of this film is a joy to behold and the cinematography deservedly won an Oscar. Thematically the film is very strong too as Kubrik uses Barry as a cipher to highlight the horrors of war and to also critique the ostentatious behaviour of the upper classes. Structurally and tonally spilt in two the film begins as a set of humorous sketches before giving way to a darker and tragic feel in the second half. The film is a thing of beauty to watch as Kubrik once again raises filmmaking to the echelons of high art. (Mark: 10 out of 11)

DEADPOOL (2016) – CINEMA

DEADPOOL’s a funny, sexy, irreverent, violent, meta-textual Marvel adaptation which differentiates from the standard comic-book movies in many ways while reinforcing the usual hero-saves-damsel-in-distress-Phantom-of-the-Opera-origins-story. A witty script and Ryan Reynolds stand out amidst the carnage and finally we have a Marvel film with a bit of blood and guts. Reminded me slightly of a funnier DARK MAN; a film which remains one of my favourite anti/super-hero films.

I’d say the box office success is deserved while the hype is probably a bit over-the-top as the politically incorrect film does go out of its way to keep you on Wade Wilson’s side and not make him totally unlikeable. Moreover, the script, while traditional in structure and Reynolds delivery are just sparkling as we get gag after gag after gag at the expense of everyone and everything, most notably the Marvel universe itself. Like Netflix’s Daredevil it breathes new life into the saturated superhero market.(Mark: 8.5 out of 11)

FARGO (1996) – NETFLIX

The Coen Brothers take on the kidnapping-police-procedural thriller film is memorable because it turns the genre on its head with a dark, funny and human story both stylish and gut-wrenching in equal measures. I mean, the killers are revealed immediately and Police Chief Marge Gunderson (wonderful Frances McDormand) solves the case quickly too. This allows the Coens to concentrate on off-beat characterisations and twist the narrative in any direction they so desire. It’s bloody, funny and moral with memorable characters that stick in the heart and mind. Seen this film so many times and it improves like a fine wine; a true classic.(Mark: 11 out of 11)

MAKING A MURDERER (2015) – NETFLIX

I watched Netflix’s Making a Murderer and throughout I was hoping it was a brilliantly written courtroom drama series directed in the documentary style. But IT’S actually REAL LIFE EVENTS! It’s a ten-part documentary which concerns a number of high-profile court cases which took place in Manitowoc County, Wisconsin. The filmmakers Laura Ricciardi and Moira Demos deserve incredible praise for their painstaking work in bringing the cases of Steven Avery and Brendan Dassey to the screen because based on their film an incredible miscarriage of justice may have occurred.

It is as thrilling and suspenseful as anything Hitchcock created as the trials and tribulations of these men and their families are thrust before us. The behaviour of law enforcement is called into question time and time again and the documentary stands as both an indictment on the United States legal system as well as being a gripping thriller. I won’t say anymore for fear of spoilers but WATCH THIS SHOW for an incredibly designed “TRUE” story. It has to be seen to be believed, and whether the defendants are guilty or not, this saga re-writes the meaning of “beyond a reasonable doubt!”(Mark: 9.5 out of 11)

PREDESTINATION (2014) – NOW TV

One of my films of 2015 I have now seen it twice and it is like a snake-charmer; I just cannot help but fall for its twisted, hypnotic and serpentine narrative. In my original review a year ago I wrote:

“It may completely fall apart on subsequent viewings but for the running time it offered a lot more than many other star-driven, big-budget movies. . .”

However, I can safely say this brilliant cult time-travel movie based on a classic Heinlein short story called All You Zombies gets better with further viewing and stands up on further inspection. I’m still scratching my head at how it all fits together, but that is part of the pleasure too.(Mark: 9.5 out of 11)

WORTH A WATCH!

BANANAS (1971) – NETFLIX

Early Woody Allen film which pokes fun at his nebbish persona, failure with women, Marxist revolutions and United States foreign policy, all in a brisk eight-four minute machine-gun-sketch style. (Mark: 7.5 out of 11)

BEFORE I GO TO SLEEP (2014) – AMAZON PRIME

Moody amnesiac chamber thriller with Nicole Kidman, Mark Strong and Colin Firth delivering an initially intriguing suspense-filled piece but lacks a killer punch ultimately. (Mark: 6 out of 11)

CHEF (2014) – NETFLIX

This is a proper feel-good film about a shit-hot chef who attempts to reignite a once-hot career gone cold. Jon Favreau writes and directs and casts his mates like Scarlett Johansson, Robert Downey Jnr and others in a fun, tasty, attractive, mouth-watering treat. (Mark: 7.5 out of 11)

DAWG FIGHT (2015) (NETFLIX)

Set in Perrine, Florida, this is a bloody slice-of-life documentary about backyard, bare-knuckle fighting between underclass males looking to get into the UFC big leagues. Featuring some brutal fights it’s a sad indictment of humanity and not for the faint-hearted. (Mark: 6.5 out of 11)

DEFIANCE (2008) – NETFLIX

Excellent wartime drama inspired by the true story of the Belarussian Jewish brothers called the Bieskis, who fought back against the Nazis while saving thousands of lives too. Gripping and suspenseful it’s anchored by the excellent Daniel Craig and well-orchestrated battle scenes. (Mark: 8 out of 11)

LIFE ON MARS – SEASON 1 (2006) – NETFLIX

I missed this cracking time-warped TV show the first time round as Sam Tyler (John Simm) is thrown back to the 1970s and faced with a battle to get back to “reality”. Temporal, cultural and socio-political clashes are abound between Tyler and his new boss Gene Hunt (Philip Glenister) as Sam solves cases in the past while trying to stay alive in the present. Cracking cop show! (Mark: 9 out of 11)

