Category Archives: Netflix

SCREENWASH – AUGUST 2015 – (PART ONE) – NETFLIX SPECIAL

SCREENWASH – AUGUST 2015 – NETFLIX SPECIAL

In the month of August I themed my viewing down a couple of varied avenues. Firstly, watch a few more documentaries or non-fiction programmes. Secondly, get even MORE value out of my NETFLIX subscription!

There are some great shows on Netflix and if I had to recommend ONE then it would be It’s Always Sunny in Philadelphia which is arguably one of the greatest comedies I have ever seen. Netflix UK is also full to the brim of docs, stand-up, films and drama series to watch. Here are some of the shows I caught up with during August.

***MAJOR SPOILERS***

COMEDY

COMMUNITY (2009 – ) – SEASON ONE

Featuring a diverse set of archetypes within a US Community College this is good quality character comedy. Great cast, witty scripts and lots of self-reflexive parodies for film and TV fans to take in. Clearly influenced by The Office I’m pleased it doesn’t have the direct address mockumentary style and while only nine episodes in but I’m really enjoying this sharp comedy.

DRAMA

DAREDEVIL (2015) – SEASON ONE

This is an absolutely brilliant TV show! It’s actually better than many of the Marvel films that have been knocking about recently; certainly some of the superhero sequels. It concerns Matt Murdock (Charlie Cox) as blind lawyer by day and blind “super-hero” by night fighting to clean up Hell’s Kitchen in New York. It’s early in his crime-fighting career and is a brilliant origins story well written and developed.

It has a gritty noir feeling and style and is terrifically shot in the shadows, bouncing off the feel Nolan’s Dark Knight series established. The action, fighting and most importantly character development of both Murdoch and Wilson ‘Kingpin’ Fisk (played deliciously by Vincent D’Onofrio) is exceptional as we receive a slow bleed and blending of their stories until they meet near the end. You get the standard stereotypes often found in Superhero and Gangster films such as: the perky, plucky female assistant; cheeky, funny sidekick; Chinese, Japanese and Russian mobsters; uncompromising investigative journalist and more but it does it with such style that it transcends its generic components to become compelling viewing. Highly recommended!

HOUSE OF CARDS (2015) – SEASON THREE

The first two seasons of the US drama adapted from classic 80s TV programme were sensational as they used the backdrop of American political chicanery and conspiratorial ambition to propel Francis Underwood (Kevin Spacey) from Chief Whip to the Presidency itself. Ably abetted by Lady “Robin Wright” Macbeth his plotting of revenge and avaricious pursuit of power was fantastic to watch.

The 3rd season has not reached the dizzy heights of the earlier seasons in my view. That could be because I have been watching it on the “drip” week by week or there is more emphasis on political shenanigans and conflict arising from Underwood’s attempts to get America Works off the ground, plus his ongoing feud with Vladimir Putin. Not the real Putin obviously but the show’s thinly veiled version of him. Still, while I enjoyed the more noir and thriller aspects of the first two seasons this remains high quality drama with great direction, style and fine performances.

PEAKY BLINDERS (2013 – ) – SEASON ONE

I missed this gritty and violent period drama first time round on BBC but was grateful to catch up with it on Netflix. It’s a terrific post 1st World War story with a grand lead performance from Cillian Murphy plus awesome supporting cast including Sam Neill, Helen McCrory, Charlie Creed Miles and Paul Anderson. Murphy portrays the leader of a Birmingham gang who fight and scrap and slice their way from the dirty streets in an attempt to become legitimate bookmakers. Steven Knight, who wrote Eastern Promises (2007) and directed the superb Locke (2014), carves out a cracking tale involving coppers, whores, gypsies, bookies, the IRA, Communists and ex-soldiers fighting against a backdrop of political revolution and class warfare.

DOCUMENTARIES

BIGGIE AND TUPAC (2002)

While the theories on the deaths of Biggie and Tupac presented within this documentary may no longer hold up it’s still a fascinating film from unassuming master of the passive aggressive: Nick Broomfield. His persistence in tracking down and interviewing various elements potentially involved in the murder of these hip-hop legends really drew me in. Plus, the final interview with shadowy rap boss/gangster Suge Knight was both chilling and illuminating.

