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NETFLIX FILM REVIEW – THE PLATFORM (2019)

NETFLIX FILM REVIEW – THE PLATFORM (2019)

Directed by: Galder Gaztelu-Urrutia

Written by: David Desola and Pedro Rivero

Cast: Ivan Massague, Antonia San Juan, Zorian Eguileor, Emiliano Buale Coka, Alexandra Masangkay

Cinematography: Jon D. Dominguez

Original Platform: Netflix

*** MAY CONTAIN SPOILERS ***



Last night, just under a week into the stricter UK social distancing procedures, I finally got pangs of withdrawal symptoms from NOT going to the cinema. Of course, my feelings or emotions at this time pale into insignificance when compared to the thousands of people affected by or those who have lost their lives to the COVID-19 virus. Moreover, while one could describe our planet as currently resembling a massive open prison, it’s nothing compared to the horrific conditions of the vertical prison in Spanish horror thriller, The Platform (2019). Be warned: do not watch this film while eating your dinner, as it could affect your appetite.

While I recently wrote an article about some films that could make you feel better in this global crisis (link here), paradoxically a horror film such as The Platform (2019) can also work to make you feel better too. Because a film where prisoners are trapped in a multi-level jail and whose food intake is based on how high they are within the prison, is an ingenious, yet terrifying concept. Knowing my life can never be as bad as the main protagonist and the prisoners he encounters made me feel somewhat relieved. Furthermore, the gore levels, plot twists and social satire on display took my mind off the reality of my own situation.



Ivan Massague, with his hangdog-Zlatan-Ibrahimovic features is Goreng, our reasonable everyman at the start. For some bizarre reason he has volunteered to be in this Kafkaesque hell for reasons I won’t spoil. His first cellmate is an older man, Trimagasi (Zorian Eguileor). He is in for committing manslaughter. Trimagasi explains how the system works in the jail. Food comes down on a platform and is meant to be shared with everyone from top to bottom. Of course, it doesn’t work like that as greed prevails. The lower down you are the less food you get. What happens when you don’t eat? You look for alternative food sources. Goreng is naive initially, while Trimagasi knows how to play this vicious game, especially because they never know what level they will be on month to month. This is no Shawshank Redemption (1994), where the mentor coaches the younger man positively. In this environment it is a dog eat dog world; and it’s every dog for him or herself.

The Platform (2019) has a brilliant script, thus is a wicked delight from start to finish. Even the ambiguous ending, which while leaving our gallant lead protagonist’s fate open to interpretation, is fitting for a constantly surprising genre film. It is both a joy as horror film and social commentary. Indeed, the film has its pound of flesh and eats it. I just have to say there is some fantastic gore and memorably crunching deaths throughout of man, woman and beast. The film doesn’t have all the answers. In fact, it is actually quite nihilistic about human behaviour and our inability to share the wealth around. But as high concept and low budget horror movies go, it’s one of the most entertaining I have seen in sometime. Anything to take one’s mind off what is really happening in this world can only be positive.

Mark 9 out of 11


MONOS (2019) – CINEMA REVIEW

MONOS (2019) – CINEMA REVIEW

Directed by: Alejandro Landes

Produced by: Alejandro Landes, Fernando Epstein, Santiago Zapata, Cristina Landes

Written by: Alejandro Landes, Alexis Dos Santos

Cast: Julianne Nicholson, Moises Arias, Sofia Buenaventura, Julian Giraldo, Karen Quintero, Laura Castrillon, Deiby Rueda, Wilson Salazar, Esneider Castro, Paul Cubedes etc.

Music: Mira Levi

**MAY CONTAIN SPOILERS **



Those American teenagers, as represented in recent film and television offerings such as Stranger Things and IT, have some serious problems to deal with, such as inter-dimensional aliens and extra-terrestrial demons masquerading as killer clowns. Such foes, however scary, are of course fantasy. The horrors that the kids in feature film MONOS (2019) have to deal with, feel very real, raw and altogether horrifically more deadly.

The film opens on South American mountaintop in Columbia. We are thrown straight into the everyday lives of young rebel soldiers known only by their war names including: Rambo, Smurf, Lady, Dog, and Wolf among others. The fact we never learn their real names establishes the dehumanized and exploited nature of these characters. They are denied a childhood and used as young soldiers within a guerrilla cell. The adults controlling them are represented by a man known only as The Messenger, who visits, drills and orders them about. While they act out, have sex, drink and “play” with the illusion of freedom, if they do not follow orders then there is hell to pay.



“Hell-to-pay” is an apt phrase for both the characters and the audience watching. For me this is not an enjoyable film in terms of entertainment. It is not intended to be. It is a very angry film and a shocking war of attrition to sit through. There is a documentary feel and in-your-face realism throughout, with little or no sympathetic characters to root for. Don’t get me wrong, I empathised with the plight of the children and what had happened to them. Yet, it’s difficult to sympathise with them, because when we join them they all seem so irreparably damaged by war and their existence. It’s a dog eat dog world and these dogs have guns, knives and semi-automatics.

Overall, I found the characterisations and elliptical narrative jarring throughout. For me, it created alienation in terms of emotional impact. However, the cinematic storytelling is of the highest quality. The visuals, sound, score and acting are all exceptional. Indeed, Alejandro Landes is a fearlessly talented filmmaker and definitely one to watch for the future. The mountain vistas and jungle scenery were majestic and beautiful to behold, despite the hellish events unfolding. Lastly, the film carries a deeply important message about these lost children of South America. Their lives are no fantasy. They are violent, animalistic, dirty, carnal and, based on what I saw in Monos (2019), completely devoid of hope.

Mark: 8.5 out of 11