MUNICH (2005) – NETFLIX

I appreciated this superlative Spielberg revenge thriller more the second time round as it really questions the nature of vengeance and the damaging impact on all those involved. The story focusses on Mossad’s hit squad and its mission to wipe out Palestinian “generals” responsible for planning the Munich Olympics massacre in 1972. Eric Bana, Ciaran Hinds and Daniel Craig are impressive in their respective roles and arguably this is Spielberg’s most complex and ambiguous directorial effort. It’s a must-see political thriller with many heart-pounding urban battle scenes. (Mark: 8.5 out of 11)

ROME – SEASON 2 (2007) – NETFLIX

After the bloody denouement of Season 1, Rome provided once again some gripping and devious drama following the aftermath of Julius Caesar’s backstabbing murder. Fantastic cast including Kevin McKidd, Polly Walker and James Purefoy tear up the scenery in a most entertaining history lesson. (Mark: 8.5 out of 11)

TRUMBO (2015) – CINEMA

Bryan Cranston is brilliant as black-listed screenwriter Dalton Trumbo who having served time for being a Communist found himself unable to work in Hollywood during the 50s and 60s. Ingeniously he worked under the radar gaining notoriety and secret acclaim and this film, while dramatically undercooked in places, stands as a fine tribute to a superb writer. (Mark: 7.5 out of 11)

AVOID LIKE THE PLAGUE!

EXIST (2014) – NOW TV

Dreadful “found footage” film about some American morons being tracked and killed by a sasquatch. The monsters are pretty decent when you finally see them but the script and direction are awful. (Mark: 2 out of 11)

THE LAST FLIGHT (2009) – NETFLIX

This jumbled period drama set in between the 1st and 2nd World Wars finds Marion Cotillard’s pilot searching the desert for her lost love.  Insipid and lacking focus, I was bored throughout in a film which pretty much crashes on take-off. (Mark: 2 out of 11)

LAST KNIGHTS (2015) – NOW TV

Clive Owen and Morgan Freeman cannot save this below average medieval jaunt which has some okay violence and dramatic moments but is far too serious and dull. (Mark: 3.5 out of 11)

LONG WAY DOWN (2014) – NETFLIX

So-so soapy suicide comedy-drama that is ultimately undemanding and under-nourished, but saved by an attractive cast including: Aaron Paul, Pierce Brosnan and Toni Collette. (Mark: 4 out of 11)

THE SECRET LIFE OF WALTER MITTY (2014) – AMAZON PRIME

Ben Stiller stars in this insult to the original literary classic which reduces the fantasy elements to a mid-life-crisis-romance story involving the pursuit of a photograph and the meaning of life. It looks wonderful but is hollow and makes noises like a broken drum. (Mark: 4 out of 11)

REGRESSION (2015) – SKY MOVIES

Incredible to think Alejandro Amenabar directed this terrible horror/thriller which criminally wastes the talents of Ethan Hawke and David Thewlis in horribly under-baked occult story. (Mark: 3 out of 11)

WOMAN IN BLACK 2 (2014) – AMAZON PRIME

I thought the original was a nifty little horror film made with imagination, scares and respect for the horror genre. This WWII set film was a complete waste of time with weak story and scares. Avoid! (Mark: 3 out of 11)

SCREENWASH REVIEWS– JANUARY 2016

SCREENWASH REVIEWS– JANUARY 2016

Last year was a very good year for filmmaking but 2016 is shaping up even better already. You know the scene in Pulp Fiction (1994) where Bruce Willis’ character is moving from one weapon to a bigger/better one before he tortures Zed in the basement?  That’s what cinema going is like for me in January. I’ve seen so many brilliant films in succession either as good as or better than the last.  Moreover, the Oscar fodder is launched on the silver screen thus; I saw NOT one, but FOUR films which are already likely to be on my Best of 2016 list.

I’ve slightly tweaked my FILM/TV review format so instead of covering, in detail, EVERYTHING I saw, I’ve made it a bit punchier and reviewed in depth the best of the best. As usual – marks out of eleven!

**CONTAINS MASSIVE SPOILERS**

CINEMA FILMS OF THE MONTH – ROOM (2015) + THE REVENANT (2015)


ROOM
(2015) – (MARK: 10.5 out of 11)

Room is an amazing film. Probably the best and most moving I will see ALL year. It concerns Joy (the incredible Brie Larson) and her young son Jack (stunning Jacob Tremblay) who have been abducted and trapped in a shed by a nefarious kidnapper referred only as “Old Nick”.

The film is presented from the innocent boy’s perspective and the pathos and empathy I felt throughout was both touching and heart breaking. What the writer’s premise does and filmmakers do is make you care about the characters immediately making every scene so suspenseful and soulful. If you are captured by stories about proper characters trying to survive dire events then it’s a must see.

The budget was low at $6 million yet director Lenny Abrahamson, his brilliant cast and writer Emma Donoghue have created a masterpiece in emotional storytelling.  Ultimately, it’s a film not just about isolation, abandonment and the horror of humanity; but also the unbridled love a mother has for their child and child for their mother. This is a truly stunning film which will linger in the memory for some time to come.

THE REVENANT (2015) – (MARK: 10 out of 11)

While Room is intimate and claustrophobic, The Revenant was the polar opposite. It’s a massive, heart pounding survival epic that must be seen on the biggest cinema screen you can find. Don’t stream it illegally online you cheap bastards; leave the house and GO TO THE CINEMA!