THE BRIDGE (2006)

You need a strong stomach to watch this documentary film. During 2004 the filmmaking team shot the Golden Gate Bridge in San Francisco and captured many suicide attempts; some where people succeeded in killing themselves and the occasional one who was saved. It’s a dark and upsetting look at depression and those who it affects plus reveals some of the reasons why people choose the Bridge as their intended final departure point. It’s an elegant film: poignant but a tough watch.

CROPSEY (2009)

What begins as a dig around the history of “the bogeyman” and other mythical baddies soon becomes a feature on Staten Island and the children that went missing from there in the 1970s and ‘80s. The film looks mainly at the prime suspect Andre Rand and whether he was guilty or not of murdering the kids and the media’s response to his case. It’s a bit slow overall without much in the way of revelation. Plus, there’s some dark matter which felt under-examined such as the abuse at the mental institution for kids where Rand worked. Overall though a slow yet thoughtful watch.

DARK DAYS (2000)

Marc Singer’s fascinating documentary from the late 1990s was an incredible look at the people who lived under the subway system of New York City and how they survived. Shot in grainy black and white it captures the hopelessness yet camaraderie amongst the homeless souls. It also demonstrates their desire to survive and build a home despite the grim conditions. The film would become a useful tool to put before City Hall in order to re-house the unfortunates, addicts and lost down there in the recesses of the underground.

MIND OF A RAMPAGE KILLER (2013)

Is a human being born evil or turned deadly by life events? The perennial nature versus nurture debate is looked at scientifically and psychologically in this pretty unsensational analysis of rampage killers. Of course there is no hard answers as there are a myriad of varying reasons why people go on killing sprees. While the psychology is murky as depression and bullying can play a part in equal measures, the main reason these individuals murder is because they have guns. Take away the access to weapons and you may at least prevent some of the senseless murders which occur Stateside.

LOST SOUL: DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR MOREAU (2014)

This was probably the best documentary I saw; mainly because I love films about filmmaking and I also love films about filmmaking which go spectacularly wrong. It charts the journey of director Richard Stanley and his attempts to bring classic novel The Island of Dr Moreau to the silver screen. With a massive budget and filming taking place in Australia it all starts to go wrong for Stanley as tropical storms hit the set and the money men at the studio lose confidence. Add the crazy Marlon Brando, difficult Val Kilmer, hedonistic extras and tropical storms to the mix and you get a box office turkey blowing up in front of your eyes. Both funny and tragic it reveals the folly of filmmaking yet sadly also seemed to finish Stanley’s promising directorial career.

TABLOID (2010)

Top documentary filmmaker Errol Morris points his camera at Southern Belle and crackpot Joyce McKinney and her various run-ins with the press over the years. Aside from cloning her dog in Korea in the noughties, McKinney was infamous for the “Manacled Mormon” story which delighted the lurid British red-tops in the ‘70s. McKinney is a lively interviewee as she recounts the tale of how she “rescued” the love of her life from the Mormon cult and attempted to turn him back in love with her through sexual programming. Yeah, chaining a bloke to a bed and screwing him will make him turn his back on God. Well, so SHE thought. McKinney did all that she did for love and cannot be faulted for that but came off as a delusional woman who just has to be heard to be believed.

VIDEOGAMES: THE MOVIE (2014)

Dry run through of the Video Games industry from its humble beginnings to the multi-billionaire cultural behemoth it’s become today. I love video-games but this was pretty boring and although there was certainly some nostalgia to be had from looking back to my youth I wanted more controversy and dirt rather than the bland run-through of the history and uninteresting “talking heads” we got here.

WHEN JEWS WERE FUNNY (2013)

Some great comedians from the now and yesteryear discuss the nature of Jewish comedy and whether it is an actual “thing” and whether it still exists today. I enjoyed watching the old clips of greats such as Lenny Bruce, Henny Youngman and Rodney Dangerfield and many of the contributors are funny too. However, the filmmaker himself seemed to be working through some angst and guilt which at times detracted from the loose but amusing documentary nonetheless.