It concerns a Trappers’ expedition circa 1823 which is assaulted most violently by the indigenous Arikara Native Americans from the get go. The brutal attack set-piece kicks off the film in startling fashion with fire, blood and bone spilling and crunching and blasting death upon our characters. Our hero – Oscar-winner-elect – Leonardo DiCaprio is a tracker, Hugh Glass, whose expertise is required to get the survivors across the cold and brutal landscape in one piece.  But he is attacked by a bear in one of the most incredible feats of filmmaking I have seen in a long time. It just has to be seen to be believed as Glass is ripped to shreds by the bear leaving him at death’s step knocking on the door.

DiCaprio is then left with his Native American son and the greasy John Fitzgerald portrayed with dirty aplomb by brilliant Tom Hardy, as the rest head back to “civilization.” After which it’s safe to say that things don’t go too well for Glass as the money-grubbing Fitzgerald double-crosses him and leaves him for dead precipitating a series of deadly encounters that left me gasping for air and shaken to the heart of my dramatic core.

This is just superb, grueling, bloody and beautiful filmmaking! Inarritu adds some exquisite artistic touches and the cinematography and vistas are a thing of beauty. The filmmaking team spent nine months shooting the film and they have given birth to an epic masterpiece which, while a simple revenge story at heart, beats a powerful drum to the testament of the human spirit and against-the-odds survival. If you’re not watching this on a massive cinema screen then you haven’t seen it at all!

OTHER CINEMA FILMS

THE BIG SHORT (2015) – (MARK: 9 out of 11)

This is a very entertaining film satire about the global economic crash and the 2008 housing meltdown. It simplified everything in a very amusing fashion and felt like an extended American Office, both in style and humour. Steve Carell and Christian Bale are on particularly good form as are the rest of a very attractive case.  Bankers, Brokers, Regulators and the Government are presented as crooked, greedy, moronic or all of the above! I’m still shocked this actually happened as I have always held humanity in such high regard. NOT!

CREED (2015) – (MARK: 8 out of 11)

For a genre/franchise/boxing film CREED is a fantastic watch; full of emotional ups and downs. Stallone is terrific as ageing Rocky Balboa and this movie harked back to the raw quality of the first Rocky (1976). Ryan Coogler proved with Fruitvale Station (2013) he can direct real heartfelt drama and illustrates it once again here. The boxing scenes are impressive and Michael B. Jordan proves he is a very natural performer as the film delivers some proper knockout entertainment.

DANISH GIRL (2015) – (MARK: 7.5 out of 11)

Eddie Redmayne truly delivers in this story about Einar Wegener/Lili Elbe and their attempts to reassign gender. Alicia Vikander as Gerda Wegener is equally brilliant as Einar’s wife, who at first sees her husband’s flirtations with female impersonation as a game but realises it is much more than that. Overall, this is stunningly attractive filmmaking set in 1920s Copenhagen which could arguably have had a touch more dramatic bite. Yet, Tom Hooper is a formidable director of beautifully humane dramas and this is a touching testament to a person trapped and prepared to risk it all to escape.

 
THE HATEFUL EIGHT (2015) – (MARK: 9.5 out of 11)

Any other month this would have been my film of the month.  I love Westerns. I love Tarantino films (mostly). I love brilliant dialogue. I love lots of blood and violence.  Here QT remakes Reservoir Dogs (1992) via Agatha Christie, setting it in the snowy West of America circa 1870s.  It concerns eight hard-bitten souls consisting of criminals, bounty hunters and soldiers and the mayhem that ensues as they cross paths.

Set pretty much in one location there is tension and bullets galore by the end. However, the main strength lies in the ensemble cast firing verbal stingers at each other as trust breaks down and the characters turn against each other as the plot thickens. Kurt Russell, Walton Goggins and Samuel L. Jackson are real standouts and Jennifer Jason Leigh holds her own amidst the sweat and testosterone.

Though not as epic in stature as Django Unchained (2012), and in need of a wee trim, this is a fine movie which will improve on subsequent views. Tarantino is a proper auteur and can always be relied on to deliver an impressive work of entertainment. Mustn’t forget Ennio Morricone’s awesome score either, which haunts the scenes like the Reaper on collection day.

IN THE HEART OF THE SEA (2015) – (MARK: 7.5 out of 11)

Ever dependable Ron Howard has crafted an excellent adventure and survival story. A well evoked period drama Chris “Thor” Hemsworth takes to the high seas on the hunt for whales, only to come up against the white “monster” which would inspire Herman Melville’s literary classic Moby Dick. Men against nature and the elements always play well on the big screen and overall, it’s very solid entertainment. While the bookended script is old-fashioned by design it has subtext too, indicating the importance oil has always played within our society.

SPOTLIGHT (2015) – (MARK: 9 out of 11)

This is yet another Oscar-runner with an incredible true story at its heart. The film “spotlights” the Boston Globe’s investigation into endemic paedophilia and subsequent cover up by the Catholic Church. It’s a riveting story with a fantastic ensemble cast including Mark Ruffalo and Michael Keaton on very fine form.

Screenwriters Tom McCarthy and Josh Singer have crafted a sterling script that gets into the minutiae of a press investigation and also reveals the corruption and hypocrisy in organised religion, public relations and the legal system.  Just when you think people couldn’t get any lower stories like this highlight the darkness at the heart of humanity.  Thankfully, the press gang at the Boston Globe has proved more than just celebrity-baiters and given the victims of horrific abuse both a voice and justice.