IT’S ALWAYS SUNNY IN PHILADELPHIA: A RETROSPECTIVE

IT’S ALWAYS SUNNY IN PHILADELPHIA: A RETROSPECTIVE

Hey-Oooo! Bitches!  With Season 10 of It’s Always Sunny In Philadelphia now catapulted from FFX onto Netflix I thought I’d look back at the previous nine seasons and pick out my favourite episodes of the series.  Thus, I have picked out ONE from each season PLUS a “Wildcard” too.

How would I describe the show to someone who has never seen it before:  imagine Friends but the polar opposite.  It has the most unlikeable, unattractive, insane, narcissistic characters who do all manner of god-awful things to themselves, each other and total strangers. If you haven’t ever seen this show then you should . It is frantic, sick, irreverent, disgusting, manic, hyper-real, cartoon-like, politically-incorrect, satirical and incredibly hilarious. Indeed, It’s Always Sunny In Philadelphia is arguably the closest you would get to a live-action version of South Park.

Set in the dismal Paddy’s pub in Philadelphia it initially concerned four (in Season 1) then five (when Danny DeVito joined) individuals who are each in their own way complete fuck-ups and whose main existence generally aims to scheme and out-do the others for personal gain or egotistic one-up-man-woman-ship.

THE CHARACTERS

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RONALD “MAC” MCDONALD (ROB MCELHENNEY)

Mac is a delusional tough guy, bouncer and devout Catholic who thinks he’s hard but ultimately is a moral and physical coward. Occasionally he’ll come up with some words of wisdom but on the whole he is a brainless yo-yo obsessed with remaking Lethal Weapon.


DENNIS REYNOLDS (GLENN HOWERTON)

Dennis is the group’s amoral Ted Bundy figure: a vain, arrogant, would-be-handsome-if-he-wasn’t-so-psychotic-lady-killer. While not actually a murderer he is a low-life scumbag and arguably is the stupidest of the group because he thinks HE is the most intelligent.

CHARLIE KELLY (CHARLIE DAY)

Charlie is an idiot savant with the onus on the idiot part of that; notably in his stalking of “The Waitress”.  He is the most innocent and does all the dirty “Charlie Work” in the bar like unblocking toilets and killing rats. He is also the most unpredictable sniffing glue and dressing up as alter-ego Green Man!


DEANDRA “SWEET DEE” REYNOLDS (KAITLIN OLSON)

Dee is a failed actress and stand-up comedian and often ridiculed by the others for “big-bird” looks, lack of talent and her boyfriend choices.  Thus, she will often over-compensate and compete with the guys, especially her twin-brother Dennis, in an attempt to prove herself.  Her plans mostly end in humiliating failure and loss of dignity.


FRANK REYNOLDS (DANNY DEVITO)

Frank is Dennis and Dee’s father – or is he? – and joined the group in the 2nd series when he bought into Paddy’s Bar because the gang were broke AGAIN!   Frank’s great at making money  but eschews the corporate world  to live like a feral tramp at Charlie’s place revelling in the insanity of his new-found freedom

itsalwayssunny

THE EPISODES

**SOME SWEET SPOILERS BITCHES!!**

SERIES ONE – CHARLIE WANTS AN ABORTION

This was hilarious for a number of reasons as several storylines converge revealing the desperate lengths the gang will go to achieve their low-level goals. Charlie uses his “long-lost son” as a emotional bargaining chip to get closer to his obsessive love-target:  The Waitress. Meanwhile, Mac and Dennis use Pro-life/Anti-abortion rallies to try and score with women. Safe to say all of their plans blow-up in their respective faces.

SERIES TWO – MAC BANGS DENNIS’ MUM

In this wonderfully plotted episode the Gang basically does a low-rent version of La Ronde.  Precipitated by Mac sleeping with Dennis’ mum (Anne Archer) a series of sexual revenge schemes backfire with sick hilarity.  For once Charlie ALMOST gets the upper hand until the horrific pay-off; while the highlight is — much to his amazement — Dennis being turned down by Mac AND Charlie’s mum when he attempts to have revenge sex with them.

SERIES THREE – SWEET DEE’S DATING A RETARDED PERSON

This is awesome because we get a peak at Charlie’s  crazy musical ‘talent’.  Plus, Dennis sends Dee into a spin by casting aspersions on her new rapper boyfriend — a dopey version of Eminem — by saying he is mentally backward.  The episode stands out for the awesome song Dayman — based on a dream — which Charlie wrote while sniffing spray paint. Later, Charlie and Dennis getting heckled off stage when performing it live is a particular highlight. Personally, I think the song rocks!

SERIES FOUR – WHO POOPED THE BED

The gang does Agatha Christie-meets-Sex-in-The-City style in this well structured yet disgusting episode. Indeed, Dee tries to become more classy with her girlfriends and the others attempt to discover who pooped Frank and Charlie’s bed.  The two stories intertwine as Dee’s theatrical friend Artemis eventually ditches Dee finding the “poodunnit” more interesting.  Highlights include: The Waitress falling off the wagon and laying violently into Dee plus Artemis’ final Poirot-esque summation in determining the suspect. An episode that’s full of crap — but in a fun way!

SERIES FIVE – THE DENNIS SYSTEM

Dennis just goes full “Ted Bundy” in this one with a breakdown of the system he uses to score with women.  It is a disgusting litany of dehumanizing manoeuvres which sums up Dennis’ scummy character and satirises brilliantly the sexist masculine “pick-up” industry.  Moreover, it is just hilarious as the gang both ignore AND follow his “expert” advice with a succession of dreadful dating endeavours.  As a fan of Acronyms I also admire the malice aforethought and linguistic logic of the system too.

SERIES SIX – THE GANG BUYS A BOAT

Often the episodes will find the gang will do something mildly normal — like buy a boat —  but their various actions will splinter into events which completely undermine the plan. Indeed, in this episode Dennis suffers his usual delusion of grandeur, with Mac in tow, believing owning a boat will help him achieve greater social status. Meanwhile, Charlie, Frank and Dee attempt to clean the boat but ultimately work against each other culminating an explosive end result.

gangboat

SERIES SEVEN – FRANK REYNOLDS LITTLE BEAUTIES

Frank’s energy for money-making schemes knows no bounds but it backfires when he decides to put on a beauty pageant for kids without realising the pitfalls surrounding such events.  Thus, Frank spends the whole episode keen to point out he’s NOT a paedophile and with face-paint troughed on by a funeral make-up artist he resembles the living dead.  At the same time Dee and the others attempt to live vicariously through the kids to make up for their own personal show business failures.

SERIES EIGHT – THE GANG GETS ANALYZED

Even though the Gang generally screw each over with their many schemes much joy can be found with their altercations with a variety of third parties notably:  Lawyers, Government officials, Doctors, Police, Health and Safety Officers and the general public.  In this one they visit a Dee’s Therapist  and end up being individually assessed as the group has broken down over who should be doing the washing-up.  Charlie and Frank’s analyses are off-the-chart funny but I loved that Dennis, believing himself to be an equal with the Therapist, is proved to be just as nuts as everyone else.

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SERIES NINE – THE GANG BROKE DEE

Dee’s failure as a performer due to suffering stage-fright is a delight because having done a bit of comedy myself it’s great seeing someone else crash and burn at that artistic endeavour.  In this episode she gives up completely on life and her act. Then, incredibly she has a major breakthrough as a comedian and the episode delights in sending up the nature of stand-up and how you climb the ladder. The final twist in the tale is also a joy and sums up the lack of compassion the group have toward Dee.

gangbrokedee

WILDCARD – SERIES FOUR – E13 – THE NIGHTMAN COMETH

In tribute to the “Wildcard” Charlie I’ve picked this episode as a little addition because it is packed with ridiculous music and humour.  The gang put on a rock opera/musical for no reason at a proper theatre to boot!  To say it is bizaare is an understatement and the joy in seeing them perform a series of weird songs in amongst the insane story is a treat.  Charlie parodying the stressed director/artist is hilarious as he takes it all far too seriously. Let’s just say Stephen Sondheim need never lose sleep.  Unless he’s dead:  is Sondheim dead?