TV, DVD, BLU RAY, NETFLIX and other STREAMERS

adam_paul

ADAM AND PAUL (2004) – YOUTUBE – (MARK: 9 out of 11)

Irish black comedy about two junkies trying to get a hit; manages to be both hilarious and sad simultaneously. Great feature debut from Lenny Abrahamson.

AMERICAN HORROR STORY: COVEN (2013) NETFLIX – (MARK: 8 out of 11)

More bonkers horror as witchcraft, murder and voodoo mix to grisly and hilarious effect.


AND THEN THERE WERE NONE (2015) – BBC1 – (MARK: 8 out of 11)

Stylish drama with a stellar cast committing murder most foul in fine Agatha Christie adaptation.

BLUE RUIN (2014) – NETFLIX – (MARK: 6 out of 11)

Impressive low budget neo-noir let down by the bad plotting and unsympathetic lead protagonist. 

THE FALLING (2014) – AMAZON PRIME – (Mark: 6 out of 11)

Artful period drama about fainting young girls starts well but runs out of story by the end.

THE HUNTER (2011) – AMAZON PRIME – (Mark: 7 out of 11)

Intriguing Aussie drama as Willem Dafoe’s hired gun tracks down the last Tasmanian tiger.

ROME – SEASON 1 – (2005) – NETFLIX – (MARK – 8 out of 11)

Brilliant Caesarean drama with devilish plotting and bloodier battles plus a cracking cast.


SHERLOCK: THE ABOMINABLE BRIDE (2015) – BBC1 – (Mark: 8 out of 11)

Oh-so-clever-meta-drama featured Holmes & Watson on the trail of a ghostly murderess in a wedding dress. Stylish with little substance but entertaining nonetheless.

SLOW WEST (2014) – NOW TV – (Mark: 7 out of 11)

Idiosyncratic Western that is too pretentious in places, but saved by ever-excellent Michael Fassbender and a fine shoot-out at the end.

THEORY OF EVERYTHING (2014) – NOW TV – (Mark: 7 out of 11)

Eddie Redmayne bagged the Oscar for his portrait of Stephen Hawking in this beautifully acted, lovely looking, yet, dramatically tepid romance-biopic.

WHAT RICHARD DID (2012) – DVD – (Mark: 8 out of 11)

Slow moving but impactful drama from Lenny Abrahamson, as a rich teenager’s actions causes massive reverberations amidst an Irish family and the wider community.

AVOID AT ALL COSTS!

THE VISIT (2015) – SKY STORE – (MARK: 2 out of 11)

Some said this was a return to form for M. Night Shyamalan – IT WASN’T! Dreadful supposed horror film with one of the most annoying child actors I’ve had the displeasure to witness.

SCREENWASH: DECEMBER 2015 FILM REVIEWS

SCREENWASH FILM REVIEWS: DECEMBER 2015

This will be my final Screenwash in this format. From next year I won’t review EVERYTHING I have seen but do a more qualitative review of something I really loved or hated with a little round-up of other stuff. I think it’s good to mix up the format in order to keep it fresh for 2016. Anyway, along with battling flu I managed to watch quite a lot of stuff in December at the cinema and via the usual channels. Marks as usual are out of eleven!

**THIS CONTAINS MASSIVE SPOILERS**

AMERICAN HORROR STORY – SEASONS 1 + 2 (NETFLIX)

This show is disgusting but I love it.  A true must for horror show addicts with all manner of death and mayhem in two seasons of sick, perverse and grim nastiness. Both Murder House and Asylum are the stuff nightmares are made of. Highly recommended. (Mark: 9 out of 11)

BLACKHAT (2015) – NOW TV

Thor stars in a Michael Mann cyber-thriller which was panned by critics but isn’t actually that bad. Hacker-action dramas never quite come off on the big screen but Chris Hemsworth and some okay twists make this worth watching I guess. (Mark: 6 out of 11)

CAROL (2015) – CINEMA

Todd Haynes beautifully shot and designed period love story has a standout performance from Cate Blanchett and great support from Rooney Mara. The majestic score and perfect direction make this filmmaking of the highest quality and Oscars beckon come award season. The story could have been slightly more dramatic in places but Haynes goes for mood and subtlety rather than soapy melodrama and is to be commended for such a stylish work of film art. (Mark: 8.5 out of 11)

DR ZHIVAGO (1965) – CINEMA

They don’t make them like this epic love story anymore. Beautiful Julie Christie and dashing Omar Sharif are red-star crossed lovers caught amidst the bullets and snow of revolutionary and war-torn Russia. This is stunning and epic filmmaking from David Lean with a haunting score and incredible cinematography. (Mark: 8.5 out of 11)

FOCUS (2015) – NOW TV

I like a good con film and this one starring attractive couple Will Smith and Margot Robbie is a fast-paced and fun double-twister with ups and downs and turns and burns throughout. (Mark: 7 out of 11)

FRANK (2014) – NETFLIX

This is a tremendously odd yet moving character study of Frank, the leader of an experimental rock band who happens to wear a papier-mache head to mask him from the world. Domnhall Gleeson excels as the keyboardist coerced into the mayhem as he attempts to apply order to a chaotic creative process. Yet, Michael Fassbender is phenomenal as the tragic and titular lead. (Mark: 8.5 out of 11)

FRUITVALE STATION (2013) – NETFLIX

Excellent naturalistic drama centred on the final day in the life of Oscar Grant who was shot by police at Fruitvale Station when out on New Year’s Eve. It’s a touching film about an ordinary guy in the wrong place at the wrong time with fine direction and performances. (Mark: 8 out of 11)

THE GIFT (2015)

Joel Edgerton’s creepy film was an excellent exercise in subtle and horrifying low-key thrills as his seemingly meek character unhinges Rachel Hall and Jason Bateman’s middle class world.  This was an excellent slowburner with a wonderful reveal at the end and relied on subtle twists rather than over-the-top action. (Mark: 8 out of 11)

INHERENT VICE (2014) – NOW TV

Paul Thomas Anderson’s 1970s stoner detective adaptation of Thomas Pynchon’s novel is stylish and narratively obtuse and doesn’t really add up to much by the end really. However, Anderson is always an interesting director and throws himself at the material with gusto and Joaquin Phoenix’s spirited performance drags you through a pretty pointless exercise in style over content. (Mark: 6.5 out of 11)

INTO THE WOODS (2014) – NOW TV

Sondheim’s musical gets the Hollywood treatment and it’s big, loud and clever but not really my cup of tea. The meta-references were great as we get: Cinderella, Jack, Red Riding Hood, Rapunzel and Prince Charming all thrown into a heady narrative mix which didn’t quite pay off on the big screen. While the direction is spirited and the musical numbers flawless, it all fell flat as a story for me despite the great cast. (Mark: 6.5 out of 11)

KRAMPUS (2015) – CINEMA

If you like alternative fairytale films then do check out this devilish Christmas film. It’s kind of like Evil Dead 2 meets Bad Santa with a bit of Jaws and Gremlins too. Both funny and scary throughout it’s full of nasty Christmas creatures and is a perfect anathema to those sickly feel-good Christmas stories clogging up the arteries of cinema and TV schedule. (Mark: 8 out of 11)

KUNG FURY (2015) – NETFLIX

This is a silly but impressive cop/martial arts 80s pastiche with pumping soundtrack and ultra-violence from Swedish filmmaker David Sandberg.  (Mark: 7 out of 11)

LUTHER (BBC) – IPLAYER

One off Christmas special found Luther “hiding” from the world waiting for contact from Alice. He’s in for a long wait though as it would appear she has been killed in Amsterdam – or has she?!  It was formulaic yet enjoyable cop-genre stuff with Idris Elba owning the screening as he hunts Alice’s killers plus a lunatic serial-murderer.  (Mark: 7 out of 11)

MACBETH (1971)

I’m studying Macbeth to help my son with his GCSE’s and Polanski’s version is a very decent stab at the Bard’s gloomy Scottish masterpiece.  Having seen Fassbender and Cotillard excel in an atmospheric version earlier in 2015, this one is equally bloody and venomous as the foolish Scottish laird falls foul of murder and ambition as his plotting backfires spectacularly. (Mark: 7 out of 11)

SOUND OF MUSIC (1965) – CINEMA

Rodgers and Hammerstein’s classic nun musical is an opposites-attract-love-story tied up with a formidable musical presentation beautifully performed, choreographed, directed and lit. Julie Andrews is phenomenal in the lead opposite fussy but handsome Christopher Plummer. This is an old favourite with classic songs which definitely stand the test of time. (Mark: 7.5 out of 11)

SNOWPIERCER (2013) – BLU RAY

Bong Joon Ho’s impressive socialist Sci-fi actioner is highly original in concept and delivery as a disparate bunch of renegades – including: Jamie Bell, Chris Evans and John Hurt – attempt to gain control of a never-stopping train. Surprisingly never released in the UK I had to order my Blu Ray from New Zealand and it was worth the wait as the film constantly surprises with a decent mix of intelligent action and brutal violence. (Mark: 8 out of 11)

STAR WARS: THE FORCE AWAKENS (2015) – CINEMA

JJ Abrams Star Wars reboot broke not only the internet but also box office records worldwide. It’s a safe and impressive spectacle with – aside from the young hipster Jedi bad guy – bland leads and the best actor jettisoned early (Oscar Isaac) for an uneasy mix of older characters and young ones. The action was breathtaking though and brilliantly done, however, the story was a retread of A New Hope (with female Luke) plus a series of glaring plot holes. Still, loads of action and great bad guys made this a fun blockbuster. (Mark: 7 out of 11)

THE ROVER (2014) – AMAZON PRIME

Dystopian, near-future Aussie Western boasts hard-bitten performances from Guy Pearce and Robert Pattinson. It’s a simple story about a man hunting for his car and the power remains in the understated nihilistic drama and bleak, dusty landscapes. Not a lot happens but it does so with a quiet, memorable power. (Mark: 8 out of 11)

TAKEN 3 (2014) – NOW TV

Liam Neeson smashes up more bad guys in this not-too-bad B-movie thriller. This time the baddies have killed his wife and stitched him up as prime suspect – but will he get out of it!?  What do you think?  Silly, formulaic but watchable stuff!  (Mark: 6 out of 11)

WILDCARD (2015) – NETFLIX

Reliable hard man Jason Statham’s latest B-movie has a very good supporting cast and is passably entertaining but it’s nothing we haven’t seen before. Having said that Las Vegas always makes an interesting cinematic setting and as a character study of a destructive gambler it works okay. (Mark: 6 out of 11)

WOLFCOP (2014) – AMAZON PRIME

This is a gloriously over-the-top grindhouse feature with an alcoholic cop who turns into a vicious lycanthrope hell-bent on murdering those who break the law. It’s stupendously silly but very entertaining nonetheless with some funny blood-letting and howling gore. (Mark: 7 out of 11)

SCREENWASH – NOVEMBER 2015 – FILM AND TV REVIEW ROUND-UP

SCREENWASH – NOVEMBER 2015 –  REVIEW ROUND-UP

A quieter month compared to October but I still watched some decent television and filmic entertainment in the month of November.  For your information the current seasons of Doctor Who and South Park are providing cracking entertainment so do check them out too. I will offer a full season review to each show when they have finished.  As usual my marks are – in tribute to Spinal Tap – out of eleven!

**MAY CONTAIN SPOILERS**


ASSASSIN (2014) – NOW TV

This is a pretty standard crime thriller with Danny Dyer as a contract killer who goes up against a gangsters Martin and Gary Kemp. I quite like Dyer’s cocky style but he plays deep and brooding here which doesn’t suit him. So while he carries the plot pretty well — and there’s some great shots of London — I wanted a bit more wide-boy attitude and humour throughout. (Mark: 5.5 out of 11)

BETTER CALL SAUL (2015) – NETFLIX

I finally caught up with Breaking Bad spin-off and really enjoyed it. I don’t usually like prequels as the drama is generally undercut by knowledge of what has gone before but Jimmy McGill’s story (and Mike’s) was funny, dramatic and actually quite touching. It’s a really compelling plot that takes some unexpected twists throughout and contains some damn fine acting. More episodes please as the writing and Bob Odenkirk are just great; highly recommended. (Mark: 9 out of 11)

BIG EYES (2014) – NOW TV

Tim Burton’s film is a biopic of artist Margaret Keane (Amy Adams) and con-artist husband Walter Keane who infamously fought a court case over ownership of her paintings in the 1960s. It’s wonderfully acted by the two leads and once again Waltz is on fine mischievous form as the brilliant salesmen who duped his wife and a nation. Burton harnesses his usual excessive style for once and this benefits the drama. Overall, it’s a fine character study of an oppressed artist finally finding her voice in an aggressive and masculine world. (Mark: 7.5 out of 11)

BLACK MASS (2015) – CINEMA

With this performance you realise Johnny Depp has been wasting his acting talent poncing about as a pirate in the Caribbean for far too long. He portrays master criminal Whitey Bulger during 70s and 80s Boston as his gang snake their way up the crime ladder to gangster notoriety. This is a really good film: gritty, bloody, compelling, oozing darkness where humanity is concerned. Depp is almost unrecognizable as the brutal Bulger while Joel Edgerton is excellent as the compromised FBI Agent. Slow, brooding pace sparked by firework violence, plus a supporting cast including Kevin Bacon, Adam Scott and Benedict Cumberbatch make this a superior genre film. (Mark: 8.5 out of 11)

DOCTOR WHO: SEEDS OF DOOM (1976) – DVD

The mercurial Tom Baker and steady Sarah-Jane find themselves in the Antarctic investigating two mysterious alien pods. Lo and behold the pods explode and cause a massive plant monster to sprout and take over the grounds of a stately home owned by millionaire megalomaniac Harrison Chase. I loved this fun, sci-fi romp which was clearly influenced by The Thing from another World (1951) and The Quatermass Experiment (1953). Baker, as always, is wonderfully wry and booming as the Doctor and even Boycie (John Challis) pops up in a supporting role. Great stuff!
(Mark: 8 out of 11)

EX-MACHINA (2014) – NOW TV

A sci-fi A.I. chamber piece set, pretty much, in one location with an excellent cast including Oscar Isaac, Domhnall Gleeson and the magnetic Alicia Vikander. It’s a glacial-paced thriller which has some fantastic ideas from writer/director Alex Garland, although it’s essentially a hipster love triangle story with robots.  I enjoyed it but the slow pace worked against the suspense and the twist-that’s-not-a-twist is unexpectedly expected. Black Mirror has kind of done this story better, but it’s a decent science fiction experience nonetheless. (Mark: 7 out of 11)

GYPSY (2015) – SAVOY THEATRE

I’m cheating here a little as Screenwash becomes STAGEWASH!!  But I really wanted to sneak in a little review of a BIG production and performance. In this classic Broadway musical Imelda Staunton as Mama Rose gave one of the greatest performances I have ever seen on a theatre or comedy stage. It’s a depression set story of rags to riches featuring the ever-so-pushy mother whose daughter eventually hits the big time as burlesque dancer Gypsy Rose Lee. Staunton owned the theatre as her and the cast ripped through some classic songs including: Everything’s Coming up Roses and You Gotta Get a Gimmick. During the heart-storming finale Staunton wrings every note of emotion from the song: Rose’s Turn.  I don’t know much about musicals but I know when something’s great; and this was it!  (Mark: 10 out of 11)

HUNGER GAMES – MOCKINGJAY PART 2 (2015) – CINEMA

I was disappointed with the final Hunger Games stories (Part 1 and 2) which reduced a fine arc of human revolution to soppy, plodding closure; as well recuperating the positive leading protagonist to a clichéd and reductive vision of femininity. The excellent Jennifer Lawrence finally brings Katniss Everdene’s story home in a finale which had some horrible monsters in the middle but gets bogged down with love-triangle nonsense and laboured manipulative-media-evil-government-geo-politics. The movies’ pace really let it down and splitting the film in two just took liberties. More action and less talking would’ve served a better end to Katniss’ heroic journey. (Mark: 6 out of 11)

LET US PREY (2015) – NOW TV

A nifty little horror film with Liam Cunningham playing a devilish character called SIX who wreaks havoc on an unsuspecting Scottish police station. Faust meets Assault on Precinct 13 in a bloody tale of vengeful murder and gut-wrenching death. All the characters have their demons in a bloody and fiery hellish movie which has some great gore and evil premise at its heart. (Mark: 7 out of 11)

THE LOBSTER (2015) – CINEMA

If you like dark comedies about strange love, fascism and violence then you must see The Lobster. It’s weird, wonderful and very funny as Colin Farrell plays a single man – in the not-too-distant-future – who has a limited time to find a mate or he’ll be turned into an animal of his choice. Obviously, he chooses the eponymous crustacean and what ensues is a peculiarly dark and hilarious satire of human relationships and dating mores which is barbed by moments of extreme violence and strange tenderness. The Greek filmmaker, Yorgos Lanthino, made the equally peculiar Dogtooth (2009) –about a family shut-out from society – and he has crafted one of my favourite films of the year. It is destined to be a cult classic which will reward those after something completely different from the usual homogenous Hollywood shite which peddles love and romance as an illusory saviour to our existentially pointless lives. (Mark: 9.5 out of 11)

MAD MAX: FURY ROAD (2015) – BLU RAY

I have to say on I thought this film may suffer on re-watch but it actually got better because it is a lustful, muscular and jaw-dropping spectacular which while having NO actual plot revels in the orgiastic nature of car-bombing action and deathly stunts.  Tom Hardy takes on the iconic Max Rockatansky role in this mega-budget-future-shooting-guitar-flame-throwing-blood-draining-crash-smash-and-burn epic.  Enter Charlize Theron’s kick-ass Furiosa who is on a mission of her own to protect those she cares for from nefarious Immortan Joe; the Citadel Overlord!

This is an incredible visual feast with carnage galore in a barren yet beautiful desert setting.  Hardy and Theron share great chemistry within the action and Miller executes some mesmerising moments of dialogue-free pure cinema. One may argue that it is style-over-substance but the style IS the substance. The concepts on show such as the flame-throwing guitar; moving blood-banks; mud-people on stilts; assorted pimped-up cars and souped-up weapons are what impress. As such George Miller proves himself a visionary filmmaker who owns the post-apocalypse on screen making it a terrifying and stunning experience. Action film of the year bar none! (Mark: 10/11)

SAN ANDREAS (2015) – DVD

Duwayne “The Rock” Johnson drives, pilots, flies and hovercrafts his family to safety from a gigantic Earthquake and Tsunami which decimates most of California. He gives an impressive action performance and in combination with some jaw-dropping effects makes this a decent, over-the-top and undemanding disaster movie. (Mark: 6.5 out of 11)

SPECTRE (2015) – CINEMA

Expectations were very high and alas not met because overall, the first hour-and-a-half of Spectre writes a spectacular cheque the final act cannot quite cash.  The big-bad-wolf reveal is not as surprising as I would have hoped and the Orwellian supporting story didn’t feel that deadly to me. . . It’s fine entertainment but overlong and tries to be too tricksy, wasting the talents and Christophe Waltz and Monica Belluci in the process. However, Daniel Craig is excellent and the set-pieces are a real joy. (Mark: 007.5 out of 11)

SCREENWASH REVIEWS– AUGUST 2015 (PART TWO)

SCREENWASH REVIEWS – AUGUST 2015 (PART TWO)

On top of the Netflix and documentary purge I watched quite a few films this month. Thus, here for your consideration, are some little reviews with marks out of eleven!

***MAJOR SPOILERS**

A MOST WANTED MAN (2014) – NETFLIX

One of Philip Seymour Hoffman’s final films and a pretty decent espionage thriller set in Germany. Despite an excellent cast and decent atmosphere I didn’t care much for the characters and it fizzled out for me by the end. (Mark: 6 out of 11)

COBAIN: MONTAGE OF HECK (2014) – BLU RAY

This is a very moving, filmic scrapbook documentary about an absolute musical legend who alas suffered both from mental and physical pain hence why he took his own life. Not sure if it was deliberate but toward the end his Mother and Wife were lit in a very similar way and resembled each other. While it was kind of objective allowing the sounds, videos, photos, recordings, interviews, cuttings and text to tell the story there a subconscious attempt by the director to link these two individuals. I loved the animated stuff which visualized the monologues Cobain recorded during his short life. I highly recommended this to fans of the troubled rock-poet and of course his amazing music. (Mark: 8.5 out of 11)

CREEP (2014) – NETFLIX

Not the British horror film directed by Christopher Smith ten or so years ago but a found footage film about a videographer who answers an advert to film a diary of weirdo played by the disarmingly dangerous Mark Duplass. I hated this at the start but it grew on me and the subtle horror was very well done and the ending is great. (Mark: 6.5 out of 11)

ENEMY (2014) – SKY

Doppelganger thriller Enemy is an enigmatic and weird treat full of fantastical images and brooding fear; featuring the ever brilliant Jake Gyllenhaal playing dual roles. His struggling actor and anxious teacher meet by chance and what follows is a mysterious game of cat and mouse. Both startling and unsettling from formidable genre director Denis Villeneuve. (Mark: 8.5 out of 11)

HECTOR AND THE SEARCH FOR HAPPINESS (2014) – NETFLIX

This is one of the worst-middle-class-first-world-problems-monstrosities-of-a-film I have ever seen.  I like Simon Pegg but I switched this film off forty-five minutes in. Hector isn’t happy?  No one’s happy, Hector!  Happiness is an illusion, Hector! Do you have your health, Hector? Your girlfriend is Rosamund Pike, Hector?  You have a home and food on the table, Hector? Count your blessings, Hector and piss off!! (Mark: 0 out of 11)

HYENA (2014) – NETFLIX

This is a sturdy and compelling British crime drama with a fantastic lead performance from Peter Ferdinando as a bent copper trying, yet failing, to stay ahead of the dangerous games he’s playing. It’s a brutal and nasty film; very reminiscent in style of Nicolas Winding Refn or Alan Clarke and is mostly gripping but slightly overlong. If you like your drama meaty, earthy and realistic then this is a movie for you. (Mark: 7 out of 11)

COCO CHANEL & IGOR STRAVINSKY (2009)

This was a sumptuous and stylish film with one of my favourite actors Mads Mikkelsen portraying composer Igor Stravinsky.  I have to admit that I found it pretty boring though in terms of the drama and while it looked great I just did not care about the lives of rich and spoilt artists in 1920s France. (Mark: 5.5 out of 11)

THE MAN FROM UNCLE (2015) – CINEMA

Amidst the spy genre pastiche, muscular bromance and triple crosses there’s some cinematic gold enjoyment to be had in watching The Man From Uncle. Guy Ritchie is a very reliable genre director and during some of the set-pieces I actually sensed there’s a proper auteur trying to get out.  While I liked Skyfall (2012) and look forward to Spectre (2015) this was reminiscent of the old Bond films from the 1960s as it makes espionage sexy again. Overall, this is an ultra-stylish spy eye candy with a cracking soundtrack. (Mark: 8 out of 11)

MAN WITH A MOVIE CAMERA (1920) – BFI CINEMA

Classic formalist documentary from Dziga Vertov is both an extravagant experiment in montage-making plus an intriguing look back at Soviet life post-Revolution. Dismissed as folly at the time of release it is now considered a masterwork, not only as a documentary, but as a film itself. It is humbling and intriguing viewing and makes you realise that the Soviet life is no different to ours as we witness births, marriages, deaths, work, rest and play. It’s a genuine historical and filmic masterpiece. (Mark: 10 out of 11)

MAZE RUNNER (2014) – SKY

This is a surprisingly entertaining addition to the recent raft of teenage-action-hero-in-dystopic-future-world-peril-films.  I enjoyed the existential mystery set up in the premise as our hero Thomas (Dylan O’Brien) is thrown into a Lord of The Flies land inhabited only by young men, trapped by a massive maze.  Plot-wise and action it’s very strong, however, the theme of humanity-accepting-one’s-fate-versus-escaping-while-testing-authority gave the story a richness making it very watchable indeed. (Mark: 7.5 out of 11)

MISSION IMPOSSIBLE: ROGUE NATION (2015) – CINEMA

M: I5 was a blast! Tom Cruise and the IMF team up to their usual breathtaking pyrotechnics! Good to see Sean Harris get a prominent role as he’s a formidable character actor. Phillip Seymour Hoffman – from M:I3 – is easily the best baddie though.  I just wish the trailers wouldn’t show virtually ALL the stunts especially HOW Tom did the “hang to the plane” thing. I don’t watch these films for the story – it’s the action. Please leave some for the film next time trailer people!  Rebecca Ferguson kicks serious ass and the scene at the Opera is pure Bond and pure cinema of the highest quality.
(Mark: 8 out of 11)

NO ONE LIVES (2014) – SKY

A stylish, yet empty exploitation serial-killer flick which would go straight to video if Blockbusters had any stores left.  Luke Evans is a handsome actor looking for a decent role since finishing Fast and Furious 6 and The Hobbit trilogy but this isn’t it. The film itself is saved by some extravagant violence and bloodletting but as a story it’s hollow like (Mark: 3 out of 11)

SOUTHPAW (2015) – CINEMA

If you like films about boxing then you’ll love Southpaw: a brutal and quality action-melodrama with another fine performance by Jake Gyllenhaal.  The story is very simplistic and structured around a riches-to-rags-to-redemption narrative but I found the soap operatics and bombastic direction a real adrenaline-pumped belt to the senses. Gyllenhaal is ripped, torn and lean like a prime piece of beef as life deals him body blow after blow. Can his on-the-ropes boxer bounce and make a come-back? While somewhat predictable I found Antoine Fuqua’s punchy movie a real knockout! (Mark: 8 out of 11)

STRAIGHT OUTTA COMPTON (2015) – CINEMA

This is a tremendous biopic of seminal hip-hop legends NWA, who came to the fore of world music in the late 1980s. Performances and direction are excellent as Ice Cube, Dr Dre, Eazy-E, DJ Yella and MC Wren – AKA NWA – exploded onto the scene like a bomb and delivered anger, power and beats that propelled them straight out of Compton and into the charts!  They are a perfect example of sociological, political and cultural forces converging to create a superlative brand and the film perfectly captures the age, the music, the look and the camaraderie of being the group. The film illuminates the spirit of the hip-hop scene and the problems the group had with the law while dramatically portraying the bitter in-fighting over royalties which split the band apart. Goes without saying the soundtrack is brilliant too! (Mark: 8.5 out of 11)

THEY CAME TOGETHER (2014) – NETFLIX

This starred two of my favourite comedic actors in Paul Rudd and Amy Poehler and is a broad parody of romantic comedies with a very high joke-rate. He stars as a corporate confectionary executive and tries to take over her small independent sweet-hearted business and at first they hate each other but then… Yes, they have sex! Pitched somewhere between Naked Gun and Anchorman this is very, very silly but also an absolutely hilarious comedy. Short, sweet, ridiculous and as infectious as diabetes.  Is diabetes infectious – oh, who cares! Just watch the movie! (Mark: 8.5 out of 11)